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Showing posts with label Skins. Show all posts
Showing posts with label Skins. Show all posts

Joe Dempsie

March 2015



HAD his family not moved to Nottingham when he was four months old, Joe Dempsie wouldn’t have been an actor.

“There’s no doubt about that,” says the 27-year-old, best known for his roles in teen drama Skins and epic HBO fantasy series Game of Thrones.

He was born in Liverpool but due to his parents’ work, grew up in West Bridgford.

By the age of 13, on his mother’s suggestion, he was a member of The Television Workshop, the Nottingham acting school that has produced numerous stars of TV, film and stage.

Although Dempsie wasn’t harbouring dreams of becoming an actor.

“I went because it was a laugh” he admits, talking to Confetti students as part of their ninth annual Industry Week, a series of events over five days and nights designed to inspire students of film, TV, music and games.

“It wasn’t something I’d considered before joining the Workshop. It wasn’t something I considered the first few years of being a member of the Workshop either.

“I just enjoyed messing around there twice a week. Every now again you’d go for an audition for a part in a TV show or a film but that was just a bonus.

“It was only when I’d been told by the guys who ran the Workshop that it was maybe something I could do, that I started to take it seriously.”

After finishing A-levels at West Bridgford School, where he admits to being “a frustrating student to teach”, Dempsie took a year off to “mull over” the idea of becoming an actor.

“I got a job at Cineworld in the Cornerhouse, thinking I’d be watching loads of films but at the end of a ten-hour shift the last thing you wanted to do was to spend another two hours there.

“By the end of that gap year not a lot was really happening auditions-wise so I applied to do history at university in Birmingham.”

But then he got the part in Skins, the E4 series about partying teenagers in which he played loveable hedonist Chris Miles.

“Skins was nuts,” says Dempsie, who was a regular at Media and Stealth nightclubs as a teenager.

“We shot series one and had no idea what would happen. It was a low-budget show for E4. But then the ad campaign for it started. The trailer seemed to be on every ad break on Channel 4, there were posters on buses, on the Tube... so the build-up for it was huge.

“When people talk about things changing overnight, that’s what happened for us. The night after it was shown, life was different. It was a bit like being in One Direction, I imagine.”

Dempsie, who recalls his first acting role as the ox in a school nativity play (“crouched with a Cornflakes box on my head”), was in the series for two years before being killed off.

“I think the success of it was that out of this motley crew of friends there was one that everyone could identify with.”

As a result of Skins he was being recognised in the street wherever he went.

“Skins started informing some of my career decisions; I didn’t really know if that level of attention was for me.”

He turned down a lot of Skins-style parts offered to him and took on small roles in Doctor Who, Merlin, Shane Meadows’ This Is England ‘86 and The Damned United, before his next major success came along: big budget US fantasy series Game of Thrones.

“I felt like I’d reclaimed my anonymity but then I had to readjust again when Game of Thrones came along,” he says.

“But it doesn’t affect my day to day in the same way that Skins did.”

Since 2011, he’s been playing Gendry in the internationally successful series based on the novels of George R R Martin.

A movie has been rumoured but he doesn’t know if it will happen.

“I think it’s a really good idea but I think the proposal is to do a couple more seasons and then a series of three films, like the Lord of the Rings trilogy. I hope it does happen, as long as I’m in it,” he laughs.

Other TV hits he’s appeared in include The Fades, Moving On, Accused, Southcliffe, New Worlds and Murder: Joint Enterprise, a one-off drama set in Nottingham that won a BAFTA.

“I don’t get back to Nottingham as much as I’d like,” says Dempsie, who lives in South London.

“My parents are still based here but they’ve been in Surrey for the past five months helping my younger sister, who has cerebral palsy, settle into her new house.

“We’ve got to get a care team in place, which is quite a long process.”

He adds: “When I do get back here it’ll be to see Forest or catch up with friends, although most of them are either engaged or have babies, so no-one wants to go into town anymore.”

Dempsie, who is single, stays in touch with numerous Workshoppers, including Mr Selfridge actress Aisling Loftus and recent BAFTA winner Jack O’Connell, plus Perry Fitzpatrick, his co-star in This Is England 90.

“It’s the most fun I’ve had on a set in a long, long time,” he says of the four-part drama, due to air on Channel 4 in the autumn. “Half the cast I grew up with at the Workshop,” he adds; among them were Vicky McClure, Andrew Shim, Rosamund Hanson, Michael Socha and Chanel Cresswell.

“For everyone it’s a safe environment.”

The BAFTA-winning series recently completed filming in Sheffield, with Nottingham-based director Shane Meadows, who he describes as “the master puppeteer.”

He adds: “We were reminiscing about the Workshop days.

“We’re in the golden age of Workshoppers being professional actors. When I joined it was only Samantha Morton and Chris Gascoyne, who was in Coronation Street, that we looked up to.

“Now we’re everywhere.”

Dog Is Dead

October 2011




A NOTTINGHAM band could soon be snapping at the heels of music’s biggest stars in the UK charts.
Dog Is Dead today released their first single for Atlantic Records, one of the world’s biggest record labels.
The West Bridgford indie-pop quintet signed to the label, home to Plan B, Bruno Mars and Ed Sheeran, earlier this year.
Hands Down was recorded at the famous RAK studios in London and today went on sale in shops across the UK and through all the key download sites.
But singer and songwriter Rob Milton is cautious about being over optimistic.
“We are confident we can get in the chart but we’re talking about the top 150, which would be ridiculous for a band at the stage we are at,” said the 20-year-old.
“We don’t want to push it too hard, we just want to see how people react to it.”
The band have already released three singles on their own Your Childhood record label. Glockenspiel Song, Young and River Jordan have been played on Radio 1, Radio 2 and BBC 6 Music. They’ve also been featured in the NME, appeared at Glastonbury and even had a small role in the Channel 4 teen drama Skins.
“Even though we’ve been doing this for three years, getting signed to Atlantic felt like the start. And this single is really a first step. It’s not going to get to number one but we want to steadily build our fanbase.”
Rob met Joss Van Wilder (keyboards) and Lawrence ‘Trev’ Cole (bass/sax) at West Bridgford School. They formed Dog Is Dead with Paul Roberts (guitar) in 2008. Drummer Daniel Harvey joined this year.
“I wanted to make a song with a Motown feel that had a really positive message,” he says of Hands Down, which will be included on their first album for Atlantic, expected in the Spring.
“We’re still working on the songs for that,” said Rob.
“It’s a bit of a free-for-all at the moment which is quite exciting.”
They recently supported Bombay Bicycle Club on tour.
“That was probably the time of our lives,” he said.
“We were playing to two or three thousand people every night. The crowds reacted to us amazingly well.”
Dog Is Dead will play the main stage at Rock City in December, the biggest gig by a homegrown band in decades.
“It feels like it’s going to be a big show, not just for us but for Nottingham.”
Local music champions Nusic have been running a competition for an unsigned Nottingham band to open the gig.
“This is a life-changing opportunity for any musician serious about pursuing their musical dream,” said Nusic’s Mark Del, who will be choosing a shortlist tonight along with a panel of judges.
Added Rob: “We just want someone who is really entertaining. I wouldn’t necessarily want a Dog Is Dead tribute band.”
Dog Is Dead are leading the charge for the local music scene which has seen the likes of Jake Bugg, Ronika, Liam Bailey and Spotlight Kid gain national attention on the radio and in the press.
Dog Is Dead, who were signing limited edition seven inch vinyl copies of the single at Fopp yesterday, play Rock City on Saturday December 17.
Tickets are £7.50 from the venue, call 0845 413 4444 or go to www.alt-tickets.co.uk.
Hands Down is available at all record shops and to download through iTunes and other websites. The video for the single is available at dogisdead.co.uk.

Notts-stars: Liam Bailey, Dog Is Dead...

March 2011


SHE cooks a mean meatball and avocado salad, does Amy Winehouse. Just ask Liam Bailey. The soul singer from Beeston, who released his debut single for Polydor Records two days ago, has been round her gaff for dinner.
“She’s a brilliant cook,” says the 25-year-old.
“Apart from me mam’s lasagne it was the best meal I’d ever had.”
Liam released two singles on Winehouse’s Lioness Records label, 2am Rough Tracks and So Down, Cold. Although, by that time, he was already signed to Polydor.
“They heard about me,” he says simply.
“Winehouse heard some stuff I’d done that was pretty rough, Polydor wouldn’t touch it with a barge pole. I hadn’t even bothered playing it to them but Winehouse heard them and she put them out on her label.”
He adds: “She’s sound, you know. She’s a lovely girl. And she knows her music. She’s up there, one of the most iconic singers to come out of this country in the 21st century.
“Yeah, all right, she has her faults but I’ve got nothing but good things to say about her.”
Winehouse will be seeing him play in London next week, he says.
“We’ve been out a few times.”
Liam was born in Beeston. His dad is a factory worker, his mum works on the tills at a supermarket. It was his mum’s record collection that he feasted upon, from Michael Jackson to The Beatles, Bob Marley to Jimi Hendrix.
The family moved to Selston when he was 10.
Later, while living in Sneinton, he played in a number of bands around the city, including Bosco, but moved to London to live with a girlfriend and to pursue music five years ago.
“I was still coming back to Nottingham because I’ve got a lot of mates there and my family. So I’d have a jam with mates on a Friday night and play a gig on Saturday evening under the name Soul Parade.”
Polydor picked him up two years ago and his debut single, You Better Leave Me, was released this week to coincide with his current tour supporting Plan B around the UK. After that he’ll open for the hotly-tipped Jessie J but neither tour brings him home.
That said, he will be joining Chase & Status when they play their sell-out gig at Rock City next Sunday, to perform with them on Blind Faith, their Top 5 hit on which he sings.
“That was mad,” he says.
“I didn’t even know who Chase & Status were when I got a phone call from them asking if I fancied doing something.”
The song is included on the Chase & Status album, No More Idols, which reached No. 2.
Liam’s debut album, produced by Salaam Remi (Nas, Fugees, Amy Winehouse) will be released in May.
Another Nottingham name getting a lot of attention is Dog Is Dead.
“I rate Dog Is Dead, they’re good songwriters,” says Liam.
“Although I felt sorry for them. I was playing a gig supporting someone who dropped out so the promoter brought in Dog Is Dead. But the room was full of people from my label and some of my mates, so when I’d done my set everyone left. There was only me and a few of my mates watching them.”
There is little need to feel sorry for Dog Is Dead. After playing Glastonbury last summer, the five-piece from West Bridgford have been been all over Radio 1.
“The current single, River Jordan, was playlisted, which is pretty incredible,” says guitarist Rob Milton.
“We did a four-song session for Huw Stephens and I was interviewed by Jo Whiley for her show last weekend. She seemed really nice and didn’t emphasise too much how much she hated the band name,” he laughs.
The NME stamped its approval with a full page feature last week and in a couple of weeks they’ll be seen in an episode of Channel 4 youth drama, Skins.
Last night Dog Is Dead started their UK tour in Manchester.
“This is the most exciting bit,” says Rob.
Their current single, River Jordan, is the final instalment in their trilogy of singles on the Your Childhood label, following July’s Glockenspiel Song and October’s Young.
“We’ve offers from labels which we’re considering,” says George Akins, the band’s manager.
“It’s all pretty exciting stuff. The plan is to record an album with them this summer.”
Liam also rates Nottingham rapper Cappo, acoustic singer songwriter Nina Smith and knows The Petebox, the beatboxer who toured last year, opening for Diversity. He is also the drummer for Nottingham guitar band Swimming, who’ll be playing a set at Fopp on Tuesday from 5pm to plug the release of their new single, Sun In The Island. The single has been played on Radio 1 by Fearne Cotton and Rob Da Bank.
Other Nottingham talent to listen out for are Ronika, who shares management with Plan B and Hot Horizons, who are signed to EMI’s Zarcorp label. They’ll be supporting Dog Is Dead at the Rescue Rooms tomorrow.
Natalie Duncan recently moved to London to pursue her music career, having already recorded demos for EMI.
And there’s Parade, the new girl group, featuring Gunthorpe’s Bianca Claxton, who release their debut single, Louder, on Monday.
It’s expected to chart, particularly now it’s being used to soundtrack the new TV ad for Rimmel.
Parade have already supported Shakira and Alexandra Burke and this week it was announced they’ll be opening for Shayne Ward on his next tour.
And Nottingham’s national pop profile has already been raised by the success of boy band The Wanted, featuring Jay McGuiness from Farndon, a one-time resident of Carlton.
After a No. 1 single and Top 10 album, they’re releasing the official single for Comic Relief, Gold Forever, on March 13.
They also play a sell-out show at the Royal Concert Hall on April 2.
“My agenda is to make people know about Nottingham and that it has a very eclectic and quite substantial music scene,” says Liam.
“The industry should start going there to see what’s going on. I’m going to be reading the riot act to them.”