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Showing posts with label doctor who. Show all posts
Showing posts with label doctor who. Show all posts

Arsher Ali

March 2015



THE mystery surrounding Doctor Who is legendary. Cast and crew are sworn to secrecy in order to ensure storylines for future series are never leaked.
“It’s the first thing you sign; even before you sign your contract,” says Arsher Ali, of the confidentiality agreement with the makers of Britain’s long-running sci-fi series.
The Nottingham-born actor has already filmed his two episodes for the next series which is likely to hit the small screen in late summer.
“I can say it’s a two-parter and my general view of Doctor Who but no more than that,” says the 30-year-old, whose acting breakthrough came five years ago in the comedy film Four Lions.
He has since appeared in Silent Witness, Beaver Falls, The Guilty, Complicit, The Missing and, most recently, Arthur & George opposite Martin Clunes.
About Doctor Who, he says: “I am a fan of the show although it was a shame that the first Doctor for me when I was growing up was Sylvester McCoy.
“You could see that the show was dying so I didn’t really appreciate it until they brought it back with Christopher Eccleston,” says Arsher, who lives in the city centre with Emmerdale actress Roxy Shahidi. “He is up there on my favourite actors’ list so I started watching it again.
“I don’t like the sillier elements of Doctor Who; when it’s really camp and everyone is running around. That’s why I like Peter Capaldi,” he says of the current Doctor.
“The show should be dark and mysterious, and shouldn’t pull any punches in terms of being scary. When we were kids it’s what we all wanted.”
He adds: “Peter Davison was an underrated Doctor; he had a kind of vulnerability. And Tom Baker was silly but he could be serious as well. He was just mad, like The Joker.”
Doctor Who is just the latest in a string of TV series and films that Arsher has been busy filming over recent months.
At the end of last year he was in hit BBC drama The Missing opposite James Nesbitt, then in March in Arthur & George, a three-part ITV drama adapted from Julian Barnes’ acclaimed novel about the true story of The Great Wyrley Outrages.
In 1906, George Edalji, a young Anglo-Indian solicitor, was imprisoned for mutilating animals and writing obscene letters. He served three years before being released, after which he set out to clear his name in order for him to return to practising law.
Helping him in his quest was Sherlock Holmes creator Sir Arthur Conan Doyle.
“I can’t believe it’s real; it’s like someone getting done for terror charges and Russell Brand leaping to their defence,” says Arsher, who played Edalji opposite Clunes as Conan Doyle.
“You think you know him from Men Behaving Badly, that he’s a kind of oafish, comical guy but he’s not at all,” he says of his co-star.
“He’s super smart, super sophisticated, very witty and super posh. And he was so good in it.”
The three-parter pulled in up to six million viewers.
“The actual case, and the achieving of the pardon was quite an historic event. A lot of laws and regulations were changed from that first case. So it is an important landmark case in terms of law now.
“I’d read the book when I left drama school. Then the Nottingham Playhouse did a co-production of it and that landed at my door. But I thought ‘no’ because they don’t do catering,” he jokes.
The theatre’s artistic director, Giles Croft, is a neighbour and has often asked Arsher to appear in various productions there but he’s always been too busy.
“I’d love to work at the Playhouse; it’s where I saw my first theatre really.”
That was when he was at Bilborough College.
“It would be great to work with Giles. My missus has. She did The Importance of Being Earnest with Anjli Mohindra,” he adds, of the Nottingham actress who played his wife in The Missing.
After Bilborough College, Arsher went to East 15 Acting School at the University of Essex, then graduated to roles with the National Theatre and the Royal Shakespeare Company.
There will be two more films featuring Arsher out this year; one with This Is England actor Stephen Graham with the working title A Patch of Fog.
“It’s about stalkers and Stephen’s really good in it; very creepy. And he has a menacing persona which he plays on, just for a laugh. Some of the cast members who’d not met him before didn’t know how to take him.
“It was fun. I don’t do a lot of film because I get offered a lot of good TV stuff.”
He had complained that due to his looks, he’d been repeatedly offered roles as a terrorist.
“If you see anything that has a kind of terrorist plot at its heart, be sure it landed at my door,” he laughs.
“It’s getting better though.”
Arsher, who’ll be in another film due out this year called Remainder, based on the cult novel by Tom McCarthy, is writing a screenplay about heavy metal music in Iraq.
“I’m very excited about that, because it’s mad,” he says.
“It’s from an article I came across and I optioned it. We’re on the third draft of the script now.”
He adds: “I’ve always fancied writing. I read so many scripts, why wait around for that perfect thing to land at your door? Why not do it yourself?”
When he’s not working, Arsher’s free time is dominated by sport. His first choice of career was sports journalism and he’s sort of achieved that with regular columns in the Nottingham Post about his beloved Nottingham Forest.
“I’ll travel everywhere to watch them. And if I can’t make it I’ll ring home and get my mum or my missus to put the phone to the radio so I can listen to the commentary on Radio Nottingham.”
He played football for his school team but was “too lazy” to make a go of it.
Arsher, the son of a Raleigh welder, now retired, is also often to be seen at Trent Bridge during the cricket season.
“You can just walk around there and everyone is so friendly. You can get friendly with the players; they are always more wordly than footballers, so you have a proper conversation with them.”
He adds: “I started a cricket team when I was at Haywood School in Sherwood.
“We only had two other teams to play against and I think we always lost those games.”
He and Shahidi will soon be moving North to be closer to Yorkshire Television, where Emmerdale is filmed.
He says with a grin: “If it was up to me we’d be in West Bridgford, but with the City Ground and Trent Bridge just down the road, she knows I’d never be home.”

Bill Bailey

November 2011





LANDING a role in the next Doctor Who Christmas special is not such much a career high as a personal one for Bill Bailey who describes it as: “like getting knighthood.” It’s fair to assume he’s always been a big fan of the show.
“Well, I was small for many years,” he quips then admits: “I was terrified by the Cybermen. For a long time I had an irrational fear of being in a lift in case the door opened and there was a Cyberman standing there. I’ve just about got over that now.”
So how did he get the gig?
“It was just one of those things. They phoned up and said do you want to do it. And I said ‘oh yes I do.’”
Any storyline for a Doctor Who episode is a closely guarded secret so one assumes he was given the third degree about no revealing any details?
“No they didn’t although I subsequently found out that that’s the prevailing culture. I did tweet about it saying that I was going to do it and there was this tsunami of tweets of people saying: “You going to be in it?” “Have the BBC said you’re going to be in it” - it went absolutely mental.
“I didn’t really realise how obsessive and fanatical people are about it. But I can see why.”
Prior to that Bailey is finishing off the remaining few dates on his Dandelion Mind tour that started 18 months ago and has since been across Europe, Australia and the US.
It includes a date at the Capital FM Arena on Thursday.
“I’ve played Nottingham many times,” says Bailey, whose debut at the Edinburgh Fringe 15 years ago earned him a Perrier Award nomination.
“I used to do Just The Tonic quite a bit and it was great fun,” says the West Country musical comedian and actor.
“I had some great gigs there. And I played the university a few times. I remember that for one of the university gigs my car broke down. And the accommodation I was supposed to be staying in was overbooked, so it was all going a disastrously wrong.
“We all ended up in some student digs drinking cherry brandy at three in the morning. So, you know, rock n roll! That’s what I say.”
Since those days he’s gone from Never Mind The Buzzcocks to Black Books to the Top 10 in Channel 4’s greatest stand-up of all time poll to a British Comedy Award. Along with his own shows for Channel 4 and BBC2 he’s appeared in Spaced, Jonathan Creek and Skins, been a regular on Have I Got News for You and QI and even presented wildlife programmes Wild Thing I Love You (Channel 4) and Bill Bailey’s Birdwatching Bonanza (Sky1).
On the big screen you may have seen appearances in Saving Grace, Hot Fuzz, Nanny McPhee and the Big Bang, Chalet Girl and Burke and Hare.
“It’s another world now,” he says of his current standards of lodging when on the road.
“I’ve got a swan carved out of ice; I demand that everywhere I go. I get a Toblerone, I’m carried to the gig in a sedan chair... it’s all changed.”
Bailey was one of the first UK comedians to play arenas and he admits it was initially a daunting prospect making the leap from the comedy club to the big stage.
“I learnt an awful lot about what to do and what not to do,” he says.
“I’d built it up in my head so much about what a big deal it was... and it was a big deal but now I’m a lot more relaxed about it. I just see them as gigs. It’s like doing a gig in a club except there are a few more people there.
“Initially I spent hours thinking how it had to be a spectacle and I was fretting for months about the number of pixels on the screen and where people would be able to see it, was the sound right?... I drove myself mad over it.
“I started from the point of it being for arenas and that coloured my judgment in a way. I was writing songs and material thinking I’M GOING TO HAVE TO SPEAK A BIT LOUDER! and punch the air at the end of each joke.”
He adds: “I wrote this show completely the other way. I started in the tiny venues in the Highlands of Scotland, in community centres and little halls and let it expand into arenas.
“Obviously there are bigger screens and more sound equipment now I’m playing arenas but nothing really that significantly different.”
He’s also taken it to Australia, the US, Canada and Europe.
But isn’t playing an arena a wholly different experience?
Peter Kay, John Bishop and Lee Evans have all introduced songs and dance numbers for their shows this year, as if conscious that they have to fill the space. And their shows lacked that interaction with the audience that can make each gig unique.
“Practically that is more difficult because if you ask: ‘Has anyone here swam with a dolphin? And there’s someone towards the back of the arena in another postcode going: ‘Yes, I’ve dad did a doldin’ you spend ten minutes asking: ‘What did he say?’ So it can turn in to a session of Chinese whispers.
“But you are close to the people in the front rows, so you can talk to them. You just have to be quite clear about what’s been said and relay the conversation to everyone.
“In fact, it was in Birmingham where I was playing this alpine horn and the end fell off. I picked up the end of the horn and there was the manufacturer’s number inside with a number to ring in Switzerland, so I phoned them up and put the phone to the microphone.
“I got the audience to shout: ‘the horn’s broken!’ You have to allow things like that to happen so it’s less formal, so the audience don’t feel so much that they aren’t involved and they’re just observing a spectacle.”
The same kind of ad-libbing found its way into the show the last time he was in Nottingham at the arena.
“I was on just before the Dalai Lama,” says Bailey, who played the venue four years ago on his Tinselworm tour.
“We ended up with a routine about the songs the Dalai Lama might end his show with, which was good fun.”
Aside from the ad-libs, this show will be significantly different from the live DVD of the same name that was released last Christmas.
“If you think up new ideas you’re almost compelled to put it in the show to see what the reaction will be. I can’t help myself. So it’s always changing.
“I’d say most of the material is different to when I started out in Scotland.”
Aside from the filming of the Doctor Who episode, which will be set during World War II and also star Alexander Armstrong, Outnumbered’s Claire Skinner and The Fast Show's Arabella Weir, the tour is Bailey’s only focus. That’s how he has to work.
“Sometimes I’ve got in to states where I’m doing a TV show, writing something, doing a tour... you just drive yourself mad.”

Bill Bailey brings his Dandelion Mind tour to the Capital FM Arena on Thursday starting at 8pm. Tickets are £29.50 from the venue, call 08444 124624 or visit www.billbailey.co.uk

Mark Gatiss

October 2008



MOST everything Mark Gatiss is involved with, be it on the small screen, radio or in book form, has a dark side. It's either black comedy, a murder mystery or horror. So, is there something wrong with him?
"I've never had it phrased like that before," he laughs.
"It's only the same 'something wrong' that's probably wrong with you I suspect and with a lot of other people.
"We were always being asked 'is it some terrible inner darkness?' I suppose it is but the healthiest response to it is comedy rather than going into the streets with an Uzi."
"We" are, of course, Gatiss, Steve Pemberton and Reece Shearsmith aka The League Of Gentlemen, who went from BBC radio show to cult TV series, movie, arena tour, book, T-shirt, action figures...
I'm one of those who made the trek up to Royston Vasey aka the village of Hadfield in North Derbyshire where the series were filmed.
"I'm so sorry," he says.
Quite. It's a weird and fittingly dark place.
Famously the locals initially resented their presence but when I went they were selling self-made League Of Gentlemen location maps in the corner shop.
"I still have a copy of the Wakefield Courier with the headline 'Plague of Gentlemen'," he laughs.
"After the paper credited us with turning round the local economy for a while they kind of came on board."
Not that the cast and crew stayed there during filming.
"There's nowhere to stay. It was bit of saga as we never had a fixed hotel. We went through so many in Manchester and Hyde – which turned out to be literally opposite Harold Shipman's surgery – one in Buxton, which was lovely, but we'd always set our hearts on a Hilton on the Moors. Finally on the third series we insisted we stay there and it was the bleakest of the lot. Like an internment camp."

When the trio (and off-screen contributor Jeremy Dyson) finished promoting the Apocalypse movie three years ago, each went their separate ways.
So it's all over?
"Well no. Steve and Reece are currently filming their own project which is very League-ish, called Psychoville," says Gatiss, who now lives in Islington, London.
"We would love to do something together again but we were together for 12 years almost constantly. We wanted a proper break and to do something else. I would never say never because I would love to but everything has its season... or three seasons."
Gatiss is busy to say the least. As well as appearing in Doctor Who (two episodes of which he also wrote), the 42-year-old has been involved in writing and appearing in ITV1 drama Poirot; he's filmed BBC dramas Purves and Pekkala and Sense and Sensibility; wrote and starred in Radio 4 comic thriller Murder Every Monday and voiced a third series of Radio 4 sci-fi sitcom Nebulous. He's also just finished filming Clone, a new sitcom for BBC 3 created by Adam Chase, one of the key writers of Friends.
Off screen Gatiss is ready to publish a third novel, Black Butterfly, another adventure for his Victorian spy and all-round cad Lucifer Box.
Do you get any time off to enjoy yourself?
"This is it, this phone call."
My turn to apologise.
"I'm in a privileged position to do things like Christmas ghost stories which I've always wanted to do, since I was about seven."
He's interrupted his editing of it to speak to EG. It's called Crooked House and it'll be on BBC 4 this festive season.
Gatiss has also been working on an updated TV version of Sherlock Holmes for the BBC with the new Doctor Who boss.
"The pilot has been greenlit. Steve Moffat and I have had this idea for a modern Sherlock Holmes for a long time. It was hatched on trains back and forth to Cardiff for Doctor Who. I'm tremendously excited. It's another dream come true.
"I love that idea that Holmes would turn down a fortune to investigate a bank robbery but if someone came to him and said 'my husband has always had white toast but this morning he had brown and now I can't find him'."
Any ideas who will play Holmes?
"Plenty. But I can't possibly reveal who."
As part of the Mayhem Horror Festival he'll be showing and talking about clips from film and TV that scared him the most as a child.
"One of them is Blood On Satan's Claw which is a very underrated horror from the 70s. And there's one from the TV series Hammer House Of Horror called The Two Faces Of Evil. It's a family driving to a holiday and it starts to pour down. They pick up a hitchhiker in a Sowester and you can't see his face. He attacks the driver and you just see that he has this extraordinary long fingernail that he scratches down his face... it still gives me nightmares thinking about it."
So how does he mark Hallowe'en?
"I generally bathe in the blood of a virgin. Which is so hard to find."
Silly.
"No, I love it. Derren Brown and myself were going to go to a haunted house with a group of friends but I can't do it because I'm coming to Nottingham. We'd have to have stayed up until six in the morning and I couldn't imagine stumbling out of there, doing Saturday Kitchen, which is what I'm doing, then getting the train up to Nottingham and talking lucidly."

Mark Gatiss presents an illustrated talk called What Are You Scared Of? at Broadway on Saturday November 1 from 3.30pm. Visit www.mayhemhorrorfest.co.uk for more details or call 0115 952 6600. Black Butterfly by Mark Gatiss is published by Simon and Schuster on Monday, price £15.