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Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Saint Raymond

February 2015

The Saint Raymond story begins with his family. Even his name is a tribute to his paternal grandfather, Raymond Burrows, a Nottingham bus driver who died before rising music star had reached his teens.
“I liked the idea of using Saint something,” says Callum Burrows, now 19, of the street name in Bramcote where he grew up.
“But you can’t put Saint in front of your own name because that’s kind of a big-headed thing to do.
“Sometimes people do think my name is Raymond but most know who I am, what I do, what I had for dinner because the way social media is.”
Adding Saint to his grandfather’s surname was by way of a tribute to a man who had an influence on the youngster, much like the rest of his family.
Callum grew up with an older sister and two older brothers and was exposed to their music tastes from an early age.
“I saw Oasis at the Arena when I was about seven; it must have been one of the last tours they did. At 11 or 12 I started playing the guitar and getting into bands like The Kooks and going to my first gigs. I remember seeing The Maccabees at the Rescue Rooms who had Mumford and Sons supporting them, which was pretty weird because they went on to headline Glastonbury.
“I saw Dizzee Rascal at Rock City when I was 14... I was going to whatever gigs I could.”
It was at 14 that he started playing open mic nights, his first was at The Maze just off Mansfield Road.
He recalls: “A friend of mine was in a band and I just played a set before them. It was actually quite busy although I did many a gig at the Maze where there were just two people there.”
He continued slogging it around the city gig circuit with his guitar, playing around two shows a week.
His talent was noticed by a music scene that was just starting to get national attention, with major label signings for the likes of Natalie Duncan, Liam Bailey, then, most significantly, Jake Bugg.
Two years ago he signed to Asylum Records, part of the Atlantic group, home to Ed Sheeran, who Callum spent nine weeks on the road with at the end of last year playing arenas across the UK and Europe.
Prior to the record deal he’d released his debut EP on chart-topping singer Gabrielle Aplin’s own label and reached the Top 25 on the iTunes chart. He also toured with Aplin, the voice behind the No. 1 single The Power Of Love, as featured on the John Lewis Christmas campaign TV ad.
“She was really supportive,” he recalls.
As was Zane Lowe on Radio 1 and rapper Example, who he is still in touch with.
“He’s always been there on the end of the phone to talk to and text. He’s been wicked. He’s really funny.”
The same year he played the Reading and Leeds Festivals, toured the UK and Europe supporting Haim and had his own sold out tour, including Nottingham’s The Bodega.
The momentum built in 2014 with two more iTunes hits, more national radio support and an impromptu slot at Glastonbury.

“I’d gone with my drummer just to enjoy it. Normally when you are playing them you don’t get to enjoy the festival experience, so it was nice to just go along to have some fun.
“But I bumped into my radio plugger and he said that London Grammar had just dropped out, ‘do you fancy playing a set tomorrow?’ I was drunk so I said yes. I got an early night, rocked up to the stage the next day and they said ‘OK, it’ll be live on Radio 1’”, he laughs.
A bigger gig, or 37 of them, was to come with the Ed Sheeran tour that ran across the UK and Europe and saw him facing crowds of up to 20,000 people.
“I’m usually kind of chilled before shows but I must admit I was pretty overwhelmed by it to start with.
“It’s harder to see faces in arenas so you don’t realise how many people there are... not until the moment in the set where we got everyone to light up their phones. That freaked me out a little bit.”
And how was Britain’s biggest-selling artist of 2014?
“Ed was great. He’d come by the dressing room and ask how it was going, we’d text each other... he’s really down to earth.”
Being away from home for over two months wasn’t easy for the son of a teaching assistant and a salesman, who admits to being quite “homey”.
He says: “Nine weeks is a long time to be with anyone; even if you are married, so it was hard being on a tour bus with the same people every day. But you learn each other’s boundaries.
“I like to sit by myself with my laptop and listen to music, play XBox... I take myself away from it all. That’s what I’d do at home and I think the trick is to install as much of home life into tour life.”
His band are like an extended family. The bassist is his brother-in-law, who was in a band with the drummer.
“Me and him went to Glastonbury and Ibiza together,” he says.
“It has never felt like me and session players. We get along in the dressing and we hang out together.”
Although he has been in search of a new guitarist for the upcoming tour, since his original one quit.
His elder siblings have long flown the nest so when he comes home to Bramcote it’s just him, mum, dad and the dog. And he loves it.
“When I was living at home I just wanted to go out all the time,” he says.
“And by the time I reached 16 I wanted to move to London but then I spent six months going down there working from Monday to Friday... now I just love being at home.”
His fans on Twitter know his mum, Diane, who goes under the name Momma Burrows, as she is a prolific tweeter.
“I was interviewed by Jo Whiley on Radio 2 and she spent most of the time asking me about my mum,” he laughs.
Callum is at home now working on new material, including a song for the soundtrack of an upcoming British film called Kill Your Friends, starring  Nicholas Hoult and James Corden.
He’s already had songs featured on computer games, TV and film, including an advert for ITV Player and Us comedy This Is Where I Leave You, which starred Tina Fey and Jason Bateman.
“My mum collects cuttings from papers and magazines and records all the shows. She’s like ‘you were on Hollyoaks, hang on let me find it,” he laughs.
This month he will be on a headline tour of the UK that includes a sell-out show at Rock City.
“Every year me and my manager do a bucket list and playing Rock City was on it but when he talked about booking it I thought ‘no, I’ll never sell-out Rock City’. Just because I’ve seen so many big artists here. I didn’t think it would happen, so I can’t believe it’s sold out.”
Not that’ll there’ll be any nerves taking to that legendary stage.
“When I came home after the arena tour with Ed, I came to Rock City to see Years and Years supporting Clean Bandit... and it felt so small. But I love Rock City gigs. I like that you can see people texting or whatever. An arena is an amazing experience but it’s a different feeling to playing here.”
After the tour he has no idea what will be happening.
“I honestly don’t know what I’m doing next week. Plans are constantly changing; which is great, you just enjoy the ride. But the down side is that you can’t, say, book a holiday with your mates because you don’t know if you’ll be free.
“Not that I’m complaining.”
The key event will be the long-awaited release of his debut album.
“You only release your first album once so you’ve got to be so sure with the timing. I’d love to release it tomorrow but you can’t get it out there for the sake of getting it out there.
“But it’ll definitely be this year. I’d like to hope it’ll be in the next six months.”

Saint Raymond plays Rock City on February 11. Sold out. For more about him visit saintraymond.co.uk. Follow him on Twitter: @Callum_SR.




Bugg and Burrows
Mention Jake Bugg and Callum Burrows, aka Saint Raymond, will stifle a sigh but the parallels with Nottingham’s biggest music star are numerous.
Both started out at the age of 14 playing opens mic nights at city pubs and venues with an acoustic guitar.
Although he turns 21 this month, Callum’s Clifton counterpart was, like him, 18 when he signed his record deal.
Both were given a helping hand by a major British music star on a tour of Europe. In Jake’s case it was Noel Gallagher, while Callum spent two months on the road with Ed Sheeran.
They are the only two Nottinghamshire musicians to sell-out Rock City’s main hall. This month, Saint Raymond will play the 1,950 capacity venue, two years to the week that Jake Bugg did the same.
And both are Notts County fans.
“Around the UK I do get asked about Jake Bugg, or he gets mentioned in interviews because of the Nottingham connection,” he says.
“And that’s nice because there’s a real vibe about Nottingham now. But we’re in different genres.”
True enough, while Bugg trawls Sixties and Seventies rock, blues, country and folk, Saint Raymond is more of a contemporary, anthemic indie pop artist.
It doesn’t help when we meet at Rock City that he makes a throwaway remark about meeting Cara Delevingne, the supermodel and gossip column regular who Bugg dated for a period.
“I played Call Of Duty with her,” he laughs.
“It was at a random game launch party. They invite a lot of people to test the game and tweet about it. I was with my mate, who knew how much I loved her, and he said ‘do you know Cara Delevingne is here?’. I thought he was joking. But she was sat next to me.
“I was about to leave and she said right let’s all have one big game against each other.”
He pauses, before adding with a grin: “She’s... interesting.”


Beck Goldsmith

January 2015

SHE came pretty much out of nowhere. While the Nottingham music scene was awaiting the release of the debut albums by Saint Raymond, Indiana and Amber Run, suddenly there it was, Lustre & Curve by Beck Goldsmith.

Who the hell is Beck Goldsmith?

It seems she’s been around a while. A one-time member of Lorna, her presence on the city gig circuit was a while back, alongside Love Ends Disaster, Swimming and lo-ego.

She self-released two albums of melancholic folk then disappeared to Scotland, Wiltshire and London, moving back to North Notts recently after the breakdown of her marriage.

But you are unlikely to see her hopping aboard the city gig circuit anytime soon.

“I shy away from that acoustic, singer-songwriter corner of a bar type of gig, I’m not really into that,” says the 34-year-old, who was born in Mansfield. “I like being a bit louder with a full band. Although I’m not a band so I fall between the two. It’s why I’ve never really found a niche in Nottingham.”

That said, she will be playing The Maze next month, supporting Drew Holcomb for Cosmic American.

Lustre & Curve, released this week on Island largely owes its existence to Goldsmith’s version of I Vow To Thee My Country being used on a trailer for the BBC drama The Village, starring John Simm.

The song, a traditional one created in 1921 using a poem by Sir Cecil Spring Rice and the music of Gustav Holst, was chosen by Beck’s friend Jon Dix, one-time member of Nottingham-based alt-rock band Love Ends Disaster.

Now based in London and composing music for TV and film, Jon called on his old friend to deliver the vocals for his pitch to the company making the trailer in 2013.

“I was living in Scotland at the time,” says Beck.

“Although it was only used on the trailer, it was absolutely hammered on TV and the radio. It was from that I got my management and label interest.”

Dix produced the album, a collection of melancholic and yet uplifting songs partly inspired by Beck’s divorce.

“It’s not just about that. There were other things going on in my life at that time as well – positive things.

“The divorce wasn’t bleak and acrimonious and mud-slinging – it wasn’t a big horrible bust-up. It happened organically. We both agreed on it, although it was still hard to go through.”

She adds: “I didn’t want it to be a bleak, angry-woman-tortured-soul kind of album.

“Quite a few of the tracks start small and build. I like adding textures and giving crescendo and being able to sing out at the end.”

Lustre & Curve has earned strong reviews, with Mojo saying “She bends her stoic dark folk into filmic shapes 4/5” and The Sun offering “Her beautiful melodies are full of hope, 3/5”. The Guardian didn’t seem to like it but still gave it 3/5.

Sports presenter Claire Balding had her in session on her Radio 2 show after choosing I Vow To Thee My Country for Desert Island Discs.

Radio 2 has since played Point & Pier, a bonus track on the album that also borrows from a classical composer.”

“It’s a Tchaikovsky melody that I borrowed,” laughs Beck, who also has a publishing deal with BMG Chrysalis and is writing songs for other artists.

What most have been drawn to is her breathy, lilting – and a little Irish – voice.

“When I started out I was singing properly. If you listen to my first album, and I don’t recommend it, my voice is totally different.

“It was when I did some music for the Buzz music trivia video game with Jon where I had to impersonate a lot of different vocalists – I realised these people were singing properly. But they were obviously singing in a way that felt comfortable. So I stopped thinking about the way I sang and let my voice just happen. I started to enjoy the sounds I was making.

“The way my voice is now feels nice in my mouth.”


Beck Goldsmith supports Drew Holcomb at The Maze on Sunday, February 8 from 7.30pm. Tickets are £12.50 from gigantic.com. 

Lucy Kay

January 2015

ON the first night of the UK tour, Lucy Kay plunged down a flight of stairs on stage. Fortunately, this was during the rehearsal. And fortunately, thanks to what she calls “Christmas padding”, she wasn’t hurt.

“I did a Beyoncé. I walked down the top few steps, tripped on my dress and fell all the way to the bottom,” laughs the 25-year-old, who is on a tour with Britain’s Got Talent winners Collabro.

“Although I did carry on singing.”

She adds: “Christmas was good to me so I kind of fell on my flab.”

It went to plan in the concert... because she changed to singing after she’d descended the stairs.

“I can’t multi-task, apparently,” giggles the soprano, who is singing highlights from her debut album, Fantasia, which reached No. 18 in the UK chart and topped the Classical chart.

The tour opened in Carlisle on Monday.

“I got a standing ovation,” she says, sounding surprised, despite experiencing the same from the Britain’s Got Talent judges on last year’s show.

“I wasn’t expecting it because it’s Collabro’s tour and they’re not there to see my warbly opera,” says Lucy, a former Cantamus choirgirl who grew up in Sutton-in-Ashefield and Kirkby-in-Ashfield, where her mum still lives.

Since the show, on which millions watched her come second to the theatrical boy band, she has performed for celebrities like Elton John, Kate Moss and Samuel L Jackson, as well as royalty.

The tour, which comes to the Royal Concert Hall tonight, sees her sings two arias in the first half, another two after the break, then join “the boys” for a duet.

Exchanging the spotlight numerous times is not the usual structure for a concert but Lucy isn’t billed as the support act (that’s Philippa Hanna), rather a special guest.

“Some people have asked what time I’m on stage because they want to watch me then leave but it’s not like that,” she laughs.

Apart from touring the Far East with Cantamus while a schoolgirl, this is her first proper tour.

It’s a long time to be on the road, so what will she do during her downtime?

“I like to chat. And eat. The chef on the tour is amazing. I’ve been told off so many times because I keep going back for seconds.

“The sweet stuff is so nice. I’ve got a bit of a pouch going on, which isn’t ideal when you’re wearing a tight dress.”

Her essential items (apart from a knife and fork), are “girly things”.

She says: “My make-up, dresses, hair curlers, my phone is my bloodline.... and my iPod, with lots of heavy metal music on it. I was listening to a bit of Killswitch Engage in the gym this morning.”

The metal fan, whose first concerts were at Rock City, dreams of playing Download Festival. Or even just going would be nice, but commitments don’t allow her to make such plans. Her family will be at the show tonight; mum, dad, nan and sister. As well as her boyfriend, David.

“He’s my tour manager. I don’t think he could cope without me for seven weeks,” she laughs.

Lucy was back in Kirkby-in-Ashfield for two weeks at Christmas.

“The furthest I went was Mansfield. I went shopping but I didn’t go partying.”

Was she recognised?

“People tend to stare, as if they’re wondering ‘is that her?’ Very rarely does anyone approach me. But then they’ll ask me on Facebook ‘was that you?’ So I spent a lot of my time in the café at Asda in Mansfield being stared at.”


Lucy Kay joins Collabro at the Royal Concert Hall on Friday, January 30, starting at 7.30pm. Tickets are £19.50 to £38.50, from the venue, call 0115 989 5555 or go to trch.co.uk.

Matt Goss

January 2015


Matt Goss returned to Nottingham for the first time in 27 years with a show that was markedly different from his days with boy band phenomenon Bros.
The 46-year-old brought his Las Vegas show The Gossy Room to the Alea Casino last night, a sold out concert in front of just 100 people.
“Bros first broke in this neck of the woods so it’s good to be back up here; I don’t get up here often,” he told the Post.
It was an intimate setting for a man who played to 80,000 at Wembley Stadium in 1989, a year after Bros came to the Royal Concert Hall.
“It’s probably the smallest show of my career,” said Goss, who has been playing Ceasars Palace in Vegas every weekend for the past six years, described by the LA Times as “the best new act in Vegas.”
“Every room matters, I learned that from Caesars. No matter where I am I still perform to my best, so every person knows I’m not dialling it in,” he said, meaning ‘going through the motions’.
“I still sing from the deepest part of my heart.”
With a nine-piece band, including a horn section and backing singers, Goss ran through a 90-minute set of big band, swing and lounge jazz, made famous by the Rat Pack in Vegas during the Sixties. It included songs from his solo album, Life You Imagine.
Fans had paid £75, although that included a three-course meal and a chance to meet him.
Earlier this week Goss, who described himself as “essentially a soul singer”, sold out the 2,200 capacity London Palladium.
“My granddad loved Nat King Cole, Perry Como, Sinatra, Dean Martin and Sammy Davis Jr,” said the Londoner of his shift from pop to crooning.
“When I was in Bros, I was lucky enough to know Liza Minnelli and she invited me to the Royal Albert Hall when Sinatra played there with Sammy. I met them briefly. It was amazing.”
That memory stuck with him throughout the break-up of Bros in 1992 and his solo pop/dance career in the mid-Nineties, which included the hits If You Were Here Tonight, The Key and I'm Coming With Ya.
The Vegas shows is planned to run to its tenth year.
“Caesars is my second home,” he said, although his first is in Los Angeles, where he lives alone.
“I’d love to met someone and have a family and share my life with someone. I just have to meet the right woman,” he revealed.
Goss keeps in shape by boxing.
“I’ve spar three times a week and have done for the past 14 years,” he said.
“And I drink tons of water. I meditate as well.”
He’s not in touch with twin brother Luke. When asked what he’s up to he said: “I’ve no idea.”
But added: “I know he makes movies. He does very well as an actor.”
His sibling had roles in Blade II, Hellboy II and Tekken, as well as stage musicals. He was at the Theatre Royal in Grease in 1998.
The often forgotten third member of Bros, who sold 17 million records including the singles I Owe You Nothing, When Will I Be Famous? and Drop The Boy, is Craig Logan.
“Craig’s a very successful music manager, so there is absolutely life after Bros.”
Although being tagged as ‘Matt Goss from Bros’ annoys him.
“I’ve been at Caesars Palace way longer than I was in Bros. I’ve very proud of those days, they are some of the best memories of life but it was just part of my career.
“It amazes me to read: Matt Goss from Bros. It’s such a lazy headline. People know who I am. You don’t have to constantly premise it.”
Along with the Vegas show, he is working on two new albums, one with Gloria Estefan’s husband Emilio, and a Christmas album.
He recently launched a free smartphone app, may be doing a film and will publish a children’s book in time for Christmas.
“There are rumblings of me playing Wembley,” he added.
“For me to go back there would truly be a dream. Especially as it was the last show that we did as Bros. That was a great way to go out.”

Notts music 2015

January 1 2015

2014 saw a sold out show at the Capital FM Arena by Jake Bugg, a Top 20 single for Indiana, critical acclaim for Ronika and Sleaford Mods, plus a two-month arena tour with Ed Sheeran for Saint Raymond. So what in store for Nottingham musicians in 2015?


THERE has been no date set for Jake Bugg’s third album but you could bet your house on Nottingham’s biggest music star releasing it by the end of the year.

Remember, Shangri La followed just a year after his No. 1 self-titled debut but that was at the end of 2013.

While touring the world this year, the 20-year-old (he turns 21 in February) has been crafting new music, playing a number of fresh tunes at gigs such as Looking Down The Alley and Hold On You.

We can also expect an arena tour to follow and a return to the Capital FM Arena, which he played in February.

Snapping at his heels is Saint Raymond, 19-year-old Callum Burrows from Bramcote, who has been building momentum all year for the release of his debut album.

As well as three songs in the iTunes Top 30 (a fourth single Fall At Your Feet is out this week), he went on the road with Ed Sheeran for two months playing arenas across the UK and Europe, including two shows in Nottingham.

“2014 has been insane, all the shows, recording the album, and obviously the tour with Ed Sheeran,” he said, promising the album would be out “earlyish 2015”.

One would hope it lands before he plays his sell-out show at Rock City in February, only the second Notts artist to do that. The other? Jake Bugg, of course.

The album was finished months ago, as was the debut by his mates Amber Run, the anthemic guitar band who got together at uni in Nottingham.

They released three singles on RCA and a fourth, I Found, is due in January.

What we do have a date for is Indiana’s No Romeo album, which will be released on January 26.

The 27-year-old mum-of-two, who lives in Long Eaton, has had phenomenal support from Radio 1 this year, earning her a Top 20 single, Solo Dancing.

Don’t be surprised to see her at Splendour this summer after a year off from the festival when she joined the line-up for DHP Family’s new No Tomorrow festival in Wollaton Park last summer.

Expect more new music from Ronika, whose Selectadisc album picked up phenomenal reviews.

As did Sleaford Mods. The punk duo’s latest album Divide And Exit made a number of end-of-year polls including the NME and The Guardian. Their Rescue Rooms gig on January 27 is sold out.

Dog Is Dead, now called D.I.D., have been exploring a sludgier, if still melodic, sound. Hear them at The Bodega in March.

Notts-raised soprano Lucy Kay goes on tour with Britain’s Got Talent winners Collabro this month, including the Royal Concert Hall. The 25-year-old has been performing for celebrities and royalty, here and in Hong Kong, following the Top 20 success of her debut album, Fantasia.

Grime star Gino, who has a phenomenal following on social media, should break through this year.

Others expected to build on their success in 2014 are Gallery 47, who toured with Paul Weller; Joel Baker, who had Radio 1 support from Huw Stephens and Fearne Cotton; Harleighblu who played festivals across Europe, and guitar band Lacey, fresh from winning a support slot with James Blunt at the Capital FM Arena.

Lacey

December 2014

After being handpicked by James Blunt to support him at the Capital FM Arena last month, Nottingham’s Lacey are back in action with a show at Rock City this weekend. Bassist Graham Turner explains how it was playing the city’s biggest venue


THE whole day was surreal, from the moment we arrived and began unloading our gear behind the stage.

When James Blunt was soundchecking we had a little peak behind the curtain and saw the empty arena, thinking that it would be filled with 7,000 people later.

They really looked after us. At the soundcheck that we did they made sure were sounding spot-on.

He introduced himself to us, which he didn’t have to do. And he was thanking us for playing. He was an absolute gentleman.

He was given the opportunity when he was starting out (by Elton John), so he’s been there. And I guess he’s just trying to give a bit back, to the up-and-coming guys like us.

There were waters, beers and snacks in the dressing room but... and this shows how ignorant I was about the whole thing... I walked into the green room where there was a cold buffet set out. I sat down with some of that and then a waitress came to my table and asked what I’d like to order! I ordered the beef stroganoff, obviously. People were opening doors for us... it was crazy.

Half an hour before we went on we were really focused. All the banter stopped and we got our professional heads on. This was our biggest show, the biggest night of our lives.

It went as well as we had hoped. There were no hiccups. What surprised us most was the reaction of the crowd. They were really responsive and really involved. They were clapping along, they were cheering.

You can’t really see anyone, apart from the first couple of rows but you could hear them. After you finished a song the noise of the cheers was crazy.

Straight after the set he came up to us and gave us a few compliments. We didn’t know he was watching because we couldn’t see him.

And the guy was flawless for two hours during his show. I’ve not seen anything like it. He’s an incredible musician. He was smaller than I thought but that shows how he carries himself on stage. And yes he’s very posh but I’m not going to hold that against him.

We had a bit of spike on social media after the show, in terms of Twitter followers and Facebook likes. And people were leaving positive comments about the set.

We did 30 minutes at the arena but we’ll be doing an hour at Rock City and showcasing a lot of material from the album. That’s ready to go and we’ll be releasing it early next year.

Lacey play Rock City on Saturday, December 20 with Layby and Cut the Heroics from 7pm to 10pm. Tickets are £6 from 0845 413 4444 or go to alt-tickets.co.uk. For more about Lacey find them on Twitter and Facebook: Lacey OfficialUK. 

Indiana

October 2014

JUST five years ago she was a struggling single mum, scraping a living together for her and her son by working in a T-shirt printing shop.
Her dad had committed suicide, her mum and two sisters had moved away.
Lauren Henson was alone.
One lunchtime, she nipped into a smoothie bar in her home town of Loughborough, and met the man who would turn her life around.
“It sounds cheesy, I know, but it was love at first sight,” says Lauren Henson, better known as rising Nottingham music star Indiana.
“We couldn’t breath, he was dropping things... we couldn’t get out of each other’s heads.”
The 27-year-old is sat in Suede Bar in the Lace Market, co-owned by her boyfriend, who also, coincidentally, runs a T-shirt company.
As well as moving her and her son Harvey, now 6, to Long Eaton, James Alexander encouraged her to pursue her passion for music.
He entered her for the annual Future Sound of Nottingham competition in 2012, the winner of which would open the main stage at Splendour in Wollaton Park.
She made the semi-final, held in the Old Market Square, in April of that year - her first live performance.
Despite obvious nerves, other local musicians, music writers and Splendour boss George Akins, were blown away by her dark electronic pop. To reach the final, Indiana needed votes but as an unknown artist, she didn’t have the fan base to put her there.
No matter, she would play the final at Rock City anyway, as a special guest, such was the belief in this fresh music talent.
Since then she has signed to major record label Sony, played all the major music festivals, including Glastonbury, had her first Top 20 single, Solo Dancing, and played an intimate show at Radio 1’s Live Lounge with Irish chart-toppers The Script - in front of The Queen.
It was a one-song performance, of David Bowie’s Heroes and included her singing the line “and I will be Queen”.
She laughs: “I was told not to look at her when I sang that line. But I was so focussed on not looking at her, my eyes were darting around the room and they hit her a couple of times.”
HRH was on a tour of the BBC’s new Broadcasting House in London and Indiana’s three minutes were screened live on BBC News 24.
“She’s well sweet and little,” says Indiana, who was introduced to her afterwards.
“She reminded me of my grandma Mary.”
That was last year, a year that also saw her make her Glastonbury debut and play the main stage at Splendour, while heavily pregnant with second child, Etta.
This year she has been regularly playlisted and interviewed on Radio 1, had a No. 14 single, played summer festivals such as Reading and Leeds, Bestival and Nottingham’s No Tomorrow in Wollaton Park and finished her debut album, No Romeo, released this month.
So how does she combine motherhood and a music career?
“It’s been hard, this summer especially, because of all the festivals. After Bestival on the Isle of Wight, I got home at 4.30am and had to be up at 7am to prepare for Etta’s first birthday party,” says Indiana, a lean 5 ft 11 with model looks and tattoos snaking down her left arm.
James, who inspired her growing collection of tattoos, isn’t a stay at home dad as he has three businesses to run, including Suede Bar, three smoothie bars and the T-shirt company Some Kind Of Nature, which Indiana often wears for gigs and social media photos.
“He’ll kill me,” she says, realising she’s forgotten to wear a branded T-shirt for today’s photo shoot.
“We’re lucky that my mum has moved in to our house to help out with Harvey and Etta,” she says, returning to the childcare issue.
“She’s retired and she wanted to do it but she’s looking to buy a house so she won’t be there for much longer.”
Her mum and dad separated when she was six.
“I saw him every day and I was extremely close to him but I didn’t find out he was ill until I was 14 or 15,” she admits.
“He was a paranoid schizophrenic. My childhood is a very confusing place because there were two sides to him. He could be very loving and caring and a really fun dad to be around. But then he’d say some really confusing things to me.
“A young girl from our town had been murdered and the last person to see her alive had the same name as my dad. The police told him that they knew it wasn’t him but he invented this whole thing that he had killed this girl. He’d tell me that he was a bad man and a murderer.
“Even when they caught the guy who did it, he’d carry on saying that and I’d scream at him ‘what is wrong with you, you didn’t do it!’ It was very confusing. Very weird.
“He attempted to kill himself six times and I witnessed it. He stabbed himself in the stomach and we had to take him to hospital.
“He eventually killed himself because he thought me and my sisters would get bullied because of him.”
After that her mum moved away. Her older sisters, Joanne and Nicola, had already moved to Hampshire and London.
She became pregnant by a childhood friend.
Indiana admits that she went off the rails after her dad’s death, although she believes she was always off the rails until she found music.
“I was ungrounded, going from job to job, fixating on fitness or partying too hard or yo yo dieting... there was something I always had to focus on. Sometimes bad things. When I found music, I found peace. I have an addictive personality... I’m just glad that I’m addicted to something healthy.”
Early musical favourites included Marilyn Manson.
“I had a poster of him on the wall next to my bed right where my pillow was and I used to kiss it,” she laughs.
“What a weirdo!”
She adds: “I was a greb. I went through a bit of a bit of goth stage but reverted back to being a greb. I was into metal, punk and ska. I didn’t used to wash my hair, I’d wear baggy trousers... and I’d stink,” she laughs.
She didn’t make to the trip over the border to Rock City to see gigs though because she had a baby at home, whose dad is still very much a part of his life.
“Harvey’s heard me on the radio and he comes to rehearsals, so he’s getting it,” she says.
“He misses me when I’m away, as does Etta, but sometimes I see them more than the average mum because I can be at home for long periods.”
That won’t be the case this month when the album is released. There’ll be promotional duties to do followed by a UK tour that includes a home coming in November with a date at the Rescue Rooms.
She admits: “I’m the most contented and grounded and happiest I’ve ever been.”


No Romeo is released on October 13. Indiana plays the Rescue Rooms on November 7. Tickets are £10, call 0845 413 4444 or go to alt-tickets.co.uk.


Lacey

October 2014



NOTTINGHAM guitar band Lacey will support James Blunt at the Capital FM Arena in November.

The multi-million-selling chart-topper chose the quartet from five local artists shortlisted by EG.

“Lacey seem like a lot fun, full of energy,” says Blunt. “I’m really excited to have them as my support act for Nottingham.”

He asked EG to help him find a support act from Nottingham for the date on November 22, part of his worldwide Moon Landing tour. Over 100 singer-songwriters, bands and rappers applied by sending in a link to a video of them performing.

EG chose the best five to send on to Blunt. As well as Lacey, whose Hometown video was filmed in the city centre and at the Albert Hall, the lost included rapper Ashmore, teenage singer-songwriter Tyler Nugent, soul pop musician Rob Green and quirky band 94 Gunships.

“It’s fantastic – we’re blown away,” says Lacey’s drummer David Pearson.

“Hopefully it’ll be a game-changer for us.”

Lacey, which also features Graham Turner, Josh Lewin and Pete Maksymiw, has been together for three years and picked up a strong enough following to pay for a debut album, which is soon to be released.

“The three others went to uni here and I lived with their housemate,” says David.

“We played in a five-a-side football team together and we were awful so we had to start a band instead.”

They toured the UK earlier this year.

“We were playing to 500-capacity rooms mostly, which is pretty good, but this one is absolutely huge.

“We’re confident we will be able to win over the 10,000 crowd. We put on an entertaining show.”

All band members live in the city centre.

Says David: “I actually live next door to the Arena so it’ll be a short stumble home for me.”

Blunt’s rise to fame was helped by Elton John, who invited him to support him on tour in 2002.

“One night I was playing to 40 people and then next I was playing to 40,000,” says the 40-year-old.

“It was a fantastic opportunity and I want to be able to do that for someone else.”


Tickets are £42-£88 from the venue. Call 0843 373 3000 or go to capitalfmarena.com. For more about Lacey search LaceyOfficialUK on Facebook, Twitter, Instagram and YouTube. Watch their Hometown video at /entertainment. 

George Akins - 'Nottingham's Mr Music'

May 2014


IN the book on a shelf behind George Akins’ desk, the writer refers to him a “Nottingham’s Mr Music”. It’s Jake Bugg’s unofficial biography that is as much about the local music scene as it is about the rise of the kid from Clifton to international star.
“Does it really say that?” he frowns, admitting he’s not yet had time to read it.
He’s not keen on the label but it sits well with the boss of a company that dominates Nottingham’s music map.
DHP Family owns and operates Rock City, Rescue Rooms, The Social and Stealth, where everyone from U2 and Oasis to Simply Red, Nirvana, The Smiths, Iron Maiden and more have played.
It promotes gigs in all of its own venues but also around the country, putting on around 1,200 gigs every year for the likes of Ed Sheeran, James Blunt and Lana Del Ray, winning national awards in the process.
There are other venues in Bristol and London, where it has a second office.
Rock City is also home to concert ticket agency Alt-Tickets.
In more recent years they’ve added artist management to the portfolio, enjoying success with West Bridgford indie band Dog Is Dead and Long Eaton’s Indiana, who last week landed her first Top 20 single.
The 39-year-old father-of-two, the son of Nottingham entrepreneur George Akins (George junior named his son George), recently moved operations from behind Rock City to the Lace Market, taking two storeys in a Victorian building behind wrought iron gates on Plumptre Street.
It’s next to St Mary’s School House where George senior left at the age of 12 in order to start making a bob or two for himself.
It is from here that DHP Family also organises festivals. There are five in all, the most by any promoter.
The indoor variety include Everywhere, Hit The Deck and next weekend’s Dot To Dot across Manchester, Bristol and Nottingham.
“Dot To Dot is our longest-running festival at nine years and it’s all about showcasing the new bands that are the future of music.”
DHP Family has been putting on outdoor festivals, mostly at Wollaton Park, since 1997 with the first City In The Park. More followed with the Corrs, Bryan Adams, Ronan Keating and All Saints, then Green Day for Distortion.
“Although they weren’t unsuccessful, they weren’t particularly successful events,” he admits.
“It is hard to make a one day production work. They were not profitable overall and that was why we stopped doing them.
”It wasn’t until we got into a partnership with Nottingham City Council that we were able to stage the Splendour Festival in Wollaton Park as a sustainable event.
“That has been a success since it started and long may it continue. “
Splendour is now in its sixth year but they’ve added a new festival to the summer diary in early June called No Tomorrow.
“It’s like an end of term party for students,” says George, who never made it to university, thrown out of boarding school in Rugby for smoking and drinking.
“We’ve made overtures to both of the universities for a number of years about getting involved in an end of term party,” he says.
“And we’ve seen the success of Parklife in Manchester and Love Saves The Day in Bristol. They’ve now become proper festivals running over two days and attracting up to 60,000 people.”
Each started out at 10,000, which is his expectation for No Tomorrow on June 7.
“The vision is for it to become a bigger event,” he says of the one-day festival that is targeted at students but is for anyone 18 and over.
“It’s delivering a beginning of summer experience and we’re confident we can do that.”
London Grammar, who met at the University of Nottingham, will headline, with Sam Smith and Clean Bandit joining them on the main stage. All three have number one albums.
Indiana, who is managed by DHP Family, will also appear, following the success of her Top 20 single, Solo Dancing.
Opening the main stage will be a student band, chosen through a competition between both universities.
“It’s a different vibe to Splendour,” says George of the annual festival that returns on July 19.
“That’s more of a day out for family and friends.”
Hence the mix of old and new acts.
“We try to have acts that have had more than one hit. Happy Mondays have had a long and successful career. Boomtown Rats don’t play very often and they had a number of hits back in the day. Scouting For Girls sold 8,000 tickets at the Arena a couple of years ago and they’ve had several top ten hits.
“The same goes for The Beat, who will also be playing the main stage.
“The newer artists are Tom Odell. Although he’s still on his first album there are five hit singles on there. And Foxes are likely to have a Top 5 album this week .”
While No Tomorrow will have two DJ tents, Splendour’s three live music stages will return as normal, the second being the Confetti Stage with Boomtown Rats, Reverend and the Makers and The Rifles.
“It’s a mix of indie and mainstream, old and new,” he says, with expectations that the event will match the 17,000 people that saw Jake Bugg headline last year’s festival.
“The line-up isn’t as Nottingham heavy as it was last year but it couldn’t have been any more Nottingham than that with Jake Bugg, Indiana, Dog Is Dead, Saint Raymond, Georgie Rose and so many others.”
Those have all played the smallest Splendour stage in the Courtyard, which continues to be a showcase of Notts music talent.
“The Nottingham music scene is very vibrant today,” he says.
“There is this excitement because we are producing so many artists that are coming through. We’ve had Dog Is Dead and Jake Bugg, Saint Raymond and Indiana are coming through in the next wave. A lot of industry people are checking out what is going on and the talent coming out of this city.
“Everyone is talking about it. It is a small industry and if there is a enough talk, it builds.”
Nottingham’s Mr Music has never had a go at being in a band himself. He’s not really had the time. At 19, six months in to a jaunt across the Far East and Australia, he was summoned back by his dad to join the family business.
“You just learn quick,” he says of those early years.
“I started doing some of the bookings, probably made a hash of it, learning from my mistakes.”

Dot To Dot at Rock City, Rescue Rooms, Stealth, The Bodega, Spanky Van Dykes and other venues, is on Sunday, May 25. Tickets are £20.
No Tomorrow is at Wollaton Park on Saturday, June 7. Tickets from £20.
Splendour is on Saturday, July 19 and tickets are from £10 to £42.50.
Tickets for all events are on sale from Rock City box office, call 0845 413 4444 or go to alt-tickets.co.uk.
For more about DHP Family go to dhpfamily.com.

Jake Bugg: Shangri La

November 2013


WAYNE Rooney has more guitars than he has but the England star can’t play a note.
“He came to the gig in Manchester the other night and he wanted his guitar signed,” says Jake Bugg.
“He’s got about 40 guitars but he can’t play; he gets them signed by people. He said he’d got one signed by Paul McCartney.
“It was nice because he gave me the shirt he wore for his last England game against Poland and signed that.”
The Manchester Utd forward tweeted a photo of the meeting saying: “Just been to see @JakeBugg in Apollo. Great gig.”
On this tour Bugg has also had the likes of comedian John  Bishop and British tennis player Laura Robson turning up to see him.
“To be honest, I don’t know who most people are,” says the 19-year-old, making a rare visit back to the city.
He was only here for 12 hours before heading off again to continue with his sold out UK tour.
After checking in to his hotel (he no longer stays with his mum in Clifton), he went to see his cousin and “had a few cans.”
There was a lie-in,  a couple of interviews, then the gig at The Maze.
“I’ve only been back to Nottingham maybe three or four times this year. It’s pretty full-on.”
And it will continue. Tomorrow he’s heading to Scandinavia, then Europe, back to the UK, more European dates, then North America in the New Year.
“Hopefully the routing of the tours will be a bit more organised so we’re not going from New Zealand to Canada to Japan,” says Bugg, who kills time on the road by playing darts, table tennis, football and computer games.
In February, he’ll be at the Capital FM Arena, not just his first headline arena show but the first for a local musician at the city’s biggest venue.
“Yeah man, it’s great,” says Bugg, who headlined the Splendour festival in Wollaton Park in July.
“I never thought I’d be playing it. Obviously you dream of it but you don’t actually think it will happen. I remember how many people were there for Kings Of Leon; it’ll be crazy.”
Tickets to the Maze gig on Saturday afternoon were free to those lucky enough to win them through his website. It brought him back to one of the first places he played four years ago as a 15-year-old.
“It’s nice to do those little gigs again,” says Bugg.
“The first time I played The Maze there weren’t many people there. A lot of venues wouldn’t let me play because of my age. I played a few Monday night gigs in the little bar at the Rescue Rooms after school. People were eating their dinner and not taking much notice. I was probably wearing a tracksuit, maybe that freaked them out.”
Not as hideous as the one worn in the video for Slumville Sunrise, filmed in Nottingham by director Shane Meadows.
“That was a pretty bad one but that was the idea,” he laughs.
“It was a fun day shooting that. I was in Malibu finishing the album the day before. Coming back brought me back to reality. Although I was robbing a jewellery store in a shell suit with old ladies running after me, which I’d never done before.
“It was funny, man. I haven’t had that much fun for a while.”
The video featured Rosamund Hanson and Andrew Shim, both graduates of The Television Workshop. Its director has watched the five minute scene at the end of the video where Bugg has to deliver dialogue. He reckons he’s good enough to join the Workshop.
Bugg seems surprised: “Acting is an exaggerated version of yourself. I can probably express more emotion like that than I can by being interviewed. I’m not very expressive in interviews.
“I like the idea of putting myself in a situation that I’m not used to.”
There won’t be much of an opportunity for any more acting as the momentum gathers pace with the release of Shangri La next week.
It comes just 13 months after his self-titled debut topped the chart.
“Music is about making records,” he says of the quick turn around.
“You’ve just got to get on with it.”
Shangri La is released the same day as the new Robbie Williams album and it’s not a battle he thinks he’ll win.
Besides, if it does reach No. 1 next Sunday, it’ll mean knocking One Direction off the top spot and he’s not keen on the tabloids reviving his verbal spat with them.
Like the debut, Shangri La is a diverse collection, jumping from hillbilly Elvis, to Neil Young country rock, with a fair few folk and pop ballads.
Lyrically, it doesn’t name-check Clifton like the debut but still includes tales of working class life; of drugs and fighting.
“That life is strange to me now because it’s not mine any more,” he admits.
“I’m an outsider looking in from a completely different perspective.”
It was named after the studio in California where it was recorded by Rick Rubin, the co-founder of Def Jam Records and producer for the Beastie Boys, Red Hot Chili Peppers, Jay-Z, Metallica, AC/DC and Adele.
Rubin also revived the career of Johnny Cash during his final years with a series of acclaimed  American Recordings albums.
“We became friends and I’m sure I’ll go back to hear a few Johnny Cash stories because when I was there I had to be pretty focused on making the record and didn’t really have time,” says Bugg, who has sold a million copies of his debut album.
He has indulged in his passion for guitars, buying two vintage models worth over £20,000 each but he has yet to buy property, despite rumours that he had bought a house in Southwell and a Mercedes with the personalised number plate 8UGG.
“I don’t know what that was about,” he says.
“I can’t drive. And I’m not sure I’d live in Southwell. Is it a nice place? I’ve never really been.
“I’d like a little retreat in Malibu or a flat Paris.
“But I’m not in one place for long enough to buy anywhere. The two weeks that I recorded the album in Malibu was the longest I’ve stayed in one place for two years.”
Does he miss home?
“I miss the people. I don’t really miss Clifton because I was there for 17 years. I knew there was a big world out there and I wanted to see it. That’s what I’m doing.”

Shangri La is released on Monday. Tickets for his date at the Capital FM Arena on Thursday, February 20 are £22.50 from the venue, call 0845 413 4444 or go to alt-tickets.co.uk.





Lawson: Joel Peat

March 2013


HIS grandmother will be there, in Rock City, along with the rest of his family, to see him in action. As long as they can find her somewhere to sit.
“She has this broad Glaswegian accent, I’ll finish a song and I’ll hear her shouting “JOEEEEL! It’s so off-putting,” he laughs.
“But she’ll be there. We’ll get her some ear plugs but she’ll love it.”
The show, on Wednesday, is part of guitar-pop band Lawson’s sold out UK tour.
And for their guitarist Joel Peat, it’ll be a yet another milestone.
“I grew up seeing bands at Rock City,” says the 22-year-old from Ravenshead.
“Funeral For A Friend, Fall Out Boy, Reel Big Fish, All American Rejects... it was all rock stuff because I was well into my pop punk when I was a teenager.
“I also saw Ted Nugent there. That was a bit random because he had a bow and arrow on stage. It was petrifying.”
He adds: “And we’ve played Nottingham quite a few times. We’ve played Rock City’s Basement, Stealth and the Rescue Rooms but I have never stood on that stage.
“And the first time that I do will be for a sold out show. I can’t wait.”
Joel joined Lawson, whose debut album Chapman Square reached No. 4 last year, in 2010.
Before that he was in bands in Ravenshead and Mansfield, where he moved aged 16.
After taking A-levels at Joseph Whittaker School, he moved to Guildford to study at The Academy of Contemporary Music, which he compares to the Jack Black film School of Rock.
“You played the guitar every day and learned about the music business. It was such a good environment for learning how to play in a band.”
It’s where he met Ryan Fletcher, Lawson’s bassist and the pair formed their first band together.
For three years he worked in various odd jobs, from shops to restaurants, while writing and rehearsing with the band at night.
They toured the UK in a van, including their first show in Nottingham at Rock City, as part of the Dot to Dot festival.
The break came through boy band The Wanted, whose manager saw their video, a cover of Bruno Mars’ Grenade, on YouTube.
Lawson’s frontman Andy Brown had been in a band with Max from The Wanted which helped.
They were offered the support slot on The Wanted’s UK tour, after which they were immediately signed to Polydor.
“We joined The Wanted again when they did the Arena tour last year, which opened in Nottingham. I remember during the afternoon standing on stage looking out at this empty arena that I’d seen so many gigs at. It was one of those moments...”
He’s had plenty more since, including a promotional jaunt in North America.
“It was eye-opening and over whelming,” says Joel of the ten-day visit earlier this year.
“We were initially going to put just one show on in New York, to see what it was like over there.
“We had no preconceptions about how we’d be received because we weren’t being played on the radio, hadn’t released anything there and there was no promotion.
“But we were getting a lot of messages on Twitter asking us go over.”
He adds: “But then the New York gig sold out.”
It was at the Bowery Ballroom, which he’d dreamed of playing since he was 15.
“I’d seen a video of John Mayer, who is my idol, playing there and I remember thinking ‘that venue is wicked, I’d love to play there one day’. And we ended up selling it out.”
A date was added in Los Angeles, which also sold out.
“It was funny because the crowd knew all the words to our songs and yet we had no music on sale there.
“We said to them ‘how did you get the album?’ and they all looked embarrassed,” he laughs, knowing the fans must have illegally downloaded their album.
“But if they’re liking the music and they want to come and see us because of that then I don’t care,” he adds.
“The fans all talk to each other all over the world and then you see them come to gigs and make friends. That’s quite amazing. We were totally overwhelmed by it all.”
After Los Angeles, they flew for a third gig in Toronto.
“That was phenomenal, as well. And we had dinner on the CN Tower, which was quite funny because Andy is petrified of heights. Watching him standing on the glass floor was hilarious.”
Along with the gigs Lawson appeared on network TV, including MTV, E! and Access Hollywood.
“We met Taylor Swift while we were there and she said she was a huge fan of the band. We’re huge fans of country music so it was a real Twilight Zone experience.”
Drifting back in to Notts dialect he adds: “I thought ’owd up, I’m gonna have to pinch meself here.
“She was saying that she’d seen all our videos on YouTube, that she loved Standing In The Dark and that should be our first single in the States.”
They recently signed to Mercury Records in the US and their first single will be released in the summer.
As soon as they returned to the UK, Lawson hit the road for their sell-out tour and so there’s been little time to return to Notts.
In April the band will be on a promotional tour of South East Asia, Australia and New Zealand.
“The album was reaching No. 3 on iTunes in places like Singapore and Malaysia.
“After that we’ll either fly to LA and do some more promo or come back home but I just want to keep at it.”
His last visit home was at Christmas.
“It was wicked. I love coming back,” he says.
“Every Christmas Eve we go to a pub in Ravenshead and all of my friends were there. It was a good laugh.”
For New Year he was in California, where his girlfriend lives.
Is she a model, an actress, a pop star?
“No, she’s not anything like that,” he laughs.
They met over a year ago in Los Angeles when Lawson were recording Chapman Square. He reckons the Notts accent helped.
“It’s the only reason I pulled her,” he laughs.
“No, I’m kidding. It’s funny because in the States a lot of people thought I was Australian, because it’s not a traditional London accent.”
Mum is a music teacher. Dad was a professional footballer, who played for Sheffield United but now works for Notts Police. And he has a younger sister who recently moved away from home to go to university.
“I try to take her to as many things as I can,” says Joel.
“She got to meet The Wanted and Jessie J, which she was buzzing about.
“They’re all really proud and want to be involved.”
Home is now just outside London.
He says: “We’re pretty flat out and I don’t get to go home much, which is a shame, but it’s a small price to pay for doing a job you love.”

Lawson’s show at Rock City on Wednesday is sold out.

Georgie Rose How

February 2013


WHEN I was little I used to take a harmonica around with me everywhere. I don’t know why. My great-grandad played harmonica at the local pub in Mansfield but it wasn’t his. My mum bought it for me when we went on holiday to Wales.
When she was young she used to fold paper over a comb and make that sound like a harmonica. Maybe, subliminally, it’s why she bought me one.
My parents aren’t musical. My dad works in the pharmaceutical industry. My mum is my roadie. She takes me to all my gigs.
She remembers that my grandma used to sing Patsy Cline and Ella Fitzgerald but not professionally.
I used to sing in the back of the car and my mum said I had a nice voice but I was really into sport more than music – mainly tennis and football. I scored 126 goals in a season once.
My uncle was a professional footballer. I know he had a trial at Man City but he got injured and went to America to play. There’s a photo of him with George Best when he played against him over there.
When I was 16 I started playing the electric guitar, playing along to Pete Doherty and BabyShambles songs.
The first gig I ever did was in a pub called the Railway Inn in Mansfield doing Elvis covers.
Elvis was one of my biggest influences. My mum introduced me to his music and Dusty Springfield, Karen Carpenter, Fleetwood Mac and Al Green.
By then I’d switched to an acoustic guitar and started writing my own songs.
My first gig in Nottingham was a year ago at The Maze as part of the Acoustickle night. I contacted Parisa (Eliyon, promoter) and asked if I could play. She gave me a chance. And she said she liked my set. Parisa also introduced me to a few people.
I’ve played about 80 gigs since then. I love it.
But I’ve not done much recording so I’m looking forward to going in to the studio next week to record an EP. It’ll hopefully be released in the spring on Farmyard Records.
I’ve already been played on XFM. They made my track, Stranger, the Song of the Week.
Mark Del from Nusic sent it to them without me knowing and when I was on my way to London someone sent me a text saying it had just been played on the radio.
The same weekend, he sent Billy Bragg a message on Twitter with a link to one of my songs and he said that he really liked it.
When I was in London I met KT Tunstall, which was great because her album was the first I ever bought. I was doing a gig and she just happened to be there. She came up to me after to congratulate me and said she really enjoyed my music.
There’s a lot of talent in Nottingham at the minute. I love Harleighblu, she has a great voice. And the Gorgeous Chans are really cool.

Georgie Rose How plays the Rescue Rooms in Goldsmith Street on Friday, February 15, with Bitter Strings and OneGirlOneBoy. It’s the official Jake Bugg after show party, following the Clifton chart-topper’s sold-out Rock City gig. Doors open at 10pm. Admission is free. For details of her other shows in the city go to www.facebook.com/IamGeorgieRose or follow her on Twitter: @GeorgieRoseHQ.

Ronika

July 2012


Why are you in Barcelona for the summer?
To finish mixing my album whilst getting some fresh inspiration from the sun. The sun gives me special powers. I’m like a reversed superhuman. I save the planet during the day and then at night I just go to sleep. Night-time crime can wait. I think I’m here until September but if there’s any way I can stretch that out until forever I would as I have a beach on my doorstep here. And the weather is amazing. I know, I hate me too.
Your last gig here was in March at The Bodega. A good one?
Brilliant. It was so cool that so many people came out for it and great to finally play with Nina Smith and HarleighBlu, my sisters in preventing crime. There’s nothing nicer than playing to your Notts family.
It was around that time that your single Automatic was released. Chic legend Nile Rodgers tweeted that he thought it was “dope”, the Sunday Times described it as “1980s infused perfection”, the NME said it was “pop music for credible pop fans”...
Yeah, I think you pretty much got it covered there. Rob da Bank played it on Radio 1 and Tom from Groove Armada played it on his BBC 6 Music show. It’s one of my favourite tunes so I was really happy it went down so well. My single with Herve, Make It Right, has just come out. It’s a big summer rave anthem, which has had support from Annie Mac on Radio 1.
How was your gig in London after The Bodega show?
It was a Bacardi Beginnings launch party and I played with Mylo, Friendly Fires, Joe Goddard from Hot Chip, Jessie Ware and Aluna George. I love all of those guys’ music so it was pretty special for me to play with them. and the place was packed out. They framed the stage with golden bats – I dedicated a song to one of them. To celebrate their 150-year birthday, Bacardi decided to nominate three established artists – Mylo, Joe Goddard and Friendly Fires – to mentor three up-and-coming artists. Mylo chose me, which came as quite an awesome surprise. He said he’d like me to sing on his album.
What have you got planned for Splendour?
The live set is really all about big party vibes. I just want everyone to have a good time. I might try and bring some Spanish influence back with me; flamenco dancing and throwing omelettes into the crowd. We will also be joined by Sam Potter from Swimming and Late Of The Pier who will be throwing some shapes and banging out some sounds with us.
Who are you looking forward to seeing at Splendour?
Well, I can’t wait to see fellow homies Natalie Duncan, Nina Smith, Rob Green, Indiana, Jake Bugg and loads more. There’s such a ridiculous amount of talent from our city. And Dizzee Rascal will be way cool, too.
What will you be doing for the rest of the summer?
I’ll be in Barcelona finishing the album which will be out early next year. I’ll be writing some new music and getting the next release ready for the autumn.
Ronika will be on the Jagermeister Stage at 7pm. For more about her visitwww.ronikamusic.com and follow her on Twitter: @ohronikagirl.