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Showing posts with label Future Sound of Nottingham. Show all posts
Showing posts with label Future Sound of Nottingham. Show all posts

Indiana

October 2014

JUST five years ago she was a struggling single mum, scraping a living together for her and her son by working in a T-shirt printing shop.
Her dad had committed suicide, her mum and two sisters had moved away.
Lauren Henson was alone.
One lunchtime, she nipped into a smoothie bar in her home town of Loughborough, and met the man who would turn her life around.
“It sounds cheesy, I know, but it was love at first sight,” says Lauren Henson, better known as rising Nottingham music star Indiana.
“We couldn’t breath, he was dropping things... we couldn’t get out of each other’s heads.”
The 27-year-old is sat in Suede Bar in the Lace Market, co-owned by her boyfriend, who also, coincidentally, runs a T-shirt company.
As well as moving her and her son Harvey, now 6, to Long Eaton, James Alexander encouraged her to pursue her passion for music.
He entered her for the annual Future Sound of Nottingham competition in 2012, the winner of which would open the main stage at Splendour in Wollaton Park.
She made the semi-final, held in the Old Market Square, in April of that year - her first live performance.
Despite obvious nerves, other local musicians, music writers and Splendour boss George Akins, were blown away by her dark electronic pop. To reach the final, Indiana needed votes but as an unknown artist, she didn’t have the fan base to put her there.
No matter, she would play the final at Rock City anyway, as a special guest, such was the belief in this fresh music talent.
Since then she has signed to major record label Sony, played all the major music festivals, including Glastonbury, had her first Top 20 single, Solo Dancing, and played an intimate show at Radio 1’s Live Lounge with Irish chart-toppers The Script - in front of The Queen.
It was a one-song performance, of David Bowie’s Heroes and included her singing the line “and I will be Queen”.
She laughs: “I was told not to look at her when I sang that line. But I was so focussed on not looking at her, my eyes were darting around the room and they hit her a couple of times.”
HRH was on a tour of the BBC’s new Broadcasting House in London and Indiana’s three minutes were screened live on BBC News 24.
“She’s well sweet and little,” says Indiana, who was introduced to her afterwards.
“She reminded me of my grandma Mary.”
That was last year, a year that also saw her make her Glastonbury debut and play the main stage at Splendour, while heavily pregnant with second child, Etta.
This year she has been regularly playlisted and interviewed on Radio 1, had a No. 14 single, played summer festivals such as Reading and Leeds, Bestival and Nottingham’s No Tomorrow in Wollaton Park and finished her debut album, No Romeo, released this month.
So how does she combine motherhood and a music career?
“It’s been hard, this summer especially, because of all the festivals. After Bestival on the Isle of Wight, I got home at 4.30am and had to be up at 7am to prepare for Etta’s first birthday party,” says Indiana, a lean 5 ft 11 with model looks and tattoos snaking down her left arm.
James, who inspired her growing collection of tattoos, isn’t a stay at home dad as he has three businesses to run, including Suede Bar, three smoothie bars and the T-shirt company Some Kind Of Nature, which Indiana often wears for gigs and social media photos.
“He’ll kill me,” she says, realising she’s forgotten to wear a branded T-shirt for today’s photo shoot.
“We’re lucky that my mum has moved in to our house to help out with Harvey and Etta,” she says, returning to the childcare issue.
“She’s retired and she wanted to do it but she’s looking to buy a house so she won’t be there for much longer.”
Her mum and dad separated when she was six.
“I saw him every day and I was extremely close to him but I didn’t find out he was ill until I was 14 or 15,” she admits.
“He was a paranoid schizophrenic. My childhood is a very confusing place because there were two sides to him. He could be very loving and caring and a really fun dad to be around. But then he’d say some really confusing things to me.
“A young girl from our town had been murdered and the last person to see her alive had the same name as my dad. The police told him that they knew it wasn’t him but he invented this whole thing that he had killed this girl. He’d tell me that he was a bad man and a murderer.
“Even when they caught the guy who did it, he’d carry on saying that and I’d scream at him ‘what is wrong with you, you didn’t do it!’ It was very confusing. Very weird.
“He attempted to kill himself six times and I witnessed it. He stabbed himself in the stomach and we had to take him to hospital.
“He eventually killed himself because he thought me and my sisters would get bullied because of him.”
After that her mum moved away. Her older sisters, Joanne and Nicola, had already moved to Hampshire and London.
She became pregnant by a childhood friend.
Indiana admits that she went off the rails after her dad’s death, although she believes she was always off the rails until she found music.
“I was ungrounded, going from job to job, fixating on fitness or partying too hard or yo yo dieting... there was something I always had to focus on. Sometimes bad things. When I found music, I found peace. I have an addictive personality... I’m just glad that I’m addicted to something healthy.”
Early musical favourites included Marilyn Manson.
“I had a poster of him on the wall next to my bed right where my pillow was and I used to kiss it,” she laughs.
“What a weirdo!”
She adds: “I was a greb. I went through a bit of a bit of goth stage but reverted back to being a greb. I was into metal, punk and ska. I didn’t used to wash my hair, I’d wear baggy trousers... and I’d stink,” she laughs.
She didn’t make to the trip over the border to Rock City to see gigs though because she had a baby at home, whose dad is still very much a part of his life.
“Harvey’s heard me on the radio and he comes to rehearsals, so he’s getting it,” she says.
“He misses me when I’m away, as does Etta, but sometimes I see them more than the average mum because I can be at home for long periods.”
That won’t be the case this month when the album is released. There’ll be promotional duties to do followed by a UK tour that includes a home coming in November with a date at the Rescue Rooms.
She admits: “I’m the most contented and grounded and happiest I’ve ever been.”


No Romeo is released on October 13. Indiana plays the Rescue Rooms on November 7. Tickets are £10, call 0845 413 4444 or go to alt-tickets.co.uk.


Indiana

April 2014


SINGING for the Queen, appearances on BBC TV, regular plays on Radio 1, Glastonbury... and now Indiana’s had a pizza named after her.
“We were on holiday in France snowboarding and I had a pizza that I haven’t been able to shut up about,” says the 26-year-old, whose boyfriend recently opened a new pizza bar in Hockley.
“He said ‘We’ll make it and call it the Indiana.’”
It’s goat’s cheese, walnuts and honey, which sounds disgusting.
“No, It’s really good!” insists the rising music star who’ll be playing the Rescue Rooms tonight.
Entrepreneur boyfriend James - Long Eaton’s Alan Sugar - opened Suede Bar in Heathcoat Street last month but he’s also heavily involved in Indiana’s career. He was the one who encouraged her to enter the Future Sound of Nottingham competition, which saw her play her debut show in the Old Market Square two years ago.
Since then she’s signed to Sony, had regular support from Radio 1, played Glastonbury and performed for the Queen with The Script.
Of late she’s been on tour with Bipolar Sunshine.
“It was great,” she says.
“There was loads of tour banter. I had my own tour van, which was useful when the venue didn’t have a dressing room.”

She shared the van with three band members, her tour manager and sound engineer.
It was an eight date jaunt around the UK.
“It was really hard,” she says of being away from her seven-month-old daughter, Etta, and five-year-old son Harvey.
“He loves that I have an interesting job but he misses me. Although he won’t miss me too much when we have a massive mansion with horses,” she laughs.
Indiana’s new single, Solo Dancing, released on April 20, has been B-listed on Radio 1.
“Every time it’s played it jumps up on the iTunes chart,” she says.
“It made it into the Top 100, which is really good for pre-orders. Most people buy singles when they’ve been released.”
Those turning out to see Bipolar Sunshine seemed to know the song.
“I had to win over the crowd every night. At the start they were all chatting and thinking ‘who is this girl?’ but by the end... especially when I played Solo Dancing, there’d be cheers; they were probably thinking ‘oh it’s that girl!’
Since the tour finished last weekend she’s been rehearsing for tonight’s home city gig.
“Next week I’ll be back in the studio working on the album and I’ll be doing a session for Radio 1.”
The album she’ll have to finish by the end of the month.
“It’s been hard deciphering which songs will go on it because I’ve got so many now.”
And the new material?
“A little bit more of the same and... I don’t want to say up-beat. You could perhaps move around to a couple of them.”
Surprisingly, she won’t be putting her first few singles on the album, such as Mess Around and Smoking Gun.
“If people have already bought them, then by putting all new material on the album means they get better value for money.”

The album is due to be released between July and September, after a string of major summer festival appearances that will be revealed next week.
As a mum of two in her mid-twenties, what was her reaction to the sudden death of Peaches Geldof?
“It broke my heart”, she says.
“I was never a fan and I thought she was quite annoying when she was younger but it seemed like having children was the making of her.
“She looked like she had a good life and on her Instagram photos she looked really happy.
“It breaks my heart that her two beautiful sons don’t have a mum.”
She adds: “It haunted me a little bit. Maybe because I had a baby recently.”

Indiana plays the Rescue Rooms tonight supported by April Towers. 7.30pm to 10pm. £10, alt-tickets.co.uk. There will be an after party at Suede Bar which, says Indiana: “Everyone’s invited to.”

Indiana

July 2012

I CAME to this area to be with the love of my life. I know that sounds cringey but it’s true. I moved earlier this year from Loughborough.
My mum isn’t very musical, she’s a hairdresser. She taught hairdressing for a number of years and is now the assistant director of Bedford College.
My dad died when I was 17. He was really into his music and played guitar. I was heavily influenced by his tastes growing up. I miss him a lot, I wish he was here to see what I have accomplished so far.
He and I were huge Oasis fans and he used to borrow my Eminem albums. He also liked Rod Stewart. My mum really loved Simply Red and I remember my dad saying it sounded like sick sliding down a wall.
I have two older sisters. Jo is the eldest and also a musician. She was classically trained and also plays piano. She writes too. I remember me and my friends singing her songs when we were at school.
My other sister Nic was always the sporty one and she plays hockey.
I was heavily into Oasis thanks to my dad. They were the first band I ever saw live. But I also loved NOFX and Less Than Jake, and I listened to Slipknot, Korn, Nine Inch Nails, Rage Against The Machine and Marilyn Manson. I was a little greb.
When I was about 10 I started having violin lessons. After about three months my teacher told me to stop coming because I wasn’t picking it up. I was pretty rubbish.
I didn’t start creating my own music until my sister used my house as storage for her old Yamaha upright piano. I kept sitting down and playing about and started teaching myself piano. Then I started writing.
At first it was poppy and sounded all right but once I started delving deeper in to my emotions and the things I’ve been through, like losing my dad, I noticed my voice changing.
It was like I was chanelling this raw emotion. My voice is completely different to how it sounded two years ago.
I think I always wanted to be a singer but I didn’t really take it seriously until about a year ago when my voice started changing. It was then I had a realisation that this was what I should be doing.
My first gig was in April, in the Old Market Square as part of the Future Sound of Nottingham competition, to see who would open the main stage at Splendour.
A lot has happened since then. I was a guest at the final at Rock City and I was a nervous wreck before it but it was unbelievably awesome. I will never forget it.
I have a manager who works for Simon Fuller’s artist management company. I met him for the first time the other day, which was bizarre.
I’m in talks with a lot of record labels and I’m down in London every week meeting with them.
And I’ve a gig in September with Natalie Duncan and Nina Smith at the Theatre Royal, where I’ll be accompanied by an orchestra. I can’t wait!
Nina is cool. She’s such a talent. Her voice is so crisp and sweet. Beautiful.
I’ve recorded about eight songs so far. I’ve been writing with John Beck, who wrote Tasmin Archer’s No. 1 Sleeping Satellite and Corinne Bailey Rae’s Put Your Record On. He’s been Grammy nominated.
I know him through YouTube. My boyfriend, James, played me a song John had written called Gabriel. I fell in love with it – I even named my cat Gabriel – and recorded an acoustic version which I posted on YouTube. John saw it and got in touch.
And I’m lucky to have a keyboard player who has performed at the X Factor final at Wembley and also with One Direction.
I’d describe my music as progressive, emotional, dark and disturbing electronica.
So far I’ve played gigs at Rock City, The Bodega, ALEA casino and the Rescue Rooms. To be playing Splendour today is surreal and I’m pretty nervous.

Indiana will be on the Courtyard Stage at Splendour today in Wollaton Park from 2.30pm. You can follow her on Twitter @i_am_indiana and listen to her music on Facebook, Soundcloud and YouTube.

Tastebuds

July 2011



IT was close. One per cent was all that divided The Money and Tastebuds in the Future Sound of Nottingham competition at Rock City earlier this month. While The Money went on to enjoy their prize at Splendour – opening the main stage in front of thousands last weekend – runners-up Tastebuds were licking their wounds back in Sutton-in-Ashfield.
“It was quite upsetting,” says singer and guitarist Simon Broomhead.
“In a way it would have been easier to handle it if we’d lost by a big margin. But to know it was just one per cent... it tormented me for about a week. That said, it was a mind-blowing gig. To play on the main stage at Rock City and do a really good job, that was an incredible feeling.”
To snap out of the gloom, last weekend Tastebuds played their first show in London, at the legendary Hope & Anchor in Islington.
“It was amazing,” says Simon. “It’s a tiny place but the rock ’n’ roll heritage is quite humbling.
“There were posters on the walls of all the bands that have played there over the years: The Who, U2, Joy Division...
“The gig started off a bit dodgy because the first band didn’t turn up, so we went on earlier than we’d planned. And when we started there was one guy in there.
“We thought we’d made all this effort to play for one bloke. But then halfway the first song all these people appeared and it was rammed.”
They have a strong following around the Mansfield area but the Hope & Anchor crowd were all locals.
“There were girls screaming, so we definitely hit a nerve.
“We all agreed the next morning how much we loved it and that we’d have to do it again.”
He adds: “We also all agreed that coming back to Sutton was quite depressing.”
The band formed three years ago when keyboard player Anna Kerr was asked to live in a 52-room disused nursing home to deter vandals.
“It became the perfect base for the five friends, who had all played in various covers bands around the area, to write and rehearse.
“We had a room set up where we could leave all the equipment and if we had an idea we could walk into the room and just play.”
That lasted for 18 months before the place was reopened as a nursing home.
“It’s quite surreal driving past it now,” says Simon. “We’ve wondered what it would be like if all five of us ended up in there in 50 years’ time, still playing the same tunes.”
Since getting together as Tastebuds they’ve won Battle of the Bands competitions, played the Ashfield Show with Sugababes and appeared on bills with Ade Edmondson’s The Bad Shepherds, Alvin Stardust, James and The Holloways.
Says Simon: “We’ve got a friend who works in the music industry in London and her advice after the gig at the Hope & Anchor was to get a following around Nottingham.
“Bands that make a noise in their home cities are more likely to attract the attention of record companies. So we’re planning to do that.
“In a way that’s why we were gutted not to have won the Splendour gig because that would have made our name in Nottingham.
“Then again, before we did the Future Sound of Nottingham competition, few people in Nottingham knew who we were. We’ve had a lot of coverage since then so we’re on the way.”


Tastebuds play in the bar at Mansfield Town FC tonight, from 8pm with Funksaw, then the Wire & Wool Min-Fest at The Alley Cafe, Canon Court, Long Row West, Nottingham on Thursday with Just James, The Afterdark Movement, Nightmare Arcade and others.