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Showing posts with label Jessie J. Show all posts
Showing posts with label Jessie J. Show all posts

Jessie J

October 2013



SHE has been delayed by two hours due to London traffic.
“I wish my car could fly,” says a frustrated Jessie J, finally arriving at rehearsals for her debut UK arena tour.
“Traffic and rain is never a good combination.”
The tour, which comes to Nottingham next week, is up and running but when we speak she’s just about to go through her first full production rehearsal.
“I feel like I’m back in a musical at school,” says the 25-year-old who walked away from the BBC’s The Voice to concentrate on her music career.
“I have someone in my ear saying ‘exit stage centre and walk through the doors...’ because there is so much to remember,” she continues.
“It’s the biggest show and the longest setlist I’ve ever done. We have pyros, fire, five costume changes, footage on the screen...
“I’m, like, sweating three songs in.”
She says ‘like’ quite a lot. It’s an Essex thing.
She adds, excitedly: “The band just ran through Do It Like  A Dude and they were saying ‘it was so hot!’ I was like ‘Why?’ and they were like ‘There’s so much fire!”
She laughs: “At least there are no wigs to set on fire.”
The hair, now blonde and cropped, is a stark contrast to the black bob she sported for her first album. There has been a lot of fuss over the change, which came about when she shaved it off for Comic Relief in March.
“I’m surprised that people think I’ve got a plan for it. Of all the things in my life, the hair is the thing I think least about. I just need a haircut every now and again.”
So has she got a plan for it?
“I might go dark again soon. It’s just hair. It doesn’t define me it doesn’t change my voice or my personality.”
She says that there are dozens of people involved in the staging of the tour but Jessie J is the one calling the shots.
“I remember Beyonce once said: ‘Being polite isn’t always fair to yourself’. That really struck a chord with me because, as a female, so many people can make you live your dreams through their eyes and their vision.
“When you’re talented people take it for granted and it becomes their thing instead of yours.
“There are moments I look back and I’m like ‘I wouldn’t wear that... I wouldn’t wear my make-up like that’ but someone convinced me that it worked.
“Now I go ‘No, no, no... I don’t want to look like that!’”
She adds: “This is my life and I have to look back at it and go ‘Yes, that was me!’”
One imagines it would be easy to exercise her fame and success to gain control but she says not.
“Because everyone has an ego.”
Jessie has taken control of the show, creating a narrative that runs throughout.
“When I found out I was doing an arena tour I wrote a treatment and I said ‘this is my idea and this is what I want to do’. It’s a little story that’s kind of explaining the album,” she says, referring to Alive, which reached No. 3 last month.
It was kept off the top spot by Haim and Justin Timberlake, while her debut had to sit behind 21 by Adele, a fellow graduate of the Brit School.
It was there that she transferred her passion for musicals to pop music.
“I wanted to do musical theatre from when I was really young,” says Jessie, who was 11 when she was cast in Andrew Lloyd Webber's West End production of Whistle Down the Wind.
“I did musical theatre until I was about 18 but when I started writing songs I got excited that music is really the only global language and I’d be able to share my feelings with the world through my music.”
In many ways, Jessie J, who was born Jessica Cornish in Chadwell Heath, prefers the theatre to pop.
“It’s a lot harder playing yourself,” she says.
“That sounds weird but playing a character means you can go home after work and no-one knows you. Being you is weird sometimes because you get asked questions and you’re like ‘I’ve never really thought about that, I know I have to answer it but I don’t know what I’m going to say.’”
So I need to ask one of those questions you’ve never been asked before, don’t I?
“Yeah, basically. Go!,” she says, playfully.
OK, if you were a biscuit, which biscuit would you be?
She’s quick to reply: “I think I’d be either a Hobnob; you can dip them and they won’t break; or a bourbon.”
She pauses, then wonders: “Is a Twix a biscuit?”
Sort of.
“It’s got biscuit in it. It’s mostly biscuit.”
There are different layers...
“Yeah”.
And it’s soft on top.
“Oh God,” she sighs.
At 17, while still performing in stage musical, Jessie was signed to a record label and recorded an album but before it could be released the label folded.
She then found success as a songwriter for artists such as Chris Brown and Miley Cyrus.
Eventually, Universal signed her and released Who You Are, which produced the singles Do It Like A Dude and Price Tag.
She thinks the new album is a more mature offering.
“My demographic is changing with this album, so I’m excited to see who comes along to the shows. Three and four-year-olds were at gigs when I toured with Who You Are. I’d like to think that I’ve now caught the attention of an older crowd too.”
She has never been to Nottingham before and only knows that it’s a big student city. So what is she expecting?
“Everybody dressed as Robin Hood,” she quips, when I remind her of the local legend.
“I’m just really happy that people are going to see something that I’ve dreamt of,” she says of the show.
“But you never know if people are going to like it or not.”
She’ll soon find out because she is in touch with fans through social networking sites such as Twitter and the photo based Instagram.
“I love Instagram,” she beams.
“And you can set the story straight using it.”
What?
“Ever since I’ve been doing Instagram the stories in the papers are taken from my Instagram. It’s something that I’ve put out there, not something that’s come from someone hiding in the bushes or in a car park in a creepy car with a creepy camera...
“I’d much rather it came from me.”

Jessie J plays the Capital FM Arena on October 24 and 25, where she’ll be supported by Lawson, the band featuring Ravenshead guitarist Joel Peat. Tickets are £28 to £36.40, available from the box office, call 0843 373 3000 or go to capitalfmarena.com.
Follow her on Twitter: @JessieJ or Instagram: isthatjessiej

Notts-stars: Liam Bailey, Dog Is Dead...

March 2011


SHE cooks a mean meatball and avocado salad, does Amy Winehouse. Just ask Liam Bailey. The soul singer from Beeston, who released his debut single for Polydor Records two days ago, has been round her gaff for dinner.
“She’s a brilliant cook,” says the 25-year-old.
“Apart from me mam’s lasagne it was the best meal I’d ever had.”
Liam released two singles on Winehouse’s Lioness Records label, 2am Rough Tracks and So Down, Cold. Although, by that time, he was already signed to Polydor.
“They heard about me,” he says simply.
“Winehouse heard some stuff I’d done that was pretty rough, Polydor wouldn’t touch it with a barge pole. I hadn’t even bothered playing it to them but Winehouse heard them and she put them out on her label.”
He adds: “She’s sound, you know. She’s a lovely girl. And she knows her music. She’s up there, one of the most iconic singers to come out of this country in the 21st century.
“Yeah, all right, she has her faults but I’ve got nothing but good things to say about her.”
Winehouse will be seeing him play in London next week, he says.
“We’ve been out a few times.”
Liam was born in Beeston. His dad is a factory worker, his mum works on the tills at a supermarket. It was his mum’s record collection that he feasted upon, from Michael Jackson to The Beatles, Bob Marley to Jimi Hendrix.
The family moved to Selston when he was 10.
Later, while living in Sneinton, he played in a number of bands around the city, including Bosco, but moved to London to live with a girlfriend and to pursue music five years ago.
“I was still coming back to Nottingham because I’ve got a lot of mates there and my family. So I’d have a jam with mates on a Friday night and play a gig on Saturday evening under the name Soul Parade.”
Polydor picked him up two years ago and his debut single, You Better Leave Me, was released this week to coincide with his current tour supporting Plan B around the UK. After that he’ll open for the hotly-tipped Jessie J but neither tour brings him home.
That said, he will be joining Chase & Status when they play their sell-out gig at Rock City next Sunday, to perform with them on Blind Faith, their Top 5 hit on which he sings.
“That was mad,” he says.
“I didn’t even know who Chase & Status were when I got a phone call from them asking if I fancied doing something.”
The song is included on the Chase & Status album, No More Idols, which reached No. 2.
Liam’s debut album, produced by Salaam Remi (Nas, Fugees, Amy Winehouse) will be released in May.
Another Nottingham name getting a lot of attention is Dog Is Dead.
“I rate Dog Is Dead, they’re good songwriters,” says Liam.
“Although I felt sorry for them. I was playing a gig supporting someone who dropped out so the promoter brought in Dog Is Dead. But the room was full of people from my label and some of my mates, so when I’d done my set everyone left. There was only me and a few of my mates watching them.”
There is little need to feel sorry for Dog Is Dead. After playing Glastonbury last summer, the five-piece from West Bridgford have been been all over Radio 1.
“The current single, River Jordan, was playlisted, which is pretty incredible,” says guitarist Rob Milton.
“We did a four-song session for Huw Stephens and I was interviewed by Jo Whiley for her show last weekend. She seemed really nice and didn’t emphasise too much how much she hated the band name,” he laughs.
The NME stamped its approval with a full page feature last week and in a couple of weeks they’ll be seen in an episode of Channel 4 youth drama, Skins.
Last night Dog Is Dead started their UK tour in Manchester.
“This is the most exciting bit,” says Rob.
Their current single, River Jordan, is the final instalment in their trilogy of singles on the Your Childhood label, following July’s Glockenspiel Song and October’s Young.
“We’ve offers from labels which we’re considering,” says George Akins, the band’s manager.
“It’s all pretty exciting stuff. The plan is to record an album with them this summer.”
Liam also rates Nottingham rapper Cappo, acoustic singer songwriter Nina Smith and knows The Petebox, the beatboxer who toured last year, opening for Diversity. He is also the drummer for Nottingham guitar band Swimming, who’ll be playing a set at Fopp on Tuesday from 5pm to plug the release of their new single, Sun In The Island. The single has been played on Radio 1 by Fearne Cotton and Rob Da Bank.
Other Nottingham talent to listen out for are Ronika, who shares management with Plan B and Hot Horizons, who are signed to EMI’s Zarcorp label. They’ll be supporting Dog Is Dead at the Rescue Rooms tomorrow.
Natalie Duncan recently moved to London to pursue her music career, having already recorded demos for EMI.
And there’s Parade, the new girl group, featuring Gunthorpe’s Bianca Claxton, who release their debut single, Louder, on Monday.
It’s expected to chart, particularly now it’s being used to soundtrack the new TV ad for Rimmel.
Parade have already supported Shakira and Alexandra Burke and this week it was announced they’ll be opening for Shayne Ward on his next tour.
And Nottingham’s national pop profile has already been raised by the success of boy band The Wanted, featuring Jay McGuiness from Farndon, a one-time resident of Carlton.
After a No. 1 single and Top 10 album, they’re releasing the official single for Comic Relief, Gold Forever, on March 13.
They also play a sell-out show at the Royal Concert Hall on April 2.
“My agenda is to make people know about Nottingham and that it has a very eclectic and quite substantial music scene,” says Liam.
“The industry should start going there to see what’s going on. I’m going to be reading the riot act to them.”