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Showing posts with label Peter Capaldi. Show all posts
Showing posts with label Peter Capaldi. Show all posts

Arsher Ali

March 2015



THE mystery surrounding Doctor Who is legendary. Cast and crew are sworn to secrecy in order to ensure storylines for future series are never leaked.
“It’s the first thing you sign; even before you sign your contract,” says Arsher Ali, of the confidentiality agreement with the makers of Britain’s long-running sci-fi series.
The Nottingham-born actor has already filmed his two episodes for the next series which is likely to hit the small screen in late summer.
“I can say it’s a two-parter and my general view of Doctor Who but no more than that,” says the 30-year-old, whose acting breakthrough came five years ago in the comedy film Four Lions.
He has since appeared in Silent Witness, Beaver Falls, The Guilty, Complicit, The Missing and, most recently, Arthur & George opposite Martin Clunes.
About Doctor Who, he says: “I am a fan of the show although it was a shame that the first Doctor for me when I was growing up was Sylvester McCoy.
“You could see that the show was dying so I didn’t really appreciate it until they brought it back with Christopher Eccleston,” says Arsher, who lives in the city centre with Emmerdale actress Roxy Shahidi. “He is up there on my favourite actors’ list so I started watching it again.
“I don’t like the sillier elements of Doctor Who; when it’s really camp and everyone is running around. That’s why I like Peter Capaldi,” he says of the current Doctor.
“The show should be dark and mysterious, and shouldn’t pull any punches in terms of being scary. When we were kids it’s what we all wanted.”
He adds: “Peter Davison was an underrated Doctor; he had a kind of vulnerability. And Tom Baker was silly but he could be serious as well. He was just mad, like The Joker.”
Doctor Who is just the latest in a string of TV series and films that Arsher has been busy filming over recent months.
At the end of last year he was in hit BBC drama The Missing opposite James Nesbitt, then in March in Arthur & George, a three-part ITV drama adapted from Julian Barnes’ acclaimed novel about the true story of The Great Wyrley Outrages.
In 1906, George Edalji, a young Anglo-Indian solicitor, was imprisoned for mutilating animals and writing obscene letters. He served three years before being released, after which he set out to clear his name in order for him to return to practising law.
Helping him in his quest was Sherlock Holmes creator Sir Arthur Conan Doyle.
“I can’t believe it’s real; it’s like someone getting done for terror charges and Russell Brand leaping to their defence,” says Arsher, who played Edalji opposite Clunes as Conan Doyle.
“You think you know him from Men Behaving Badly, that he’s a kind of oafish, comical guy but he’s not at all,” he says of his co-star.
“He’s super smart, super sophisticated, very witty and super posh. And he was so good in it.”
The three-parter pulled in up to six million viewers.
“The actual case, and the achieving of the pardon was quite an historic event. A lot of laws and regulations were changed from that first case. So it is an important landmark case in terms of law now.
“I’d read the book when I left drama school. Then the Nottingham Playhouse did a co-production of it and that landed at my door. But I thought ‘no’ because they don’t do catering,” he jokes.
The theatre’s artistic director, Giles Croft, is a neighbour and has often asked Arsher to appear in various productions there but he’s always been too busy.
“I’d love to work at the Playhouse; it’s where I saw my first theatre really.”
That was when he was at Bilborough College.
“It would be great to work with Giles. My missus has. She did The Importance of Being Earnest with Anjli Mohindra,” he adds, of the Nottingham actress who played his wife in The Missing.
After Bilborough College, Arsher went to East 15 Acting School at the University of Essex, then graduated to roles with the National Theatre and the Royal Shakespeare Company.
There will be two more films featuring Arsher out this year; one with This Is England actor Stephen Graham with the working title A Patch of Fog.
“It’s about stalkers and Stephen’s really good in it; very creepy. And he has a menacing persona which he plays on, just for a laugh. Some of the cast members who’d not met him before didn’t know how to take him.
“It was fun. I don’t do a lot of film because I get offered a lot of good TV stuff.”
He had complained that due to his looks, he’d been repeatedly offered roles as a terrorist.
“If you see anything that has a kind of terrorist plot at its heart, be sure it landed at my door,” he laughs.
“It’s getting better though.”
Arsher, who’ll be in another film due out this year called Remainder, based on the cult novel by Tom McCarthy, is writing a screenplay about heavy metal music in Iraq.
“I’m very excited about that, because it’s mad,” he says.
“It’s from an article I came across and I optioned it. We’re on the third draft of the script now.”
He adds: “I’ve always fancied writing. I read so many scripts, why wait around for that perfect thing to land at your door? Why not do it yourself?”
When he’s not working, Arsher’s free time is dominated by sport. His first choice of career was sports journalism and he’s sort of achieved that with regular columns in the Nottingham Post about his beloved Nottingham Forest.
“I’ll travel everywhere to watch them. And if I can’t make it I’ll ring home and get my mum or my missus to put the phone to the radio so I can listen to the commentary on Radio Nottingham.”
He played football for his school team but was “too lazy” to make a go of it.
Arsher, the son of a Raleigh welder, now retired, is also often to be seen at Trent Bridge during the cricket season.
“You can just walk around there and everyone is so friendly. You can get friendly with the players; they are always more wordly than footballers, so you have a proper conversation with them.”
He adds: “I started a cricket team when I was at Haywood School in Sherwood.
“We only had two other teams to play against and I think we always lost those games.”
He and Shahidi will soon be moving North to be closer to Yorkshire Television, where Emmerdale is filmed.
He says with a grin: “If it was up to me we’d be in West Bridgford, but with the City Ground and Trent Bridge just down the road, she knows I’d never be home.”

The Ladykillers

October 2012







IT is the story of the eccentric little old lady who lives alone with her parrot in a lopsided boarding house in King’s Cross. Enter new tenant Professor Marcus and his four friends, posing as a group of amateur musicians. In reality they are a criminal gang, planning a security van heist.
The 1955 Ealing comedy is considered a classic, so bringing it to the stage was a given, surely?
“When a theatrical agent called me about adapting it I was nervous,” admits producer Edward Snape.
“That it is recognised is terrific because people are automatically interested in seeing it but there is a risk of the expectations just being too high.
“What we’ve done is pay homage to the film but not simply produced a replica. Otherwise people may as well watch the film at home.”
He adds: “You have to come up with something special for the theatre.”
“The Ladykillers wasn’t simply a case of, let’s get a famous film, take the script and out it on the stage,” says director Sean Foley.
“We’ve developed a proper stage show from the roots of the film.”
The adaptation was written by Graham Linehan, best known for Father Ted and The I.T. Crowd.
“It’s very theatrical,” says Foley.
“There is a lot of physical comedy.”
We’re speaking at the Gielgud Theatre in London’s West End where TheLadykillers opened earlier this year.
The London cast included Peter Capaldi as Professor Marcus, Ben Miller as Louis and James Fleet as Major Courtney.
As well as breaking box office records at the Gielgud, it picked up five nominations for the 2012 Laurence Olivier Awards.
“There have been productions in the past but this is the first time The Ladykillershas been in the West End,” says Snape.
“I believe there was a Nottingham Playhouse production some years ago. But I didn’t see it. It’s always better to go in to a new production with a completely blank canvas anyway.”
It was actually Giles Croft, Nottingham Playhouse’s incoming director in 1999, who put the play on tour that year.
“There have been other adaptations but none on this scale,” says Kindred Rose, the son of William Rose, who wrote the original screenplay for the Ealing film.
“Those I’ve seen have been straight copies of the film. They were done quite well but they took the dialogue directly from the film and didn’t change it much at all.”
His father, an American who settled in Britain after the Second World War, came up with the story in a dream.
“I think he would have admired it,” says the 35-year-old, whose father died when he was 14.
“Thirty per cent of the film takes place away from the house so including the car chase in the play has been done really brilliantly.”
A car chase? On stage? I won’t give it away but it’s one of the production’s bigger laughs.
Says Foley: “It’s a good night out that everyone can come and see. There’s no swearing. I think the worst thing that anyone says is ‘blooming ’eck’.
“And there are some great production values and special effects.”
Foley is fresh from directing Kenneth Branagh and Rob Brydon in the French farce The Painkiller. He’s won awards in the West End for Play What I Wrote, Do You Come Here Often? and What The Butler Saw.
“We’ve done a lot of repeat business, a lot of word-of-mouth business and the response from critics has been very good as well,” he says.
The Express, Independent and Times all awarded it five stars.
Foley adds: “I always do comedy because I like it and I think it’s far more profound than tragedy.”
Shaun Williamson – you know, Barry from EastEnders – is watching as he is one of the stars of the touring production that comes to the Theatre Royal next week.
He’ll be joined by Clive Mantle (Robin Of Sherwood, Casualty, Holby City, Game Of Thrones), Michelle Dotrice (Some Mothers Do ’Ave ’Em) and Paul Bown (Holby City, My Family), plus Chris McCalphy and William Troughton.
Williamson plays One-Round.
“He’s a boxer who claims he had potential but thought he’d make more money by taking a dive,” he says.
“He’s at the heart of their downfall because he’s a teddy bear really. He is the one who says that the old lady is not going to be harmed. Then they all turn on each other.”
Williamson’s stage roles are usually in musicals.
“Apart from Porridge ,this is the first straight play I’ve done in a quite a while.”
He resisted watching the original film, which starred Alec Guinness, Peter Sellers and Herbert Lom, to prepare for the role. He also sidestepped the Coen Brothers’ 2004 remake with Tom Hanks.
“I wanted to go in fresh,” says Williamson, who played himself in two series of the Ricky Gervais/Stephen Merchant comedy, Extras.
“I’ve never played Nottingham,” he says.
“In fact, I’ve only been there once before and that was for a recording of The Price Is Right with Leslie Crowther. My local pub in Worthing had a trip up there in 1987.”
The adds with a laugh: “That’s a bit sad, isn’t it?”
The Ladykillers runs at the Theatre Royal from Monday, October 29, to Saturday, November 3. Performances at 7.30pm, with matinees on Wednesday at 2pm and Saturday at 2.30pm. Tickets are £12 to £29.50 from the box office, call 0115 989 5555 or go to www.trch.co.uk.