Indiana

January 2015

SHE isn’t new to having her music critiqued but Indiana admits reading reviews of No Romeo has been difficult.

“To begin with I was just concerned with what the fans thought about it more than anything else,” says 27-year-old Lauren Henson of the album, which is released on Monday.

“And that I was baring my soul with something I’ve been working on for years.

“Then, when the reviews started coming in, I found that really hard. Some of them were really good but some of them weren’t so good and I was like ‘who the hell are you talking about my music!?’”

Despite very positive reviews from the likes of The Guardian and The Observer, for which she should be punching the air, Indiana has been sensitive to any negative feedback, even on Twitter.

“I’ve found it really hard not to come back at people,” she admits.

“It’s been really hard for me to bite my tongue.

“I’m not a volatile person but when people are talking about my livelihood and my passion...”

Both her manager and boyfriend have told her to celebrate the critical acclaim and stop reacting to tweets that wind her up.

“They’ve told me to ‘stop feeding the trolls’ but it’s hard,” she laughs.

The album, released on Monday, is a classy collection of moody, brooding, dark electronic pop that is part-dance music and part-trip-hop.

It follows last year’s No. 14 single Solo Dancing and phenomenal support from Radio 1.

She admits she had battles with the record label about what does and doesn’t go on the album and has had to suffer delays for its release, originally planned for September.

Rather than celebrate its arrival, Indiana is nervous.

“It feels horrible because there’s so much riding on it.

“If it’s a flop I won’t be able to carry on doing it on this path. I will most definitely find another path making music but it’s scary. And I don’t think I envisaged these feelings.”

You get the impression she’s never satisfied.

The Guardian gave No Romeo a 4/5 review describing it as “smart, inventive, thought-provoking pop music”.

And yet...

“It was supposed to be the lead review in the paper,” says the mum-of-two.

“But then Björk’s album got leaked so she took my place and my review never got printed.”

The paper did post the review on its website with a streaming of the full album.

And, despite Radio 1 championing her with interviews, sessions and playlistings (a re-released Solo Dancing recently made the station’s A list), she’s hungry to be played on Capital FM.

“I don’t think Capital like me,” she giggles.

“I think I’m too leftfield for them. Maybe if I have a Top 10 single they’ll play me. Being on that playlist will widen my audience massively.”

Well, at least Durex like her, using her Bound song on their latest ad for Embrace Pleasure Gels.

“They asked to use it and I said OK... actually I asked to see the advert first. It’s not sleazy, so I was happy for them to use it.”

She adds: “And apparently Solo Dancing was on Hollyoaks the other night, while someone was stripping.”

There’s a theme developing. Acclaimed journalist and writer Caitlin Moran tweeted her approval of the album using a phrase that’s not printable in a family newspaper.

“I’m getting quite a name for myself,” laughs Indiana, who lives in Long Eaton.

“I really tried not to be a anything like that.”

This week it was announced that at the end of her next UK tour she’ll be playing the main stage at Rock City, the only female Nottingham artist ever to do that.

“That’s so cool,” she says.

“I’m most excited about having my name above the door. I don’t think I’ve ever had that before. It’s the little things that keep me going,” she laughs, adding that it will be a Nottingham artist supporting her – she’ll be rifling through Soundcloud to find one.

It was through social media that Indiana got her break, posting her version of Gabriel by Grammy-nominated songwriter John Beck on YouTube, prompting him to get in touch.

Boyfriend James Alexander, who she met in Loughborough, where she grew up, encouraged her to apply for the Future Sound of Nottingham competition in 2012, leading to her very first gig in the Old Market Square as part of the semi-final.

Three years on and there’s been the major label deal, Radio 1 support, major festival dates, sold out tours, singing for the Queen and the Top 20 single.

And there’s baby Etta, now 17 months old, sister to six-year-old Harvey.

This week she’s been signing copies of the album at home.

“Harvey asked me: ‘Mummy, are you going to hand these out to people? Will you be sad if nobody wants one?”, she laughs.

“Then he said: ‘Don’t worry mummy, I’ll have one.’ I could have cried.”


Indiana will have a launch party for the album at Oslo in London tonight then at Rough Trade in Broad Street on Monday where she’ll play a short set from 7pm. Details at roughtrade.com.
Tickets for her date at Rock City on Friday, May 29 are £12.50, call 0845 413 4444 or go to alt-tickets.co.uk.

Indiana

October 2014

JUST five years ago she was a struggling single mum, scraping a living together for her and her son by working in a T-shirt printing shop.
Her dad had committed suicide, her mum and two sisters had moved away.
Lauren Henson was alone.
One lunchtime, she nipped into a smoothie bar in her home town of Loughborough, and met the man who would turn her life around.
“It sounds cheesy, I know, but it was love at first sight,” says Lauren Henson, better known as rising Nottingham music star Indiana.
“We couldn’t breath, he was dropping things... we couldn’t get out of each other’s heads.”
The 27-year-old is sat in Suede Bar in the Lace Market, co-owned by her boyfriend, who also, coincidentally, runs a T-shirt company.
As well as moving her and her son Harvey, now 6, to Long Eaton, James Alexander encouraged her to pursue her passion for music.
He entered her for the annual Future Sound of Nottingham competition in 2012, the winner of which would open the main stage at Splendour in Wollaton Park.
She made the semi-final, held in the Old Market Square, in April of that year - her first live performance.
Despite obvious nerves, other local musicians, music writers and Splendour boss George Akins, were blown away by her dark electronic pop. To reach the final, Indiana needed votes but as an unknown artist, she didn’t have the fan base to put her there.
No matter, she would play the final at Rock City anyway, as a special guest, such was the belief in this fresh music talent.
Since then she has signed to major record label Sony, played all the major music festivals, including Glastonbury, had her first Top 20 single, Solo Dancing, and played an intimate show at Radio 1’s Live Lounge with Irish chart-toppers The Script - in front of The Queen.
It was a one-song performance, of David Bowie’s Heroes and included her singing the line “and I will be Queen”.
She laughs: “I was told not to look at her when I sang that line. But I was so focussed on not looking at her, my eyes were darting around the room and they hit her a couple of times.”
HRH was on a tour of the BBC’s new Broadcasting House in London and Indiana’s three minutes were screened live on BBC News 24.
“She’s well sweet and little,” says Indiana, who was introduced to her afterwards.
“She reminded me of my grandma Mary.”
That was last year, a year that also saw her make her Glastonbury debut and play the main stage at Splendour, while heavily pregnant with second child, Etta.

This year she has been regularly playlisted and interviewed on Radio 1, had a No. 14 single, played summer festivals such as Reading and Leeds, Bestival and Nottingham’s No Tomorrow in Wollaton Park and finished her debut album, No Romeo, released this month.
So how does she combine motherhood and a music career?
“It’s been hard, this summer especially, because of all the festivals. After Bestival on the Isle of Wight, I got home at 4.30am and had to be up at 7am to prepare for Etta’s first birthday party,” says Indiana, a lean 5 ft 11 with model looks and tattoos snaking down her left arm.
James, who inspired her growing collection of tattoos, isn’t a stay at home dad as he has three businesses to run, including Suede Bar, three smoothie bars and the T-shirt company Some Kind Of Nature, which Indiana often wears for gigs and social media photos.
“He’ll kill me,” she says, realising she’s forgotten to wear a branded T-shirt for today’s photo shoot.
“We’re lucky that my mum has moved in to our house to help out with Harvey and Etta,” she says, returning to the childcare issue.
“She’s retired and she wanted to do it but she’s looking to buy a house so she won’t be there for much longer.”
Her mum and dad separated when she was six.
“I saw him every day and I was extremely close to him but I didn’t find out he was ill until I was 14 or 15,” she admits.
“He was a paranoid schizophrenic. My childhood is a very confusing place because there were two sides to him. He could be very loving and caring and a really fun dad to be around. But then he’d say some really confusing things to me.
“A young girl from our town had been murdered and the last person to see her alive had the same name as my dad. The police told him that they knew it wasn’t him but he invented this whole thing that he had killed this girl. He’d tell me that he was a bad man and a murderer.
“Even when they caught the guy who did it, he’d carry on saying that and I’d scream at him ‘what is wrong with you, you didn’t do it!’ It was very confusing. Very weird.
“He attempted to kill himself six times and I witnessed it. He stabbed himself in the stomach and we had to take him to hospital.
“He eventually killed himself because he thought me and my sisters would get bullied because of him.”
After that her mum moved away. Her older sisters, Joanne and Nicola, had already moved to Hampshire and London.
She became pregnant by a childhood friend.
Indiana admits that she went off the rails after her dad’s death, although she believes she was always off the rails until she found music.
“I was ungrounded, going from job to job, fixating on fitness or partying too hard or yo yo dieting... there was something I always had to focus on. Sometimes bad things. When I found music, I found peace. I have an addictive personality... I’m just glad that I’m addicted to something healthy.”
Early musical favourites included Marilyn Manson.
“I had a poster of him on the wall next to my bed right where my pillow was and I used to kiss it,” she laughs.
“What a weirdo!”

She adds: “I was a greb. I went through a bit of a bit of goth stage but reverted back to being a greb. I was into metal, punk and ska. I didn’t used to wash my hair, I’d wear baggy trousers... and I’d stink,” she laughs.
She didn’t make to the trip over the border to Rock City to see gigs though because she had a baby at home, whose dad is still very much a part of his life.
“Harvey’s heard me on the radio and he comes to rehearsals, so he’s getting it,” she says.
“He misses me when I’m away, as does Etta, but sometimes I see them more than the average mum because I can be at home for long periods.”
That won’t be the case this month when the album is released. There’ll be promotional duties to do followed by a UK tour that includes a home coming in November with a date at the Rescue Rooms.
She admits: “I’m the most contented and grounded and happiest I’ve ever been.”


No Romeo is released on October 13. Indiana plays the Rescue Rooms on November 7. Tickets are £10, call 0845 413 4444 or go to alt-tickets.co.uk.

Indiana

April 2014

SINGING for the Queen, appearances on BBC TV, regular plays on Radio 1, Glastonbury... and now Indiana’s had a pizza named after her.
“We were on holiday in France snowboarding and I had a pizza that I haven’t been able to shut up about,” says the 26-year-old, whose boyfriend recently opened a new pizza bar in Hockley.
“He said ‘We’ll make it and call it the Indiana.’”
It’s goat’s cheese, walnuts and honey, which sounds disgusting.
“No, It’s really good!” insists the rising music star who’ll be playing the Rescue Rooms tonight.
Entrepreneur boyfriend James - Long Eaton’s Alan Sugar - opened Suede Bar in Heathcoat Street last month but he’s also heavily involved in Indiana’s career. He was the one who encouraged her to enter the Future Sound of Nottingham competition, which saw her play her debut show in the Old Market Square two years ago.
Since then she’s signed to Sony, had regular support from Radio 1, played Glastonbury and performed for the Queen with The Script.
Of late she’s been on tour with Bipolar Sunshine.
“It was great,” she says.
“There was loads of tour banter. I had my own tour van, which was useful when the venue didn’t have a dressing room.”

She shared the van with three band members, her tour manager and sound engineer.
It was an eight date jaunt around the UK.
“It was really hard,” she says of being away from her seven-month-old daughter, Etta, and five-year-old son Harvey.
“He loves that I have an interesting job but he misses me. Although he won’t miss me too much when we have a massive mansion with horses,” she laughs.
Indiana’s new single, Solo Dancing, released on April 20, has been B-listed on Radio 1.
“Every time it’s played it jumps up on the iTunes chart,” she says.
“It made it into the Top 100, which is really good for pre-orders. Most people buy singles when they’ve been released.”
Those turning out to see Bipolar Sunshine seemed to know the song.
“I had to win over the crowd every night. At the start they were all chatting and thinking ‘who is this girl?’ but by the end... especially when I played Solo Dancing, there’d be cheers; they were probably thinking ‘oh it’s that girl!’
Since the tour finished last weekend she’s been rehearsing for tonight’s home city gig.
“Next week I’ll be back in the studio working on the album and I’ll be doing a session for Radio 1.”
The album she’ll have to finish by the end of the month.
“It’s been hard deciphering which songs will go on it because I’ve got so many now.”
And the new material?
“A little bit more of the same and... I don’t want to say up-beat. You could perhaps move around to a couple of them.”
Surprisingly, she won’t be putting her first few singles on the album, such as Mess Around and Smoking Gun.
“If people have already bought them, then by putting all new material on the album means they get better value for money.”

The album is due to be released between July and September, after a string of major summer festival appearances that will be revealed next week.
As a mum of two in her mid-twenties, what was her reaction to the sudden death of Peaches Geldof?
“It broke my heart”, she says.
“I was never a fan and I thought she was quite annoying when she was younger but it seemed like having children was the making of her.
“She looked like she had a good life and on her Instagram photos she looked really happy.
“It breaks my heart that her two beautiful sons don’t have a mum.”
She adds: “It haunted me a little bit. Maybe because I had a baby recently.”

Indiana plays the Rescue Rooms tonight supported by April Towers. 7.30pm to 10pm. £10, alt-tickets.co.uk. There will be an after party at Suede Bar which, says Indiana: “Everyone’s invited to.”

Indiana

November 2013

In just 18 months, Indiana has gone from playing her first gig as an unknown in the Old Market Square, to signing a major label deal and performing for the Queen. This week she released her first single for Sony which has been playlisted by Radio 1. Simon Wilson caught her at home just before she headed off to Los Angeles to start work on her debut album.

IT’S one thing singing for the Queen when she’s sat just eight feet away from you in a small radio studio but to have deliver the line “and I will be Queen”...
“I was told not to look at her when I sang that line,” laughs the 26-year-old at her home in Long Eaton.
“But I was so focussed on not looking at her, my eyes were darting around the room and they hit her a couple of times.”
She was performing a cover David Bowie’s Heroes with Irish band The Script, a random gig that was arranged at the last minute to show HRH the new Live Lounge at the Radio 1 studios at the official opening of the BBC’s new Broadcasting House in London.
After the performance, which was screened live on the BBC News 24 channel, Indiana was introduced to her.
“She's well sweet and little,” says the mother-of-one in her home studio, where she’s been working on tracks for her much anticipated debut album.
“She reminded me of my grandma Mary. I was still proper scared though. I was so glad I didn't mess it up.”
They had a quick chat about Glastonbury where Indiana, real name Lauren Henson, was due to appear on the BBC Introducing Stage, part of which was seen on BBC Three’s coverage.
So there are two obvious highlights of the first 18 months of her career to date but topping both of them was playing the main stage at Splendour in July.
“There was so many people and they all cheered whenever I said anything,” she laughs.
“I was saying thanks and they kept clapping and shouting. I was about to start crying so I played Blind As I Am and messed up the words because I was all emotional.”
Splendour was headlined by Jake Bugg but also appearing on the main stage were indie band Dog Is Dead, managed by Nottingham’s DHP Family, who recently signed up Indiana.
The organisation, which operates Rock City, the Rescue Rooms and other venues, also promotes shows around the UK and they’ve booked her two next month; at Nottingham’s the Bodega and Oslo in Hackney.
“I'd like to start touring more because I love performing,” she says just 18 months after her very first gig. That was in the Old Market Square as part of the Future Sound of Nottingham competition to open Splendour’s main stage. She didn’t even make the final but was booked to play the festival anyway, such was the buzz surrounding her.

A year later she was on the main stage.
“Sometimes it feels like ages ago,” she reflects.
“So much has happened. I want to say I never dreamt I'd get this far... or some other corny line, but the truth is, as soon as I realised this was what I wanted to do I dreamt big.”
But she admits: “I’ve still got a long way to go.”
This week her debut single for Sony, Mess Around, was released and was placed on the Radio 1 playlist, a station that has supported her for months.
“I hope I never get used to being on the radio. It's such a buzz. I have a voice mail off my mum and my sister singing (screaming actually) along to Mess Around because it came on the radio when they were out in the car together.
“I’ve met a few of them. Phil Taggart is such a cool guy. Sara Cox is my favourite though and she waved at me when I visited the studios. And I met Scott Mills. He follows me on Twitter, you know,” she grins.
“Zane Lowe has really got behind me just recently. He interviewed Dave Grohl with the drum loop on Mess Around going on in the background. It was an awesome feeling listening to it all.”
Her music has been compared to everything from Portishead to Sinead O’Connor and The Cranberries. It’s electro-based and lyrically dark, which is surprising for an apparently happy and warm personality.
“People often say I'm not what they expected after listening to my music but I am drawn to darker things. I wanted to be a forensic scientist growing up.
“A lot of the time it’s just the way it comes out when I'm writing. Last week I set out to write an Arabian love story but I ended up with a song about a zombie army. It’s called Sleeping Nation. Here are a couple of lines from it: ‘And legion corpses creep, emerging from their sleep, I set my people free...’
“I'm a weirdo,” she laughs.
“And that’s not a line from the song, just a statement.”
As well meeting the Queen, Indiana has had a chat with the daughter of the King: Lisa Marie Presley.
“It was at a party for the launch of her album. Yeah she was chatting away to me and I said 'I’m sorry, I've not taken any of that in. I can't stop thinking you're Elvis' daughter and that you were married to Michael Jackson!'.

She’s now landed in LA where she’ll be spending a couple of weeks staying in Hollywood and working with producers on songs for her debut album. That will likely be released by the spring.
“When I come back there’ll be a new single and I’ll be making a video for that before Christmas.”
Joining her in Los Angeles is the boyfriend (the reason she moved here from Loughborough) and their two month old daughter, Etta.
“I'm under strict instructions that this trip is not a holiday,” she says.
“And I've only got one day off. I’ll be spending that with Etta and her dad. Etta comes everywhere with me. Well, I am her food after all,” she laughs, then adds: “Everyone has been really supportive and as long as you have that support network around you, there's no reason why a mum should have to decide between a career and a family.
“I'm doing both and I hope my situation empowers and inspires other women.”

Mess Around is out now on iTunes. Indiana plays The Bodega on December 4. Tickets are £6.50 from alt-tickets.co.uk. For more about her go to facebook.com/indianathegirl or follow her on Twitter @indianathegirl

Indiana

July 19, 2013

THE fastest rising Nottingham music star of recent times is Indiana, a 25-year-old from Long Eaton who only played her first gig just over a year ago.

That was in the Future Sound of Nottingham competition to open the main stage at Splendour. She didn’t even come close but tomorrow she’ll be lining up with Jake Bugg, Squeeze and KT Tunstall on her own merit.

In the past 12 months she’s been signed to the Epic label, played on Radio 1, appeared at Glastonbury and sang for the Queen.

The latter was in the Radio 1 Live Lounge with Irish band The Script for a version of David Bowie’s Heroes, with her singing to the line “I will be Queen” to the Queen sitting just six feet away.

“Buckingham Palace requested The Script and the guys at Radio 1 wanted to showcase BBC Introducing,” she says of the initiative that has seen a lot of new artists getting played on national radio.

“And I was their favourite,” she beams.

She rehearsed with the band for a couple of hours the night before.

“I was nervous going into their space but they were really welcoming and a laugh. I was elated after that and not nervous at all but just before the Queen walked in I thought I was going to faint.”

The performance was screened live on BBC News 24.

“My family and friends found it really bizarre. They were messaging me saying ‘Did I just see you on the news?’”

After the performance she spoke to the Queen.

“It was quite annoying because the papers said she only clapped once – ‘one was not impressed!’ – but afterwards she was all smiles and chatting away.

“She spoke to me about Glastonbury. A guy from Radio 1 explained to her what BBC Introducing was and how I’d gone from writing music in my bedroom to performing at Glastonbury. And she said ‘Is that where it gets ever so muddy?’

“But the papers said she spoke to Danny (O’Donoghue, The Script singer) about Glastonbury and they weren’t even performing there, so I was annoyed that my claim to fame was taken away from me,” she laughs.

“Afterward, I walked out of the BBC and they were replaying everything on the big screen outside. I was stood in the middle of this crowd wearing exactly the same clothes but no one noticed me,” she continues, giggling.

Although she signed an autograph.

“Yes, just one. A girl asked for it and I got a pen out of my bag and started practising it before doing one for her.”

It was while at Glastonbury that she revealed to the crowd in the BBC Introducing tent that she was pregnant.

Etta, named after jazz singer Etta James, is due on September 7.

Is she worried about the timing?

“No, I’m embracing it. My label said I couldn’t have picked a better time because that’s the quietest month.”

Her boyfriend, James, will be a stay-at-home dad while she returns to her music career, with her first official single, Mess Around, due out in October.

She laughs: “I’ll have hopefully worked the baby weight off by then.”

Indiana

December 2012

IF there was a Nottingham Sound of 2013, Indiana would be the name at the top of it. The 25-year-old from Long Eaton recently signed to Sony and has already had her debut single, Blind As I Am, played on Radio 1. Added to that her producer and co-songwriter is a Grammy nominee. And yet her first gig was just eight months ago.

But Indiana didn’t start her journey with a handful of music industry connections. Nor did she have much experience as a musician.

When her sister dumped her piano at her house for storage, she decided to have a play and teach herself.

She then stumbled across the remix by Hot Chip’s Joe Goddard of a song called Gabriel and loved it so much that she filmed a video of her own version.

“I don’t even like it,” she now says. “It’s rubbish.”

But it was good enough to attract the song’s composer John Beck (a Grammy nominee who wrote Tasmin Archer’s No. 1 Sleeping Satellite and Corinne Bailey Rae’s Put Your Record On) who saw it on YouTube and got in touch, asking to work with her.

“We’ve written 13 songs together so far and they’re all recorded and produced,” she says, describing the sound as “quite dark” with a touch of “retro 80s synth”.

Most of them will be aired for the first time tomorrow at Nottingham Contemporary, with her debut headline show.

She admits: “The most I’ve ever done is half-an-hour. It was meant to be an hour but I’m doing 45 minutes because I’m still a newbie. An hour... I think I’d lose my voice.”

Her first gig was in the Old Market Square in April as part of the Future Sound of Nottingham, the annual Nusic competition to win the opening slot on the main stage at Splendour.

Although there was a buzz about her brief performance, she hadn’t the fan base to get enough votes to win through to the final at Rock City. But she played anyway, invited as a special guest. And she appeared at Splendour - such was the belief by organisers that she needed to be heard.

The hype about this new Nottingham talent even spread to the capital.

“Just the other day, John was talking to a publisher in London and he asked ‘how is it going with Indiana?’. John said ‘Oh, you know Indiana then?’ and the publisher said: ‘everybody knows Indiana.’”

Her first single for Sony was Blind As I Am, released as a download. She filmed a video for that and has another finished for her next single, Smoking Gun.

Next week she’ll be doing a fashion shoot for fashion magazine, Drama

“It’s like a taste of things to come. My label said I can expect next year to be full of stuff like that.”

With the advance for her three album deal with the label she has bought a Mini Cooper and will soon be setting up a home recording studio.

And she recently re-launched herself  on Twitter, changing from @I_Am_Indiana to @raiderofarks, continuing the tongue-in-cheek Indiana Jones theme.

“To be honest I forgot my password and email,” she laughs.

“It was all part of an accidental masterplan.”

Indiana will be at Nottingham Contemporary tomorrow supported by Saint Raymond and her sister Joella (“she’s a lot more Taylor Swifty”), starting at 7.30pm. Tickets are £5 from reception, call 0115 948 9750 or book online at www.alt-tickets.co.uk.

Indiana

July 2012

I CAME to this area to be with the love of my life. I know that sounds cringey but it’s true. I moved earlier this year from Loughborough.

My mum isn’t very musical, she’s a hairdresser. She taught hairdressing for a number of years and is now the assistant director of Bedford College.

My dad died when I was 17. He was really into his music and played guitar. I was heavily influenced by his tastes growing up. I miss him a lot, I wish he was here to see what I have accomplished so far.

He and I were huge Oasis fans and he used to borrow my Eminem albums. He also liked Rod Stewart. My mum really loved Simply Red and I remember my dad saying it sounded like sick sliding down a wall.

I have two older sisters. Jo is the eldest and also a musician. She was classically trained and also plays piano. She writes too. I remember me and my friends singing her songs when we were at school.

My other sister Nic was always the sporty one and she plays hockey.

I was heavily into Oasis thanks to my dad. They were the first band I ever saw live. But I also loved NOFX and Less Than Jake, and I listened to Slipknot, Korn, Nine Inch Nails, Rage Against The Machine and Marilyn Manson. I was a little greb.

When I was about 10 I started having violin lessons. After about three months my teacher told me to stop coming because I wasn’t picking it up. I was pretty rubbish.

I didn’t start creating my own music until my sister used my house as storage for her old Yamaha upright piano. I kept sitting down and playing about and started teaching myself piano. Then I started writing.

At first it was poppy and sounded all right but once I started delving deeper in to my emotions and the things I’ve been through, like losing my dad, I noticed my voice changing.

It was like I was chanelling this raw emotion. My voice is completely different to how it sounded two years ago.

I think I always wanted to be a singer but I didn’t really take it seriously until about a year ago when my voice started changing. It was then I had a realisation that this was what I should be doing.

My first gig was in April, in the Old Market Square as part of the Future Sound of Nottingham competition, to see who would open the main stage at Splendour.

A lot has happened since then. I was a guest at the final at Rock City and I was a nervous wreck before it but it was unbelievably awesome. I will never forget it.

I have a manager who works for Simon Fuller’s artist management company. I met him for the first time the other day, which was bizarre.

I’m in talks with a lot of record labels and I’m down in London every week meeting with them.

And I’ve a gig in September with Natalie Duncan and Nina Smith at the Theatre Royal, where I’ll be accompanied by an orchestra. I can’t wait!

Nina is cool. She’s such a talent. Her voice is so crisp and sweet. Beautiful.

I’ve recorded about eight songs so far. I’ve been writing with John Beck, who wrote Tasmin Archer’s No. 1 Sleeping Satellite and Corinne Bailey Rae’s Put Your Record On. He’s been Grammy nominated.

I know him through YouTube. My boyfriend, James, played me a song John had written called Gabriel. I fell in love with it – I even named my cat Gabriel – and recorded an acoustic version which I posted on YouTube. John saw it and got in touch.

And I’m lucky to have a keyboard player who has performed at the X Factor final at Wembley and also with One Direction.

I’d describe my music as progressive, emotional, dark and disturbing electronica.

So far I’ve played gigs at Rock City, The Bodega, ALEA casino and the Rescue Rooms. To be playing Splendour today is surreal and I’m pretty nervous.

Indiana will be on the Courtyard Stage at Splendour today in Wollaton Park from 2.30pm. You can follow her on Twitter @i_am_indiana and listen to her music on Facebook, Soundcloud and YouTube.