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Showing posts with label splendour. Show all posts
Showing posts with label splendour. Show all posts

Indiana

October 2014

JUST five years ago she was a struggling single mum, scraping a living together for her and her son by working in a T-shirt printing shop.
Her dad had committed suicide, her mum and two sisters had moved away.
Lauren Henson was alone.
One lunchtime, she nipped into a smoothie bar in her home town of Loughborough, and met the man who would turn her life around.
“It sounds cheesy, I know, but it was love at first sight,” says Lauren Henson, better known as rising Nottingham music star Indiana.
“We couldn’t breath, he was dropping things... we couldn’t get out of each other’s heads.”
The 27-year-old is sat in Suede Bar in the Lace Market, co-owned by her boyfriend, who also, coincidentally, runs a T-shirt company.
As well as moving her and her son Harvey, now 6, to Long Eaton, James Alexander encouraged her to pursue her passion for music.
He entered her for the annual Future Sound of Nottingham competition in 2012, the winner of which would open the main stage at Splendour in Wollaton Park.
She made the semi-final, held in the Old Market Square, in April of that year - her first live performance.
Despite obvious nerves, other local musicians, music writers and Splendour boss George Akins, were blown away by her dark electronic pop. To reach the final, Indiana needed votes but as an unknown artist, she didn’t have the fan base to put her there.
No matter, she would play the final at Rock City anyway, as a special guest, such was the belief in this fresh music talent.
Since then she has signed to major record label Sony, played all the major music festivals, including Glastonbury, had her first Top 20 single, Solo Dancing, and played an intimate show at Radio 1’s Live Lounge with Irish chart-toppers The Script - in front of The Queen.
It was a one-song performance, of David Bowie’s Heroes and included her singing the line “and I will be Queen”.
She laughs: “I was told not to look at her when I sang that line. But I was so focussed on not looking at her, my eyes were darting around the room and they hit her a couple of times.”
HRH was on a tour of the BBC’s new Broadcasting House in London and Indiana’s three minutes were screened live on BBC News 24.
“She’s well sweet and little,” says Indiana, who was introduced to her afterwards.
“She reminded me of my grandma Mary.”
That was last year, a year that also saw her make her Glastonbury debut and play the main stage at Splendour, while heavily pregnant with second child, Etta.
This year she has been regularly playlisted and interviewed on Radio 1, had a No. 14 single, played summer festivals such as Reading and Leeds, Bestival and Nottingham’s No Tomorrow in Wollaton Park and finished her debut album, No Romeo, released this month.
So how does she combine motherhood and a music career?
“It’s been hard, this summer especially, because of all the festivals. After Bestival on the Isle of Wight, I got home at 4.30am and had to be up at 7am to prepare for Etta’s first birthday party,” says Indiana, a lean 5 ft 11 with model looks and tattoos snaking down her left arm.
James, who inspired her growing collection of tattoos, isn’t a stay at home dad as he has three businesses to run, including Suede Bar, three smoothie bars and the T-shirt company Some Kind Of Nature, which Indiana often wears for gigs and social media photos.
“He’ll kill me,” she says, realising she’s forgotten to wear a branded T-shirt for today’s photo shoot.
“We’re lucky that my mum has moved in to our house to help out with Harvey and Etta,” she says, returning to the childcare issue.
“She’s retired and she wanted to do it but she’s looking to buy a house so she won’t be there for much longer.”
Her mum and dad separated when she was six.
“I saw him every day and I was extremely close to him but I didn’t find out he was ill until I was 14 or 15,” she admits.
“He was a paranoid schizophrenic. My childhood is a very confusing place because there were two sides to him. He could be very loving and caring and a really fun dad to be around. But then he’d say some really confusing things to me.
“A young girl from our town had been murdered and the last person to see her alive had the same name as my dad. The police told him that they knew it wasn’t him but he invented this whole thing that he had killed this girl. He’d tell me that he was a bad man and a murderer.
“Even when they caught the guy who did it, he’d carry on saying that and I’d scream at him ‘what is wrong with you, you didn’t do it!’ It was very confusing. Very weird.
“He attempted to kill himself six times and I witnessed it. He stabbed himself in the stomach and we had to take him to hospital.
“He eventually killed himself because he thought me and my sisters would get bullied because of him.”
After that her mum moved away. Her older sisters, Joanne and Nicola, had already moved to Hampshire and London.
She became pregnant by a childhood friend.
Indiana admits that she went off the rails after her dad’s death, although she believes she was always off the rails until she found music.
“I was ungrounded, going from job to job, fixating on fitness or partying too hard or yo yo dieting... there was something I always had to focus on. Sometimes bad things. When I found music, I found peace. I have an addictive personality... I’m just glad that I’m addicted to something healthy.”
Early musical favourites included Marilyn Manson.
“I had a poster of him on the wall next to my bed right where my pillow was and I used to kiss it,” she laughs.
“What a weirdo!”
She adds: “I was a greb. I went through a bit of a bit of goth stage but reverted back to being a greb. I was into metal, punk and ska. I didn’t used to wash my hair, I’d wear baggy trousers... and I’d stink,” she laughs.
She didn’t make to the trip over the border to Rock City to see gigs though because she had a baby at home, whose dad is still very much a part of his life.
“Harvey’s heard me on the radio and he comes to rehearsals, so he’s getting it,” she says.
“He misses me when I’m away, as does Etta, but sometimes I see them more than the average mum because I can be at home for long periods.”
That won’t be the case this month when the album is released. There’ll be promotional duties to do followed by a UK tour that includes a home coming in November with a date at the Rescue Rooms.
She admits: “I’m the most contented and grounded and happiest I’ve ever been.”


No Romeo is released on October 13. Indiana plays the Rescue Rooms on November 7. Tickets are £10, call 0845 413 4444 or go to alt-tickets.co.uk.


Amber Run

October 2014


THERE are a number of unsigned bands and musicians from over the county line who claim to be part of the Nottingham music scene due it’s healthy state.

Amber Run aren’t one of them. Although four of them are school friends from Buckinghamshire, they formed as a band at the University of Nottingham.

Joe Keogh (vocals, guitar), Will Jones (guitar), Tom Sperring (bass) and Felix Archer (drums) met Henry Wyeth (keyboards) in Nottingham (“he was Tom’s next door neighbour”), forming Amber (later renamed Amber Run) two years ago.

They quit before finishing their degree courses to pursue the rock ‘n’ roll dream and it’s been paying off; they have just released a third EP for RCA Victor, played Reading and Leeds festivals, enjoyed national radio support and had a strong press reaction: “Their vast sound has Coldplay stadium ambitions” (Independent); “Epic tunes that sound destined for arenas” (Daily Star); and “Incredibly effective” (The Sun).

One would expect the local music scene to embrace them.

“Sometimes we get a bit of stick for saying we’re from Nottingham,” says singer, guitarist and chief songwriter Joe Keogh.

“I’m not really sure why that happens. Maybe it’s just me being hypersensitive about it.”

He adds: “The Nottingham music scene is the reason we exist as band. Regardless of where we were all born we love the scene and I will do everything I can to champion it as long as I’m making music.”

The quintet are currently on the road with top 40 singer songwriter Lewis Watson, playing 500 capacity venues around the UK.

“They are all around that size but we played Shepherds Bush Empire, which is around 1,500. It was mad, very tasty, I had a really good time.

“Lewis is an absolute gem, which is a good job because we’re sharing a tour bus with him.”

The tour comes to the Rescue Rooms tomorrow, and they’ll be doing just 30 minutes. But they will return on November 9 on the New Faces Tour, playing the Bodega.

Says Joe: “I like being on the road. I hate sitting around doing nothing. I want to play as many shows as possible.”

Who would be an ideal tour to go on?

“I’d love to be on the Bombay (Bicycle Club) tour. I’d love to hang out with the Catfish (& The Bottlemen) guys. I’ve met them a few times and they’re a laugh. I’m dead pleased for them for the Top 10 album.

“And love to go on tour with Callum (Burrows, aka Nottingham’s Saint Raymond) as well. We’ve done one off gigs but never an extended run of shows.

“It’s just that diaries haven’t synched or whatever. It’s definitely been discussed. He’s off on tour with Ed Sheeran for the next three months and we’re pretty busy so, hopefully next year.”

Saint Raymond and Amber Run’s careers have been running in tandem, pretty much with a few EP releases each. But who will be the first to get their debut album out?

“I think it’ll be Callum. Both our albums are done and we’ve signed them off. Now it’s deciding the best time to get them out.

“With the Ed Sheeran tour, Callum is getting loads of exposure so it’s a really good time to push his album out.”

He adds: “But I’m really happy with the way things are moving for us. Although I must admit, I’ve enough material for a second album already.”

Backstage at Splendour: Saint Raymond

July 2014

AFTER a host of Nottingham artists last year, the sole representative on the Main Stage at this year's Splendour was Saint Raymond, aka Bramcote 19-year-old Callum Burrows, who spoke to us before his set...

Two years ago you made your Splendour debut on the Courtyard Stage, then the second stage last year and now the Main Stage...
Yeah, it’s a bit crazy. It doesn’t seem like five minutes ago that I was playing the Courtyard Stage. It’s flown by. Last year was the first gig with the live band. We had our first rehearsal the night before but it went really great. I’ve been touring with them ever since so it’s nice to come back. I wasn’t signed at that point. I signed a month later.

 Going from stage to stage is following the same trajectory as Jake Bugg, who continues to go from strength to strength...
Yeah, as a Nottingham artist, it’s inspiring seeing a local lad doing so well. Definitely.

Which song tends to get the crowd going?
In Nottingham it’s Bonfires. We do a bit of an outro and have a bit of dance about to that.

You started the first of a string of dates opening for Ed Sheeran this week. How was that?
That was in Vienna and there were 3,000 people. We were blown away by the noise they made. Ed Sheeran is the biggest sweetheart in the world. He took time out to come to the dressing room and hang out. That was a one-off until the tour in October. I’m off to Majorca and Ibiza next week, then the tour with Ed starts in October.

Backstage at Splendour: Foxes

July 2014

AFTER her main stage set, Louisa Allen aka Foxes, spoke about the downpour that greeted her and the amazing Nottingham crowd...



How was that?
I will never forget that crowd, ever. They were really amazing.

 The weather didn’t spoilt it then?
It was really strange because the weather went a bit bi-polar. The rain was literally pouring from the stage into the audience. It was bucketing down.
But that was such a great crowd. They were incredible. It was quite mystical. You know when the stars just align and something just happens? Something happened. And it felt really magical. I always think the weather gets weird when there’s energy in the air. It was really nice.

What’s next?
We’ve got another show in Sheffield tonight. This is just the busiest summer of my life. It’s good though, it beats working for a living. I’m going on tour with Pharrell for five weeks quite soon. That will be amazing. We’re doing a European tour. I love him so I’m really excited about that. And I have lots of other UK festivals to do.

Harleighblu

July 2014


IT was at last summer’s Splendour festival and a backstage chat with Jake Bugg’s manager that the seeds were sown for Harleighblu’s current success.
She had been on the local music scene for a few years, picking up acclaim and tips for success on a regular basis. Then came the deal with Tru Thoughts and the subsequent debut album Forget Me Not, plus national airplay and magazine cover features.
But she’s stepped it up a gear this year, making her Glastonbury debut last week, playing the Isle of Wight Festival, festivals in Switzerland and France, with more to follow including Bestival and The Great Escape.
“There are lots of great things coming up,” says the 22-year-old, who lives in Carrington.
“It’s going to be a good summer. It feels like it’s going to be my year.”
It all started with a mini-tour of the UK, including the Rescue Rooms, in February.
“I’ve not stopped since then,” she says.
The jump from local gigs to international festivals has been down to her finding a manager.
“It’s had a massive effect on my life,” she says.
“I only came across him because of a big talk I had at Splendour last summer with Jason Hart, Jake Bugg’s manager. He said I needed a manager who would, eat, sleep and breath me, who totally gets the direction I want to go in, someone with time, money, energy... all of that.
“It was invaluable advice. And I soaked it all in. Then I played an industry festival that was showcase for Tru Thoughts. Chris Young was there to give a talk about the success of Subtracks, a producer he manages. He’d just been in the States working with Drake.
“Chris knew who I was because XFM’s John Kennedy had been championing me and I’d been played on 1Xtra. He said he was interested in managing me and I told him I was in between management. I wasn’t, I was doing it all myself,” she laughs.
“He gave me his card and that was it. He sorted my life out. Now I can enjoy the singing and he can sort out the business side of it. That had been killing me and the reason why I’d not been playing so many gigs.
“Then, as soon as you give that job to someone who knows what they’re doing... bam! it all starts.”
Not that Chris is finding managing Harleighblu that easy.
“He gets quite annoyed with me because I’ve not been checking into flights on time when I get the emails,” she laughs. “All this flying malarkey, it’s a bit much for me. I find it really confusing.”
Already this summer she’s played the Isle of Wight Festival, then Fete Du La Musique in Switzerland.
“I didn’t know until I got there that I was on the main stage. I thought I was playing some little jazzy stage. There were thousands of people there. It was massive. I was in the Geneva newspaper as ‘one to watch’ and even when I was soundchecking there thousands of people waiting and staring at me. And when I started singing they knew the words. It was a really surreal feeling.”
Last weekend’s Glastonbury was a good experience she says but the smaller, leftfield festivals are what she’s most excited about.
“Glastonbury is as mainstream as I’m getting,” she laughs.
“It was great but the next day I was in Paris supporting Charles Bradley and the Dap Kings at La Defense Jazz Festival.
“On Tuesday it was Gilles Peterson's Worldwide Festival in th South of France. I’ve got Love Supreme this weekend where I’ll get to support De La Soul again, and Laura Mvula... just cool soul and hip-hop artists. And I’m excited about the other jazz festivals I’ve coming up in France later this month.”
Harleighblu is her real name. Her mum was pregnant with twins that she planned to call Harleigh and Blu, merging the names when she lost one of them.
It was her mum’s vinyl collection that inspired the music she makes today.
“Singing is definitely the only thing I’ve ever wanted to do,” she admits. “I have no plan B.”
Her debut album, Forget Me Not, came out on Tru Thoughts last summer. It earned great reviews but wasn’t a commercial success.
That said, it served its purpose, she says.
“Forget Me Not was a great platform, just to get something out there and start the ball rolling. I got the attention that I needed from that album but now I’m moving on.”
The more she plays live with her band, the more her sound is developing: “It’s going a bit more trip-hop and electronic. It still has that hip-hop soul element but it’s developing. I’ll release an EP with that new sound at the end of the year or in January.”
Harleighblu is back in Nottingham tonight for the Tia Maria Dark Room, a curious event in a pop-up venue in Broad Street.
TV and radio presenter Gemma Cairney is the curator of what is billed as “the ultimate girls’ night out” that includes cocktails, hair styling, manicures and live music.
“I wasn’t sure about doing it because it’s the day after I come back from France and I’m off again to Love Supreme the day after,” says Harleighblu.
“I could have done with the day off. But Chris said that Laura Mvula did it last year and I like her. I think she’s cool. And I pretty much do as he says anyway.”

The Tia Maria Dark Room, with Harleighblu and One Girl, One Boy, is at Unit 2, 7 George Street, Lace Market from 5pm to 11pm and again tomorrow from 4pm to 11pm (Harleighblu only appears tonight). Admission is free but tickets are required. Go to facebook.com/tiamariadrink for details.

WHAT THEY SAID
“The new queen of hip hop soul”@ Radio 1/1Xtra’s Mistajam

“Her protean, dexterous voice immediately impresses. A talent to watch"@ Q

“A raw talent… with a voice that pours old soul in unfeigned torrents… a polished yet stirring debut.”@Clash

“Great soul. Look for this voice to grace some future high profile collaborations”@ DJ Mag

“Great vocals and songs to die for… expect big things and a bright future (5/5)@ Blues & Soul

“Unforgettable”@Echoes

“Can’t get enough of Play Me”@ 6Music’s Nemone

“A tune that a lot of people are asking about… Harleighblu… I like that!”@ 1Xtra’s Trevor Nelson

“She is something else. Massive, massive”@ 6Music’s Huey Morgan

Oslo, Hackney

DHP Family, which operates four live music venues in the city, has expanded into London with the opening of the £1m Oslo

IT started life as a railway station but the two-storey Victorian building in Hackney is now home to the first Nottingham-owned live music venue in London.
Oslo, which sits next to Hackney Railway Station, is the sixth venue owned and operated by DHP Family, the city centre company that is best known for Rock City.
It also owns Rescue Rooms, The Bodega and Stealth, and a venue in Bristol called Thekla, promotes national tours for the likes of New Order, James Blunt, Nick Cave and Ed Sheeran, runs its own ticket agency, and manages artists.
The focus of the business, started with the opening of Rock City more than 30 years ago, has always been in Nottingham, where they also run the annual Splendour music festival.
Oslo, which opened at the weekend, marks their first venture in the capital.
“We had a storming opening night, the place was packed downstairs in the bar and upstairs,” says DHP Family chairman George Akins.
“We’ve brought something new to this part of London; great music, great food and great drink all in one place – and it’s gone down really well.”
The name is a dedication to George’s mum, who was born in Oslo.
“There’s a bit of family heritage in there, which we like; family has always been important to us.
“And she loves it. It’s the only venue of ours that she wants to come and see. She’s been telling all of our Norweigian family about it.
“Hackney is now twinned with Oslo, which was a complete coincidence.”
They opened an office nearby last year as part of the tour promotion side of the business.
“We book a lot of bands into London already so it made sense for us to have an office there. This is taking the next step and doing what we do in Nottingham so well, in London.”
The 600-capacity Oslo will operate as a live music venue, nightclub, bar and eaterie.
“It’s like the Rescue Rooms... but with food,” he says.
“Hackney is an up and coming area. It’s very cool, it attracts a lot of fashion businesses... and we saw a good opportunity there.”
Bands booked to play in the next few weeks include Dry the River, Chrome Hoof, Long Eaton’s Indiana and an NME show.
“We’re confident we can keep the momentum going and make Oslo one of the hottest venues in London.”
DHP Family is now handling tours for Ed Sheeran, James Blunt and Flaming Lips and recently won Live Promoter of the Year for the second year running.
“We’re putting on more gigs than ever before and they’re bigger shows. We’re putting Jake Bugg, You Me At Six and Frank Turner in to the Capital FM Arena.”
Among the festivals they organise is Splendour. So who do we have headlining this year?
“We’re still working on it but we’ll be announcing a few names for Dot to Dot next week.”


For more about Oslo go to facebook.com/oslohackney, on Twitter @oslohackney and oslohackney.com.

Indiana

November 2013

In just 18 months, Indiana has gone from playing her first gig as an unknown in the Old Market Square, to signing a major label deal and performing for the Queen. This week she released her first single for Sony which has been playlisted by Radio 1. Simon Wilson caught her at home just before she headed off to Los Angeles to start work on her debut album.


IT’S one thing singing for the Queen when she’s sat just eight feet away from you in a small radio studio but to have deliver the line “and I will be Queen”...
“I was told not to look at her when I sang that line,” laughs the 26-year-old at her home in Long Eaton.
“But I was so focussed on not looking at her, my eyes were darting around the room and they hit her a couple of times.”
She was performing a cover David Bowie’s Heroes with Irish band The Script, a random gig that was arranged at the last minute to show HRH the new Live Lounge at the Radio 1 studios at the official opening of the BBC’s new Broadcasting House in London.
After the performance, which was screened live on the BBC News 24 channel, Indiana was introduced to her.
“She's well sweet and little,” says the mother-of-one in her home studio, where she’s been working on tracks for her much anticipated debut album.
“She reminded me of my grandma Mary. I was still proper scared though. I was so glad I didn't mess it up.”
They had a quick chat about Glastonbury where Indiana, real name Lauren Henson, was due to appear on the BBC Introducing Stage, part of which was seen on BBC Three’s coverage.
So there are two obvious highlights of the first 18 months of her career to date but topping both of them was playing the main stage at Splendour in July.
“There was so many people and they all cheered whenever I said anything,” she laughs.
“I was saying thanks and they kept clapping and shouting. I was about to start crying so I played Blind As I Am and messed up the words because I was all emotional.”
Splendour was headlined by Jake Bugg but also appearing on the main stage were indie band Dog Is Dead, managed by Nottingham’s DHP Family, who recently signed up Indiana.
The organisation, which operates Rock City, the Rescue Rooms and other venues, also promotes shows around the UK and they’ve booked her two next month; at Nottingham’s the Bodega and Oslo in Hackney.
“I'd like to start touring more because I love performing,” she says just 18 months after her very first gig. That was in the Old Market Square as part of the Future Sound of Nottingham competition to open Splendour’s main stage. She didn’t even make the final but was booked to play the festival anyway, such was the buzz surrounding her.
A year later she was on the main stage.
“Sometimes it feels like ages ago,” she reflects.
“So much has happened. I want to say I never dreamt I'd get this far... or some other corny line, but the truth is, as soon as I realised this was what I wanted to do I dreamt big.”
But she admits: “I’ve still got a long way to go.”
This week her debut single for Sony, Mess Around, was released and was placed on the Radio 1 playlist, a station that has supported her for months.
“I hope I never get used to being on the radio. It's such a buzz. I have a voice mail off my mum and my sister singing (screaming actually) along to Mess Around because it came on the radio when they were out in the car together.
“I’ve met a few of them. Phil Taggart is such a cool guy. Sara Cox is my favourite though and she waved at me when I visited the studios. And I met Scott Mills. He follows me on Twitter, you know,” she grins.
“Zane Lowe has really got behind me just recently. He interviewed Dave Grohl with the drum loop on Mess Around going on in the background. It was an awesome feeling listening to it all.”
Her music has been compared to everything from Portishead to Sinead O’Connor and The Cranberries. It’s electro-based and lyrically dark, which is surprising for an apparently happy and warm personality.
“People often say I'm not what they expected after listening to my music but I am drawn to darker things. I wanted to be a forensic scientist growing up.
“A lot of the time it’s just the way it comes out when I'm writing. Last week I set out to write an Arabian love story but I ended up with a song about a zombie army. It’s called Sleeping Nation. Here are a couple of lines from it: ‘And legion corpses creep, emerging from their sleep, I set my people free...’
“I'm a weirdo,” she laughs.
“And that’s not a line from the song, just a statement.”
As well meeting the Queen, Indiana has had a chat with the daughter of the King: Lisa Marie Presley.
“It was at a party for the launch of her album. Yeah she was chatting away to me and I said 'I’m sorry, I've not taken any of that in. I can't stop thinking you're Elvis' daughter and that you were married to Michael Jackson!'.

She’s now landed in LA where she’ll be spending a couple of weeks staying in Hollywood and working with producers on songs for her debut album. That will likely be released by the spring.
“When I come back there’ll be a new single and I’ll be making a video for that before Christmas.”
Joining her in Los Angeles is the boyfriend (the reason she moved here from Loughborough) and their two month old daughter, Etta.
“I'm under strict instructions that this trip is not a holiday,” she says.
“And I've only got one day off. I’ll be spending that with Etta and her dad. Etta comes everywhere with me. Well, I am her food after all,” she laughs, then adds: “Everyone has been really supportive and as long as you have that support network around you, there's no reason why a mum should have to decide between a career and a family.
“I'm doing both and I hope my situation empowers and inspires other women.”

Mess Around is out now on iTunes. Indiana plays The Bodega on December 4. Tickets are £6.50 from alt-tickets.co.uk. For more about her go to facebook.com/indianathegirl or follow her on Twitter @indianathegirl



Splendour interviews: Jake Bugg, Dog Is Dead, Indiana, Georgie Rose, Gorgeous Chans

July 20, 2013




JAKE Bugg isn’t known for his happy-go-lucky banter or cheesy grin, preferring to let the music do all the talking on his behalf.

And while he wasn’t exactly channeling Freddie Mercury during his one-hour headline set at Splendour on Saturday, he was smiling and talking more than he has at any show in Nottingham – and probably anywhere else.

And he was much the same backstage an hour before he was due on the main stage in front of 17,000 people in Wollaton Park.

Although he’d flown in to Nottingham from Ireland the night before and landed around midnight, he’d gone back to Clifton to see an old friend.

“I was at my cousin Scott’s,” says the 19-year-old chart-topper, sat in a portacabin, dressed in black like an early Sixties Beatle.

“I thought ‘who’s still going to be up at midnight?’”

They stayed up in to the early hours and now he’s paying the price.

“I’m tired, mate,” he admits.

Jake arrived at the Splendour site around 7pm after spending the afternoon sleeping and working.

“I went through some songs for the second album.”

He’d not seen any other friends or family?

“No. My phone’s been going off all day but I’ll see them later,” he promises.

During the set, Jake plays three songs from the next album, which he’ll finish recording at the end of August in Malibu with legendary producer Rick Rubin. It’ll be released in November.

He sayd: “I’ve got about 20 songs and I’ll record all of them to see how they come out.”

Before that he has a show to do.

“It’s amazing to be back and to be playing in my hometown and to be headlining but I also have to stay focused; just so I can play as well and not get carried away with familiar faces in the crowd.

“Or when a girl takes her bra off. It happened in Portugal the other day. Some girl lifted her T-shirt up and she didn’t know the camera was on her and it came up on the big screen,” he laughs.

Jake played Splendour on the main stage last year, but fellow Notts success story Dog Is Dead were notching up their fifth appearance.




I first saw them in the Courtyard at the first Splendour in 2008.

“We knew it was going to be a big hometown gig and something special and it happened, it was really cool, “ says frontman Rob Milton, 22, from West Bridgford.

“Something always happens here; when we play the first chord they open the circle pits and start moshing. I have to remind people it’s not a Slayer show.”

He adds: “It’s nice to play an all-age show. It was actually the first show my nan’s been to. The family were super proud, so it’s good.”

There are more festivals for Dog Is Dead to play before they record their follow-up to last year’s All Our Favourite Stories.

Of their status as Splendour veterans, he says: “It’s five times in six years. Next time we get a free cappuccino.”

Less than 18 months ago, Indiana played her first gig in the Old Market Square in the Future Sound of Nottingham, a competition to open the main stage at Splendour.



She didn’t even reach the final but since then she has signed to the Epic label, been played on Radio 1, appeared at Glastonbury and performed for the Queen with The Script.

She is the second artist to be signed to DHP (the Nottingham-based organisers of Splendour, owners of Rock City and much more) after Dog Is Dead.

And she’s pregnant! Baby Etta is due in September.

“She was kicking a lot,” says the 25-year-old from Long Eaton. “When you’re halfway through a song and you’re really into it... it’s really off-putting,” she laughs.

She has one more festival next weekend then will be on maternity leave from the world of pop until October when her debut single is released.

She’s thankful that the scorching weather settled down for Splendour, a largely cloudy, if warm, day.

“It was my first main stage, ever,” she says, adding that it was a better experience than Glastonbury.

“That was the most special performance ever,” she says of her early afternoon slot.

“I could really feel that everyone was like ‘we like you actually Indiana... it made me want to cry. I wasn’t expecting to be so overwhelmed.”

It would have been understandable for The Gorgeous Chans to have felt overwhelmed by opening the main stage as the winners of the Future Sound of Nottingham competition but the indie/ska band of mostly teenagers enjoyed it.

“It was great fun, “ says 19-year-old saxophone player Liam Webber.

“We were a bit worried the samba wouldn’t go down well but it seemed to,” he adds, of their sound, a mix of Paul Simon’s Graceland and Vampire Weekend.

Although the line-up was buoyed up to a ten-piece, two core members were missing.

“Our trumpet and organ player couldn’t make it so we replaced them with a samba band,” he says.

After the set they sped off in all directions and reported back with positive reviews about fellow Notts artists Rob Green, Dog Is Dead and Georgie Rose.

The latter, an 18-year-old from Mansfield, is one of the region’s most-talked-about female singer-songwriters and yet she’s only been performing for just a year. Her set was on the smallest stage in the Courtyard but she is a contender for the main stage next year.



“The security were turning people away,” she says.

“I wasn’t expecting it to be that busy so it kind of blew me away a little bit.”

She adds: “I’ve got a lot of work to do but I aim to get on the main stage.”

Dozens of artists played over the three music stages with an afternoon of chuckles delivered on the comedy stage, plus a market, a funfair and cabaret.

Harleighblu

July 19, 2013



IT feels like she’s been on the Nottingham music scene for years and yet Harleighblu is still only 21.

She started early: “I was in gospel choirs from being quite little,” says the music student, who lives in Carrington.

“And I entered singing competitions all over the country, winning vouchers to buy equipment. A karaoke machine was one do the first things I bought because there was a recording setting on it,” she laughs.

Although she moved all over the country with her mum’s job – a Toni & Guy hair stylist – Harls (you can call her that, go on) has spent most of her life here.

“It was my mum’s passion for rare groove, soul and R&B that got me interested in that kind of music. Even when I was at school I wouldn’t listen to anything else. My school friends were listening to Britney Spears or Busted while I was listening to Lauryn Hill and Jill Scott.”

Those influences remain despite many describing her next single, Play Me, as sounding like Amy Winehouse.

“It’s definitely a good thing as she’s amazing but it’s just a coincidence that Play Me sounds that way. The last track I had out, Enough Now, everyone said sounded like Erykah Badu, Jill Scott, Lauryn Hill and Floertry. And that is what I listen to more than Amy. But it’s a massive compliment.”

She describes her music as hip-hop soul: “It’s beat driven with a soulful edge.”

Harls signed to Tru-Thoughts in December and has since been played on 1Xtra, 6Music and Radio 1. Play Me will be released on July 29 with the debut album due in October, after which she’ll tour the UK, France and the US.

Which means she is unlikely to finish her music studies at NCN.

How she manages to get to college is a mystery as she often stays up until the early hours writing music.

“I get the most creative in the middle of the night. I don’t know why,” she admits.

Harleighblu will be on the Courtyard Stage with a band slimmed down to a five-piece.

“I’m looking forward to seeing Jake because the last time was when he was about 16,” she says.

“He was amazing. Off stage, he was a typical Nottingham lad but when he was singing it impressed me so much! No one had done Bob Dylan since Bob Dylan and Jake added his own twist.

“I’m looking forward to seeing Georgie Rose as well and Joel Baker because they’re both amazing. And no, they’re not friends of mine before you start...”

Indiana

July 19, 2013

THE fastest rising Nottingham music star of recent times is Indiana, a 25-year-old from Long Eaton who only played her first gig just over a year ago.

That was in the Future Sound of Nottingham competition to open the main stage at Splendour. She didn’t even come close but tomorrow she’ll be lining up with Jake Bugg, Squeeze and KT Tunstall on her own merit.

In the past 12 months she’s been signed to the Epic label, played on Radio 1, appeared at Glastonbury and sang for the Queen.

The latter was in the Radio 1 Live Lounge with Irish band The Script for a version of David Bowie’s Heroes, with her singing to the line “I will be Queen” to the Queen sitting just six feet away.

“Buckingham Palace requested The Script and the guys at Radio 1 wanted to showcase BBC Introducing,” she says of the initiative that has seen a lot of new artists getting played on national radio.

“And I was their favourite,” she beams.

She rehearsed with the band for a couple of hours the night before.

“I was nervous going into their space but they were really welcoming and a laugh. I was elated after that and not nervous at all but just before the Queen walked in I thought I was going to faint.”

The performance was screened live on BBC News 24.

“My family and friends found it really bizarre. They were messaging me saying ‘Did I just see you on the news?’”

After the performance she spoke to the Queen.

“It was quite annoying because the papers said she only clapped once – ‘one was not impressed!’ – but afterwards she was all smiles and chatting away.

“She spoke to me about Glastonbury. A guy from Radio 1 explained to her what BBC Introducing was and how I’d gone from writing music in my bedroom to performing at Glastonbury. And she said ‘Is that where it gets ever so muddy?’

“But the papers said she spoke to Danny (O’Donoghue, The Script singer) about Glastonbury and they weren’t even performing there, so I was annoyed that my claim to fame was taken away from me,” she laughs.

“Afterward, I walked out of the BBC and they were replaying everything on the big screen outside. I was stood in the middle of this crowd wearing exactly the same clothes but no one noticed me,” she continues, giggling.

Although she signed an autograph.

“Yes, just one. A girl asked for it and I got a pen out of my bag and started practising it before doing one for her.”

It was while at Glastonbury that she revealed to the crowd in the BBC Introducing tent that she was pregnant.

Etta, named after jazz singer Etta James, is due on September 7.

Is she worried about the timing?

“No, I’m embracing it. My label said I couldn’t have picked a better time because that’s the quietest month.”

Her boyfriend, James, will be a stay-at-home dad while she returns to her music career, with her first official single, Mess Around, due out in October.

She laughs: “I’ll have hopefully worked the baby weight off by then.”

Jake Bugg

July 19 2013


HE is in London about to buy a guitar at a price that – after tax – rivals my annual salary.

And it’s not the first time that Jake Bugg has forked out a few quid for a vintage six string; in Nashville he paid $20,000 for a 1954 Fender Telecaster.

This time it’s a 1955 Gibson Les Paul Goldtop.

Still, when you’ve sold 800,000 copies of your debut album, what are you going to spend it on? And there’s wisdom in these purchases.

“Investments, man,” says the 19-year-old, whose return to Nottingham today is one of only a handful he’s managed this year.

“It might be a kid’s education,” he adds, looking toward a future that seems a long way off. For now it’s music that dominates the life of Jake Bugg.

So is that his thing, collecting guitars?

“No man, I just want something that sounds amazing. The guitars they made years ago... some parts you just can’t make anymore.”

Of the Gibson, he adds: “Any guitarist wants one. And it’s an investment. I can’t lose any money on it. It won’t deteriorate in value.”

He won’t be locking it in a vault but using it for recording and on stage.

“They’re meant to be played. But as much as I love them and want to play them, if I was ever in financial need....”

It doesn’t seem likely the way his career is going.

“You never know,” says Jake, who already knows he will be busy with recording and touring commitments well into next year.

His first guitar, given to him by his uncle Mark when he was still at school was, he reckons, about £30.

“I had that fixed up because it has a lot of sentimental value,” he says.

And he still has the Yamaha acoustic his mum bought him (£50, if memory serves), on which he wrote most of his self-titled debut album.

“I don’t take that on the road because I don’t want it to get broken.”

Since the No. 1 album in October there’s been a tour with Noel Gallagher’s High Flying Birds, shows with the Stones Roses, tours of the US (where he appeared on national TV and the album reached the Billboard Top 100), Europe and Japan and he’s halfway through recording his second album with legendary producer Rick Rubin, the man who revived Johnny Cash’s career with the series of American Recordings albums.

He’ll be returning to Rubin’s studio in Malibu at the end of August.

He has said that the album is going well but he needed to write more upbeat songs.

“Yeah, I could do with one or two but I’m not struggling,” he says, casually.

The album will reflect what he’s experienced over the past year.

“I’ve met a lot of people and heard a lot of crazy stories,” he says.

“I’ve just been writing about that.

“It would be very dishonest of me to talk about smoking and drinking and stabbings in car parks... I’m not saying that’s all that goes off in Notts because it’s not.

“But I’ve not spent much time at home because I’ve been travelling around.”

He adds: “I’ll never forget where I’ve come from.”

So he’ll be singing about buying expensive guitars and sunning himself on a California beach?

“Certainly not,” he replies before adding, “It is an inspiring place to write, though.”

Musically will it be similar to the debut that showed his love of 60s and 70s singer-songwriters like Donovan, Dylan and The Beatles?

“It’s hard to explain because I just write the songs,” he says.

“I like it. Whether everyone else thinks it sounds good... that’s up to them. I’m making the record I want to make. If people like it then great but, if not, I’ll just keep making records.”

This summer has been a busy one already. When we speak he’s just returned from Portugal. Last weekend he was at T In The Park and supporting the Rolling Stones in Hyde Park.

Prior to that it was Glastonbury.

“It was the biggest gig I’ve ever played,” he says of his second set on the Pyramid Stage, which was watched by an estimated 40,000 people.

Then he remembers there were 80,000 people at the Stones gig.

“That was the most amount of people I’ve played to but they were there to see the Stones. I told the band ‘when you get on the stage just think that no one knows who we are and if one person claps it’s a bonus’.”

Does he get nervous playing to so many people?

“It is a big crowd but they all look the same after the first few rows,” he says, with characteristic cool.

Does he scan the crowd and see how people are reacting?

“I’ve played those songs a lot of times so you’ve got to keep yourself occupied,” he jokes.

“It is interesting to see what people’s reactions and expressions are to certain songs. That helps you to develop your set.”

He describes the Glastonbury experience as “a bit mad.”

Says Jake: “Two years ago I played the smallest stage and then ended up on the Pyramid. That’s pretty cool.”

He’s been open about his dislike of festivals and didn’t make an exception for Glastonbury by only staying for his two sets.

“I had to get off anyway,” he says. “I’m doing festival after festival all summer.”

Although Glastonbury was bigger, Jake enjoyed T In The Park.

“The crowd appreciated it that much that it sent shivers up my spine, which was dead weird.”

The same may well happen today, playing the biggest stage in his home city.

“It’ll be the first festival I’ve headlined as well so it’s a massive thing for me. But as much as I’m looking forward to it and excited about being a headline act I’ve got to treat it like any other gig and play the way I play. I’ve got to give it 100 per cent, stay focused and try and give the folks a good show.”

He doesn’t mean his folks, although they will be there.

“They’re all coming down and it’ll be nice to see everyone. There will be a lot of people who want to chat and I want to be able to chat to everyone but I can’t really stick around that much because I’ve got to move on to the next show. But I will try my best to see everyone.”

Suggs

February 2013



SUGGS never knew his father growing up. The man who left home when he was a small child was rarely spoken of although he knew a few, shocking details. “I knew he was a heroin addict and I knew he ended up in an asylum,” says the Madness frontman. “My mum was a jazz singer and she came down from Manchester.
“My dad was a big jazz fan and a photographer. They met in Soho.
“When they married she didn’t realise he was a heroin addict... not until she came home from work to find him with a needle sticking out of his hand. Then life started to get difficult and he became impossible to live with.
“So they went their separate ways.”
Heroin was rife in the jazz clubs of Soho during the 50s.
“I remember a chemist in Shaftesbury Avenue and one day a week they’d give out free heroin to registered addicts. There’d be queues of people.”
Suggs, who was born Graham McPherson, only discovered more about his dad when he turned 50.
“After he left my mum lost touch with him and we never really talked about him. It was one of those very British things; the elephant in the room.
“But when I turned 50 I started feeling retrospective. The kids had left home and my cat died. So I asked my ‘what did happen to dad?’ She started to fill in a bit more about who he was so I thought I’d find out what happened to him.”
He figured it would mean months of research in the local archives and visits to his family in Scotland.
“But then someone suggested I look on Wikipedia. And half of it was right there!”
His research also uncovered some shocking details of why he ended up in a psychiatric hospital.
“There was a story that he’d injected himself with paraffin,” says the 52-year-old. “He’d started injecting himself with anything he could find. I think the authorities thought it was the safest place for him. But I don’t really know much more than that.”
Although his dad died in 1975 at 40, Suggs was still taken aback on finding his death certificate.
“It was like he’d just been a figment of my imagination until then.”
He adds: “It made me think twice about (using) heroin, I must admit.”
His dad’s story is the narrative thread in the show he brings to the Theatre Royal in May.
“The conclusion is that you can dwell on the past, especially when it’s something bad and you can keep dragging it around with you like a ball and chain or you can just get on with life now. The people around you now are the most important people.”
The show, called My Life Story, also includes tales of his upbringing, life with Madness at 18, his career in TV and radio, and his own family, which includes a wife of over 30 years and their two daughters.
“It’s not stand-up, it’s not An Audience With... and it’s not a monologue either. We ended up with a sort of tragi-comedy musical sad thing... which is uncategorisable,” he says.
“When I wrote it, it was about five hours long. But I’ve got a director who showed me how to condense it. And he showed me ways of theatrically jumping around in time. If you leap from side of the stage to the other and shout ‘It’s 1992’ and the lighting changes a bit, then people kind of believe you.
“The only problem was learning it. There was a bit on a train where I kept getting off in 1975 when I was supposed to be in 1992,” he laughs.
He has a guitar and piano accompaniment for a few songs during the show.
“They are songs that illustrate the story. Baggy Trousers explains quite a bit about my childhood.”
Most of the band have seen it, when he took it on the road last year.
“They’d shout out at certain points that I’d got the date wrong or that I’d made it up,” he laughs.
“But they were all very supportive.”

Suggs: My Life Story, Theatre Royal, Wednesday, May 8, £24.50, www.trch.co.uk

DHP Group

January 2013

THEY rounded off 2012 by picking up an award for National Promoter of the Year, beating industry giants Live Nation, SJM and Metropolis. It was an acknowledgement of how far the DHP Group had come in just a few years of running tours around the UK, something that isn’t so well known about this independent Nottingham company.
DHP (Daybrook House Promotions) is probably better known for being the parent company of Rock City, the iconic Talbot Street venue now in its 33rd year. Then there are the Rescue Rooms, Stealth, the Black Cherry Lounge and the Bodega, plus Thekla in Bristol.
“Rock City is still the flagship venue and the venues are the biggest earners for us, but everything else is growing, particularly the tours,” says chairman George Akins.
Unless you’ve read the finer detail on your gig tickets for venues across the city and seen “DHP presents...” above the artist’s name, you may well have never heard of them. But DHP puts on around 1,200 gigs in the UK every year with artists such as Ed Sheeran, Lana Del Ray, Rufus Wainwright, the Human League, Flaming Lips and New Order.
A promoter hires out venues for a tour, organises the publicity, sells the tickets and guarantees the artist a fee.
“As the promoter you take the risk because you are guaranteeing the artist their money,” says George.
“They get that come what may.”
DHP began promoting shows in Nottingham, building relationships with bands who had played smaller venues like the Bodega and the Rescue Rooms, bringing them back to the city as their popularity grew to play Rock City and the Capital FM Arena.

Says George: “We did that with the White Stripes who had first played at the Social (now the Bodega) when few people knew who they were. In 2005 we put them on at the arena.”
The same year they also promoted Incubus and System Of A Down at the arena.
“We then moved out of Nottingham. Our first significant tour was Dropkick Murphys around the UK, then we did Human League, the Flaming Lips, Garbage, Imelda May...
“Last year we did nine shows for Ed Sheeran, a couple for Lana Del Ray, 11 dates for the Human League, some for Rufus Wainwright and New Order.
“This year we’ll be doing more with Lana Del Ray, the Gaslight Anthem and the Flaming Lips.”
As a festival promoter, DHP is responsible for Splendour at Wollaton Park, Hit The Deck (Nottingham), Dot To Dot (Nottingham, Bristol, Manchester) and Gathering (Oxford).
“We have more city festivals than any other company. Gathering is a new one that we did in Oxford in October and that sold out. We’ll expand that to another city this year. Hit The Deck we’ll expand to another city as well. Dot to Dot is essentially an indoor festival for new artists with a couple of names as headliners. It’s an important stepping stone for new acts.”
In Nottingham it’s held at Rock City, Rescue Rooms, Stealth, the Bodega and Jongleurs, with a 4,500 capacity. Hit The Deck festival in April is the rock equivalent.
DHP also runs a ticket agency, Alt Tickets, and relatively recently moved into artist management with Dog Is Dead.
Although DHP had tinkered with developing a band with House of Brothers, Dog Is Dead were their first “proper” signing and led to a major label deal, Radio 1 playlists, sell-out shows and TV appearances.
“I first heard about them from my manager at the Bodega, who phoned me up and said ‘these kids have brought about 70 people down with them for a support slot and their sound-check was really good. You should come and have a look’.
“At the time I was looking for a band for DHP to manage and develop and I was blown away by their songwriting. We didn’t actually sign a deal with them for a year or so because they weren’t yet 18. They committed to a gap year before going to university, then they committed to another gap year... and went from playing Junktion 7 to Glastonbury to Skins, Atlantic Records, selling out the Scala in London, the Radio 1 playlist...
“We’ve got a great band there that are going places. We expect them to sell out their show at Rock City in March.”
The band have been a part of the wave of Nottingham artists enjoying national acclaim, along with Jake Bugg and Natalie Duncan.
“There will be more from Nottingham this year. And we are looking at developing other acts. We are in a unique position to do that because we manage venues and promote shows nationally. We had the money to put out their first three singles before they signed to Atlantic.”

Who will be getting the Dog Is Dead treatment from DHP in 2013?
“We’ve been looking but we haven’t decided yet ,” he says.
DHP employs around 300 staff and HQ is on the corner of Talbot Street, behind Rock City, but there are plans to move into the Lace Market.
The company was started by his dad, entrepreneur George Akins, who made his fortune in bookmakers, amusement arcades and property.
The entertainment arm of the business came in 1980 when George senior transformed the variety venue Heart of the Midlands into Rock City. At the time, George junior (who also has a son named George), was just five.
“I think it was inevitable that I’d work in the family business. It just happened sooner than I’d expected,” he says, recalling the time he was called back from a jolly in Australia to begin managing the venue. He was just 19. His older brother Sean looks after the property side of the business, Bildurn.
George, 37, says: “It was just Rock City at the time, but we started expanding pretty quickly after that, with The Rig (now Black Cherry Lounge) in 1995 and RKO, the sports bar (now Rescue Rooms/Stealth) in 1996. I did my first festival in 1997, which was City in the Park at Wollaton Park with Saw Doctors.”
These were the pre-Splendour days and more followed with the Corrs and Bryan Adams headlining, then Green Day for Distortion.
“It didn’t really work for us back then but we teamed up with the city council six years ago for Splendour and that’s become a successful annual event.”
It returns this summer but he’s staying tight-lipped on possible headliners.
The glass trophy awarded to DHP at the end of last year for National Promoter of the Year is hidden away in a drawer.
“Don’t say that,” he laughs. “Say it’s pride of place in my office.”
It’s an industry award voted for by agents, bands and record companies.
“It’s the first time we were nominated and we won it. And to have someone from outside London or
Manchester winning was quite significant.”
For more about the DHP Group go to www.dhpgroup.co.uk or on Twitter: @DHPGroup.

Indiana

December 2012


IF there was a Nottingham Sound of 2013, Indiana would be the name at the top of it. The 25-year-old from Long Eaton recently signed to Sony and has already had her debut single, Blind As I Am, played on Radio 1. Added to that her producer and co-songwriter is a Grammy nominee. And yet her first gig was just eight months ago.
But Indiana didn’t start her journey with a handful of music industry connections. Nor did she have much experience as a musician.
When her sister dumped her piano at her house for storage, she decided to have a play and teach herself.
She then stumbled across the remix by Hot Chip’s Joe Goddard of a song called Gabriel and loved it so much that she filmed a video of her own version.
“I don’t even like it,” she now says. “It’s rubbish.”
But it was good enough to attract the song’s composer John Beck (a Grammy nominee who wrote Tasmin Archer’s No. 1 Sleeping Satellite and Corinne Bailey Rae’s Put Your Record On) who saw it on YouTube and got in touch, asking to work with her.
“We’ve written 13 songs together so far and they’re all recorded and produced,” she says, describing the sound as “quite dark” with a touch of “retro 80s synth”.
Most of them will be aired for the first time tomorrow at Nottingham Contemporary, with her debut headline show.
She admits: “The most I’ve ever done is half-an-hour. It was meant to be an hour but I’m doing 45 minutes because I’m still a newbie. An hour... I think I’d lose my voice.”
Her first gig was in the Old Market Square in April as part of the Future Sound of Nottingham, the annual Nusic competition to win the opening slot on the main stage at Splendour.
Although there was a buzz about her brief performance, she hadn’t the fan base to get enough votes to win through to the final at Rock City. But she played anyway, invited as a special guest. And she appeared at Splendour - such was the belief by organisers that she needed to be heard.
The hype about this new Nottingham talent even spread to the capital.
“Just the other day, John was talking to a publisher in London and he asked ‘how is it going with Indiana?’. John said ‘Oh, you know Indiana then?’ and the publisher said: ‘everybody knows Indiana.’”
Her first single for Sony was Blind As I Am, released as a download. She filmed a video for that and has another finished for her next single, Smoking Gun.
Next week she’ll be doing a fashion shoot for fashion magazine, Drama
“It’s like a taste of things to come. My label said I can expect next year to be full of stuff like that.”
With the advance for her three album deal with the label she has bought a Mini Cooper and will soon be setting up a home recording studio.
And she recently re-launched herself  on Twitter, changing from @I_Am_Indiana to @raiderofarks, continuing the tongue-in-cheek Indiana Jones theme.
“To be honest I forgot my password and email,” she laughs.
“It was all part of an accidental masterplan.”

Indiana will be at Nottingham Contemporary tomorrow supported by Saint Raymond and her sister Joella (“she’s a lot more Taylor Swifty”), starting at 7.30pm. Tickets are £5 from reception, call 0115 948 9750 or book online at www.alt-tickets.co.uk.


Indiana

July 2012

I CAME to this area to be with the love of my life. I know that sounds cringey but it’s true. I moved earlier this year from Loughborough.
My mum isn’t very musical, she’s a hairdresser. She taught hairdressing for a number of years and is now the assistant director of Bedford College.
My dad died when I was 17. He was really into his music and played guitar. I was heavily influenced by his tastes growing up. I miss him a lot, I wish he was here to see what I have accomplished so far.
He and I were huge Oasis fans and he used to borrow my Eminem albums. He also liked Rod Stewart. My mum really loved Simply Red and I remember my dad saying it sounded like sick sliding down a wall.
I have two older sisters. Jo is the eldest and also a musician. She was classically trained and also plays piano. She writes too. I remember me and my friends singing her songs when we were at school.
My other sister Nic was always the sporty one and she plays hockey.
I was heavily into Oasis thanks to my dad. They were the first band I ever saw live. But I also loved NOFX and Less Than Jake, and I listened to Slipknot, Korn, Nine Inch Nails, Rage Against The Machine and Marilyn Manson. I was a little greb.
When I was about 10 I started having violin lessons. After about three months my teacher told me to stop coming because I wasn’t picking it up. I was pretty rubbish.
I didn’t start creating my own music until my sister used my house as storage for her old Yamaha upright piano. I kept sitting down and playing about and started teaching myself piano. Then I started writing.
At first it was poppy and sounded all right but once I started delving deeper in to my emotions and the things I’ve been through, like losing my dad, I noticed my voice changing.
It was like I was chanelling this raw emotion. My voice is completely different to how it sounded two years ago.
I think I always wanted to be a singer but I didn’t really take it seriously until about a year ago when my voice started changing. It was then I had a realisation that this was what I should be doing.
My first gig was in April, in the Old Market Square as part of the Future Sound of Nottingham competition, to see who would open the main stage at Splendour.
A lot has happened since then. I was a guest at the final at Rock City and I was a nervous wreck before it but it was unbelievably awesome. I will never forget it.
I have a manager who works for Simon Fuller’s artist management company. I met him for the first time the other day, which was bizarre.
I’m in talks with a lot of record labels and I’m down in London every week meeting with them.
And I’ve a gig in September with Natalie Duncan and Nina Smith at the Theatre Royal, where I’ll be accompanied by an orchestra. I can’t wait!
Nina is cool. She’s such a talent. Her voice is so crisp and sweet. Beautiful.
I’ve recorded about eight songs so far. I’ve been writing with John Beck, who wrote Tasmin Archer’s No. 1 Sleeping Satellite and Corinne Bailey Rae’s Put Your Record On. He’s been Grammy nominated.
I know him through YouTube. My boyfriend, James, played me a song John had written called Gabriel. I fell in love with it – I even named my cat Gabriel – and recorded an acoustic version which I posted on YouTube. John saw it and got in touch.
And I’m lucky to have a keyboard player who has performed at the X Factor final at Wembley and also with One Direction.
I’d describe my music as progressive, emotional, dark and disturbing electronica.
So far I’ve played gigs at Rock City, The Bodega, ALEA casino and the Rescue Rooms. To be playing Splendour today is surreal and I’m pretty nervous.

Indiana will be on the Courtyard Stage at Splendour today in Wollaton Park from 2.30pm. You can follow her on Twitter @i_am_indiana and listen to her music on Facebook, Soundcloud and YouTube.

Ronika

July 2012


Why are you in Barcelona for the summer?
To finish mixing my album whilst getting some fresh inspiration from the sun. The sun gives me special powers. I’m like a reversed superhuman. I save the planet during the day and then at night I just go to sleep. Night-time crime can wait. I think I’m here until September but if there’s any way I can stretch that out until forever I would as I have a beach on my doorstep here. And the weather is amazing. I know, I hate me too.
Your last gig here was in March at The Bodega. A good one?
Brilliant. It was so cool that so many people came out for it and great to finally play with Nina Smith and HarleighBlu, my sisters in preventing crime. There’s nothing nicer than playing to your Notts family.
It was around that time that your single Automatic was released. Chic legend Nile Rodgers tweeted that he thought it was “dope”, the Sunday Times described it as “1980s infused perfection”, the NME said it was “pop music for credible pop fans”...
Yeah, I think you pretty much got it covered there. Rob da Bank played it on Radio 1 and Tom from Groove Armada played it on his BBC 6 Music show. It’s one of my favourite tunes so I was really happy it went down so well. My single with Herve, Make It Right, has just come out. It’s a big summer rave anthem, which has had support from Annie Mac on Radio 1.
How was your gig in London after The Bodega show?
It was a Bacardi Beginnings launch party and I played with Mylo, Friendly Fires, Joe Goddard from Hot Chip, Jessie Ware and Aluna George. I love all of those guys’ music so it was pretty special for me to play with them. and the place was packed out. They framed the stage with golden bats – I dedicated a song to one of them. To celebrate their 150-year birthday, Bacardi decided to nominate three established artists – Mylo, Joe Goddard and Friendly Fires – to mentor three up-and-coming artists. Mylo chose me, which came as quite an awesome surprise. He said he’d like me to sing on his album.
What have you got planned for Splendour?
The live set is really all about big party vibes. I just want everyone to have a good time. I might try and bring some Spanish influence back with me; flamenco dancing and throwing omelettes into the crowd. We will also be joined by Sam Potter from Swimming and Late Of The Pier who will be throwing some shapes and banging out some sounds with us.
Who are you looking forward to seeing at Splendour?
Well, I can’t wait to see fellow homies Natalie Duncan, Nina Smith, Rob Green, Indiana, Jake Bugg and loads more. There’s such a ridiculous amount of talent from our city. And Dizzee Rascal will be way cool, too.
What will you be doing for the rest of the summer?
I’ll be in Barcelona finishing the album which will be out early next year. I’ll be writing some new music and getting the next release ready for the autumn.
Ronika will be on the Jagermeister Stage at 7pm. For more about her visitwww.ronikamusic.com and follow her on Twitter: @ohronikagirl.