'I taught Jacko the Moonwalk'

November 2009

They first met in 1979 after a concert by The Jacksons in Los Angeles. "There was an afterparty at this swanky restaurant in Beverly Hills," says Jeffrey Daniel, then the frontman of disco group Shalamar.
"I waited for an opportunity to go over and he was like (sings) 'the second time around...'
"This is after his sold-out concert and he's singing the chorus to my song. That's just how cool he was.
"But I didn't know at that time that he was already a fan of my dancing."
They became friends and Daniel would teach Jackson a number of dance moves, most famously the moonwalk. But where did he get that from?
"From the dance group The Electric Boogaloos and it was called the Backslide. But I wanted to do it right across the stage with Shalamar so I adapted it with long slides."
Daniel also choreographed Michael's Bad and Smooth Criminal videos (in which he also featured) and was creative consultant on a number of live tours.
Which is why the film Michael Jackson's This Is It, essentially a collection of clips from The King Of Pop's rehearsals for his planned 02 Arena shows, is familiar territory for Daniel.
"I'll have a different reaction from the general audience because I worked with him for such a long time," says Daniel, who saw the film at its London premiere last week.
He adds: "He was putting together some pretty nice visuals. And I've never seen him wear that many costumes before. That was pretty interesting for me. But what else can I say? It wasn't meant for public viewing but that's all we have left."
So what was he like?
"Extremely smart, more socially-conscious than most people would give him credit for and a very hard-worker. I know everything sounds cliched but it's all true."
Daniel learned to dance from an early age.
"We were raised in the projects (state-funded housing) area of east Los Angeles and dancing was just what we did in our neighbourhood. It was our culture.

"I loved it and it kept me away from things I shouldn't have been doing. I couldn't drink and dance. And I was never into drugs, even cigarettes. I was only into dancing and music."
His mother, who raised her three children as a single parent, was a classical pianist and ran a church choir, so music, like dancing, was a big part of his childhood.
"I was listening to The Beatles, Sonny and Cher, The Monkees, The Turtles, then Motown and Ray Charles. Being in California I was listening to it all."
After success as a dancer on the US TV show Soul Train, he formed Shalamar – a band that sold 25 million albums and had worldwide hits with A Night to Remember, Friends and There it is.
Shalamar are credited with introducing West Coast Street Dance into Europe, sparking a craze of body popping and robotics.
After the group split he went back to dance teaching. Daniel now lives in Japan.
He'll be teaching his moves at a masterclass at Dance Doctors in Long Eaton on November 16, part of which will include a Q&A session. Isn't he worried that these will be hijacked by questions about Michael Jackson?
"Well, that's obviously going to be a factor but if they're coming just to find out about Michael then when we get to the dancing they're going to walk out sore," he laughs.

The last time he spoke to Michael Jackson was around two years ago.
His death is bizarre, he added. "None of it makes much sense to me, still to this day."
He adds: "I think we, the people that really knew him, regret that we weren't there to say 'hey, what the hell's going on?'"
His fondest memory in the 30 years he knew Jackson was at Neverland.
"It was just the two of us walking together one night. We were going to see Toy Story in his cinema and we just talked. Not business, just life, children, family, girlfriends, wives, what we want to do... and that's something I'll treasure for the rest of my life."

Jeffrey Daniel will present a masterclass at Dance Doctors Studios, 3 C West End Mills, 2 Leopold Street, Long Eaton, on Monday, November 16 at 5pm (beginners) and 7pm (advanced). Tickets are £25, call 0115 946 4822 or visit www.dancedoctors.co.uk.

Katherine Jenkins

October 2009

She has been everywhere of late promoting her latest album Believe but nowhere more so than on Twitter. Katherine Jenkins, the girl-next-door with the multi-million pound voice, loves to Tweet.
Her followers get daily updates as to her whereabouts, including photos. There she is getting into a helicopter. At the Pride of Britain Awards. Dressed in a rubber outfit with hundreds of Swarovski crystals glued to her skin for a performance at G-A-Y... Even her attempt at making a lemon drizzle cake.
Many send her messages and sometimes she'll respond. But not to me.
A few weeks ago Katherine Tweeted to all her followers asking what they were up to. I, as @thesimonwilson, replied: "I'm sat in my underpants, eating Pringles, waiting for the missus to come home from the bingo."
"I read that!" she laughs.
You remember it?
"I do!"
And immediately notified the authorities?
"Nooo. No that's fine," she says, inadvertently giving me the green light for more inappropriate Tweets.
The Welsh beauty has more than 7,000 followers but only follows around 90 people on Twitter. There are a few Welsh celebrities and sports folk but The Osbournes – Ozzy, Sharon and Kelly – is a surprise.
"I've met Sharon many times and had lunch with her and she's just lovely."
Does she understand Andrea Bocelli's Tweets (they're in Italian)?
"I've only recently started following him and I'm not convinced it is him. I'll ask him when I see him."
She also follows Piers Morgan. Was she worried about the TV interview – broadcast last weekend – for fear of him being too probing?
"Well, yeah, because his style of interview is almost like an interrogation, so it was quite frightening. But I enjoyed it once I got in to it."
There was nothing in the programme about her relationship with former Blue Peter presenter Gethin Jones. Did he try and get something out of you about that?
"Of course," she giggles. "I explained why I didn't want to talk about it and I think he accepted it."
Another person she's following is TV psychic Sally Morgan. Does she believe she can talk to the dead?
"I believe that she's got a gift."
Has she "done" you?
"She has done me. And it was absolutely fascinating. Lots of things she said would happen did happen."
Was she a believer before the reading?
"When you've lost a close family member, I think you always want to believe they can contact you. So I went to see if there was any contact with my dad." He died when she 15.
"Then she talked about other stuff which blew my mind."
Always keen to put my subjects at ease, I blurt, "I saw you yesterday!", referring to her appearance on BBC current affairs yawner The Andrew Marr Show. Was it intimidating?
"I've been on it a few times."
(Note to researcher – must do better.)
(Note to self – hire a researcher.)
"I am interested in politics, it's just not something I choose to talk about because I think it's something to keep to myself."
David Cameron was on the show and there was a photo in the nationals of Katherine looking as if he'd said something outrageous. So what did he say?
"(Laughs) I think he did say something shocking. I can't remember."
I bet you can remember really and it was a mucky joke. There's another chuckle but nothing more.
An interview with Katherine Jenkins from her website:
The 29-year-old has been using Twitter to plug her new album, another collection of her take on rock and pop songs, film themes and classical pieces. I call it popera.
"I call it popular, because it's not pop music but it's easy listening, accessible music. It's the album I always wanted to make, in that it's still classical. It's what people expect from my singing but it's my most commercial album."
Which is odd considering you want to move away from that and in to "proper" opera.
"No, I don't want to move away from it completely. When I'm 30 I'd like to start doing opera but also my CDs and live concert work."
Katherine reveals her top three favourite songs, both new and old:
Songs on Believe include Til There Was You (The Beatles), Who Wants To Live Forever? (Queen) and No Woman No Cry (Bob Marley). The toughest challenge was Bring Me To Life by Evanescence.
"It's a rock song and to try to adapt it and make it sound believable was quite an undertaking."
Was she a pop fan as a teenager?
"Yes. I loved people like Madonna and Take That and, I'm embarrassed to say, New Kids On The Block. And I loved Kylie and Jason."
Did you cry when they got married?
"Yes."
And you were 20.
"Yeah (laughs)."
She promises to "look me up" on Twitter and encourages me to "keep Twittering."
I promise I wasn't sat in my underpants or eating Pringles.
"I'm sure you weren't."
Katherine Jenkins is still not following me on Twitter.

Follow her on Twitter at www.twitter.com/kjofficial.

Mayhem: Mike Hodges

October 2009

It is a tale of a fake medium, called Martha, who travels the US Bible Belt with her drunken father, conning people in to believing she can talk to the dead.
But then she begins to get messages from victims of murder from beyond the grave – before they've actually been killed.
She knows who the murderer is. But he knows that she knows...
Black Rainbow was a film written and directed by Mike Hodges, probably still best known for his work behind the camera on the iconic British thriller Get Carter.
But unlike that film, Black Rainbow, which starred Rosanna Arquette and Jason Robards, was a commercial flop.
"As with a lot of my films I've been unlucky with my distribution," says Hodges.
"In fact, Palace Pictures went down shortly after they'd released Black Rainbow. They'd already sold the video rights because they needed cash urgently and consequently it was only allowed to run in the cinema for a very brief time. In America, Miramax, who were also going under, sold it to a cable channel for the same reason.
"But it had some wonderful reviews and won lots of awards in foreign countries. It was very big in Japan I understand, so it has a life of its own."
The inspiration for writing the story was threefold, says Hodges.
"For years I bought the local papers as I travelled around these small towns in America and there were often stories of men being beaten up and sometimes killed for blowing the whistle on illegal practices in the factories where they worked. Added to that I was interested in the effect of the human species on the climate. And finally there was the location of a film I'd shot in North Carolina, which was very much in the Bible Belt. I put three of them together and came up with Black Rainbow."
He'd also begun to be interested in quantum theory, which added another dimension to the story.
Details aside, this meant Hodges believed (and still does) that predicting the future and time travel could be scientifically explained.

"Albert Einstein referred to Quantum Theory as "voodoo physics" but it really has blown apart our sense of reality. It's explaining certain phenomena, such as time travel, that previously we thought of as fantasy.
"So I was playing with ideas of that nature in Black Rainbow. At the beginning of the film, Martha's watch keeps playing up. Her time is in fact different to ours. Her time is ahead and a consequence of this explains why she is able to see into the future."
That said, Hodges is not convinced that today's psychics are quite what they seem.
"I think most mediums are fishing for information. I think a lot of it is fraudulent," he says.
Arquette wasn't the first choice to play his fake psychic in the film, admits Hodges.
"There were a couple of other actresses that I'd shown it to and I think they were rather frightened of it. Rosanna was very brave to take it on because it wasn't an easy role but I'm glad she did. She's terribly good in it."
Hodges has been a guest at Broadway before, appearing at the cinema's Shots In The Dark crime and thriller festival many years ago, with the release of Croupier.
"My first wife was from Nottingham. She's dead now and that was a long time ago but I've always liked the city."
So which is his favourite: Get Carter, Prayer For The Dying, Morons From Outer Space, Flash Gordon, Black Rainbow or Croupier?
"Each film is so different I can't really answer that."
Fair enough.
Will there be any more?
"I've got various projects that I hope will materialise before I kick the bucket," he laughs.

Nottingham Comedy Festival

October 2009

He makes a good point does James 'Lloydie' Lloyd. "It's amazing that this hasn't happened before," says the comedy writer and Trent FM presenter.
And it took two cherub-faced women, barely out of university, to do it.
Tonight sees the launch of the very first Nottingham Comedy Festival, with dozens of comics performing at nine venues across the city (and beyond) until next Saturday.
Rhod Gilbert, the shouty Welsh stand-up who did a fine job of guest hosting Never Mind The Buzzcocks recently, is the biggest name. And you may have only heard of Shazia Mirza among the others, but for a debut festival it ain't a bad start.
It's not just about watching the mirth-makers in action, as you can have a go yourself. Added to that, there are child-friendly shows.
"We are really passionate about comedy and felt that Nottingham should have its own festival," says organiser Helen Stead, 22, from Ravenshead, who will be appearing with the improv comedy group MissImp during the festival.
"We have a mix of top pros and rising stars. Part of the fun of festivals is checking out shows you know nothing about."
"We've had a lot of support," adds fellow organiser Rachel Greensmith, 22, from Clifton, who began working on the festival with Helen in February.
Nottingham comedian and promoter Spiky Mike, from the Funhouse Comedy Club, is among those who jumped at the idea.
"With the country in its longest-ever recession we need cheering up more than ever, so it's the perfect time to launch Nottingham's first-ever comedy festival," says Mike, who is running 24 shows during the festival.
"Rhod Gilbert is the best comedian in the country in my opinion but his Playhouse show sold out ages ago. There are still plenty of other really good comedians on during the festival," he adds, name-checking Addy Van Der Borgh, Rob Rouse, Andy White and Alfie Moore.
South Londoner James Mullinger has toured with Jimmy Carr and appears in his DVD Stand Up.
"Every gig I have ever done in Nottingham has been great," says James, whose show The Bad Boy Of Feminism is at The Bunkers Hill on Sunday.
"And I'm not one of those comics who thinks Nottingham is only famous for Robin Hood. I love exploring the city, although you'd better get used to the Robin Hood thing – it's going to be a nightmare after the film comes out next year. The city will look like Texas once the tourists descend."
Award-winning stand-up Shazia Mirza thinks the festival will be a spirit-raiser: "Any city could do with a good laugh right now. I'm sure the people of Nottingham will be a lot of fun."
"A city like Nottingham deserves a great event like this," adds Lloydie, whose one-act show, Coming and Going, is being performed at The Art Organisation.
Award-winning stand-up Paul Kerensa, who has written for the hit BBC comedy Not Going Out, is looking forward to coming back.
"I'm a big Nottingham fan," he says. "I lived there for three years as a student. It's a great city with great character and cracking venues."
Kerensa will be doing a compilation of Edinburgh Fringe shows at the Canalhouse on Monday.
"It's the first time I've brought my touring show to Nottingham and already it's feeling like a bit of a homecoming. Nottingham has the best kebabs on the planet – fact – so after the show you'll find me at an undisclosed location on Alfreton Road ordering my usual. See you there."
Lee Simpson, of the Comedy Store Players, thinks it's a strong line-up for a festival debut.
"I'd go along for that 'I was there at the beginning' cachet," he laughs.
The family-friendly shows are on Sunday afternoon at The Bunkers Hill with Mike Belgrave, who sees the world through the eyes of a child and The Clean Comedy Show, which carries a 12A certificate and has enjoyed sell-out runs at Edinburgh.
There are opportunities for anyone who fancies themselves as a bit of a wit. Spiky Mike is running his Should I Stay or Should I Go? competition at the Bunkers Hill tomorrow. "It's an X Factor-style gong show for newer acts where the audience vote acts off," he says.
"There are also improv nights that you can join in with."
Matt Turner will teach you how it's done on Sunday with his Friends of the Mirth Comedy Workshop.
"We aim to give people who have never performed stand-up comedy before a foothold on the comedy ladder by introducing them to writing techniques, joke structure and a chance to perform in a supportive environment."
The workshop is at the Robin Hood pub, in Sherwood, and culminates in a showcase gig in front of a live audience.
"Hopefully people who attend the workshop will leave brimming with confidence, full of ideas and have some guidance toward realising their ambitions."